The following lists, compiled by Joshua Marie Wilkinson and Ben Rutherfurd, present bibliographies of print materials related to poetry, poetics, and the teaching of poetry. While the lists are not in any way comprehensive, we welcome additions, corrections, suggestions, and questions at:
thevoltaeditors |at| gmail |dot| com
Put simply, it’s a work in progress—flawed & developing—but we hope you find it useful.
—JMW, January 1st, 2013, Tucson, AZ.
Poetics Essays
“The name of Poetics seems appropriate to such a study if we take the word in its etymological sense, that is, as a name for everything that bears on the creation or composition of works having language at once as their substance and as their instrument&—and not in the restricted sense of a collection of aesthetic rules or precepts relating to poetry” (Valéry, qtd in Todorov’s Introduction to Poetics, 7).
Abu-Lughod, Lila. “Shifting Politics in Bedouin Love Poetry.” Poetry and Cultural Studies: A Reader. Edited by Maria Damon and Ira Livingston. Urbana: University of Illinois Press, 2009. 116-132.
Achebe, Chinua. Illumination: Great Writers on Writing. Edited by Christina Davis & Christopher Edgar. New York: T&W Books, 2003. 3.
Ackerman, Diane. “What a Poem Knows.” The McGraw Hill Book of Poetry. Edited by Robert DiYanni and Kraft Rompf. New York: McGraw Hill, 1993. 1174-1175. “A poem tells us about the subtleties of mood for which we have no labels” (1174).
Adonis. “from ‘Preface.’” Poems for the Millennium: The University of California Book of Modern & Postmodern Poetry. Volume Two: From Postwar to Millennium. Ed. Jerome Rothenberg and Pierre Joris. Berkeley: University of California Press, 1998. 441-443. “Being a poet means that I have already written but that I have actually written nothing. Poetry is an at without beginning or an end. It is really a promise of a beginning, a perpetual beginning” (443).
Adorno, Theodor. “On Lyric Poetry and Society.” Poetry in Theory: An Anthology 1900-2000. Ed. Jon Cook. Malden, MA: Blackwell Publishing, 2004. 342-349. “As the contradiction between poetic and communicative language reached an extreme, lyric poetry became a game in which one goes for broke; not, as philistine opinion would have it, because it had become incomprehensible but because in acquiring self-consciousness as a literary language, in striving for an absolute objectivity unrestricted by any considerations of communication, language both distances itself from the objectivity of spirit, of living language, and substitutes a poetic event for a language that is no longer present” (348).
Adcock, Fleur. “Not Quite a Statement.” Strong Words: Modern Poets on Modern Poetry. Edited by W.N. Herbert and Matthew Hollis. Northumberland: Bloodaxe, 2000. 198-200.
Adorno, Theodore. “Two Essays on Poetry and Society.” Poetry and Cultural Studies: A Reader. Edited by Maria Damon and Ira Livingston. Urbana: University of Illinois Press, 2009. 25-36.
Aiken, Conrad. “Poetry and the Mind of Modern Man.” Poets on Poetry. Ed. Howard Nemerov. New York: Basic Books, 1966. 1-7. “The poet is only the medium” (6).
Akhmatova, Anna. Illumination: Great Writers on Writing. Edited by Christina Davis & Christopher Edgar. New York: T&W Books, 2003. 5.
Albert-Birot, Pierre. “The Sun Is in the Staircase.” Manifesto: A Century of Isms. Ed. Mary Ann Caws. Lincoln: University of Nebraska Press, 2001. 115. “The Sun / Is In The Staircase // For Information / Contact The Wine Merchant / Down The Road” (115).
---. “Banality.” Manifesto: A Century of Isms. Ed. Mary Ann Caws. Lincoln: University of Nebraska Press, 2001. 143. “Does our time resemble that of our parents? No. So let’s do as each people has done in each period of time, LET’S BE MODERN; let our works be the expression of the time in which they were born, these works alone are living, ALL THE OTHERS ARE ARTIFICIAL / TO EACH TIME ITS ART” (143).
---. “Ca ne se fait pas (It isn’t done).” Manifesto: A Century of Isms. Ed. Mary Ann Caws. Lincoln: University of Nebraska Press, 2001. 144-145. “But now France awakened / KNOWS / that everything ‘THAT ISN’T DONE’ / CAN BE DONE / and will BE DONE” (145).
---. “L’Esprit moderne (The modern spirit).” Manifesto: A Century of Isms. Ed. Mary Ann Caws. Lincoln: University of Nebraska Press, 2001. 146-147. “THE MODERN SPIRIT / SLUGGARDS! / Are you convinced?” (147).
---. “La Loi (The law).” Manifesto: A Century of Isms. Ed. Mary Ann Caws. Lincoln: University of Nebraska Press, 2001. 148-149. “DOWN WITH THE OLD / It’s dirty / It stinks / IT SMELLS LIKE DEATH” (149).
---. “Nunic Dialogue: Z and A in Front of Modern Paintings.” Manifesto: A Century of Isms. Ed. Mary Ann Caws. Lincoln: University of Nebraska Press, 2001. 149-150. “Z. What’s the problem? A. Everything! I don’t see anything I recognize” (149).
---. “Nunism.” Manifesto: A Century of Isms. Ed. Mary Ann Caws. Lincoln: University of Nebraska Press, 2001. 150. “All of us who are seeking something, let’s be nunists first” (150).
---. “Pas de corset! (No girdle!).” Manifesto: A Century of Isms. Ed. Mary Ann Caws. Lincoln: University of Nebraska Press, 2001. 151. “Really you Nunists, you are taking us straight to anarchy, the way you keep upsetting our rules: you forget it takes a girdle to stop everything sliding and spilling over” (151).
Aldington, R. and others. “Beyond Action and Reaction.” Manifesto: A Century of Isms. Ed. Mary Ann Caws. Lincoln: University of Nebraska Press, 2001. 340-341. “To believe that it is necessary for or conducive to art, to ‘Improve’ life, for instance—make architecture, dress, ornament, in ‘better taste,’ is absurd” (341).
---. “Our Vortex.” Manifesto: A Century of Isms. Ed. Mary Ann Caws. Lincoln: University of Nebraska Press, 2001. 342-343. “We are proud, handsome and predatory. / We hunt machines, they are our favourite game. / We invent them and then hunt them down. / This is a great Vorticist age, a great still age of artists” (343).
Aleshire, Joan. “Staying News: A Defense of the Lyric.” After Confession: Poetry as Autobiography. Saint Paul: Graywolf Press, 2001. 14-37.
Alexander, Christopher. “The Timeless Way of Building (excerpt).” Manifesto: A Century of Isms. Ed. Mary Ann Caws. Lincoln: University of Nebraska Press, 2001. 657-660. “Indeed this ageless character has nothing, in the end, to do with languages. The language, and the processes which stem from it, merely release the fundamental order which is native to us. They do not teach us, they only remind us of what we know already, and of what we shall discover time and time again, when we give up our ideas and opinions, and do exactly what emerges from ourselves” (660).
Alexander, Will. “Alchemy as Poetic Kindling.” A Poetics of Criticism. Edited by Juliana Spahr, Mark Wallace, Kristin Prevallet, and Pam Rehm. Buffalo: Leave Books, 1994. 173-177.
Algarin, Miguel. “Volume and Value of the Breath in Poetry.” Talking Poetics from Naropa Institute: Annals of the Jack Kerouac School of Disembodied Poetics. Volume Two. Ed. Anne Waldman and Marilyn Webb. Boulder: Shambhala, 1978. 325-345. “The way that the poet makes himself responsible for teaching the people how to think about themselves, and hot to put time out for thinking about themselves, is for him to do it, and do it aloud, and do it where people will hear him. It’s a responsibility that all poets have” (328).
---. “Nuyorican Language.” Poetry and Cultural Studies: A Reader. Edited by Maria Damon and Ira Livingston. Urbana: University of Illinois Press, 2009. 437-445.
Ali, Agha Shahid. Untitled essay on an Ars Poetica. What Will Suffice: Contemporary American Poets on the Art of Poetry. Ed. Christopher Buckley and Christopher Merrill. Salt Lake City: Gibbs Smith, 1997. 1-2. “And my poetics? Lover and beloved at once, witness of three worlds, each, from the beginning, mine: Hindu, Islamic, and Western. These I distill in exile” (2).
Ali, Kazim. “On the Line.” A Broken Thing: Poets on the Line. Ed. Emily Rosko and Anton Vander Zee. Iowa City: University of Iowa Press, 2011. 35-39. “By discrete moments, little swabs, a life can appear” (38).
Alighieri, Dante. Illumination: Great Writers on Writing. Edited by Christina Davis & Christopher Edgar. New York: T&W Books, 2003. 7.
Altieri, Charles. “Reading for Affect in the Lyric…” Poetry & Pedagogy: The Challenge of the Contemporary. Ed. Joan Retallack and Juliana Spahr. New York: Palgrave Macmillan, 2006.
Alvarez, Julia. “So Much Depends.” Twentieth-Century American Poetics: Poets on the Art of Poetry. Ed. Dana Gioia, David Mason, and Meg Schoerke. Boston: McGraw Hill, 2004. 432-436. “Still, I get nervous when people ask me to define myself as a writer. I hear the cage of a definition close around me with its ‘Latino subject matter,’ ‘Latino style,’ ‘Latino concerns.’ I find that the best way to define myself is through the stories and poems that do not limit me to a simple label, a choice” (436).
Amichai, Yehuda. Untitled Excerpt on Writing. Illuminations: Great Writers on Writing. Edited by Christina Davis & Christopher Edgar. New York: T&W Books, 2003. 9.
Ammons, A.R. “A Poem Is a Walk.” Claims for Poetry. Ed. Donald Hall. Ann Arbor: University of Michigan Press, 2000. 1-8. “I can’t tell you where a poem comes from, what it is, or what it is for: nor can any other man. The reason I can’t tell you is that the purpose of a poem is to go past telling, to be recognized by burning” (1).
---. Untitled Essay on a poem. Ecstatic Occasions, Expedient Forms: 85 Leading Contemporary Poets Select and Comment on Their Poems. Ed. David Lehman. Ann Arbor: University of Michigan Press, 2001. 1-2. “The danger is that arbitrary forms may be boringly clever compensations for a lack of native force, boxes to be filled with crushed material, boxes which may be taken to exhaust the unlimited existences inventive prosody can find to station the arbitrary in the work of art” (1).
Anderson, Jon. Untitled essay on a poem. Fifty Contemporary Poets: The Creative Process. Ed. Alberta T. Turner. New York: David McKay Co., 1977. “For some time I’d felt I had to put my safety at stake in every poem, to use poetry as an approach to those fatal elements of character I most feared in myself. The motive made possible better poems, but it accented my attention toward those fears. I decided to watch television” (37).
Andrews, Bruce. “Misrepresentation.” In the American Tree. Ed. Ron Silliman. Orono, ME: National Poetry Foundation, 1986.
---. with James Sherry, Barret Watten, Erica Hunt, Andrew Levy, Nick Lawrence, Jackson Mac Low, Jeffrey Jullich, and Sally Silvers. “Poetry as Explanation…” The Politics of Poetic Form: Poetry and Public Policy. Ed. Charles Bernstein. New York: Roof Books, 1998. 23-43. “There is no ‘direct treatment’ of the thing possible, except of the ‘things’ of language. Crystalline purity—or transparency—will not be found in words. That classical ideal is an illusion—one which recommends that we repress the process of production or cast our glance away from it” (24-25).
---. “Text and Context.” The L=A=N=G=U=A=G=E Book. Ed. Bruce Andrews and Charles Bernstein. Carbondale: Southern Illinois University Press, 1984. 31-38. “Language is the center, the primary material, the sacred corpus, the primum mobile, the erotic sense of its own shared reality. Not a separate but a distinguishing reality” (31).
---. “Code Words.” The L=A=N=G=U=A=G=E Book. Ed. Bruce Andrews and Charles Bernstein. Carbondale: Southern Illinois University Press, 1984. 54-56. “We can imagine writing that does not prepare the ego for the terrors and routines of a society it takes for granted” (54).
---. “Writing Social Work & Political Practice.” The L=A=N=G=U=A=G=E Book. Ed. Bruce Andrews and Charles Bernstein. Carbondale: Southern Illinois University Press, 1984. 133. “Writing doesn’t need to satisfy itself with pulverizing relations & discharging excess. It can charge material with possibilities of meaning—not by demolishing relations but creating them, no holds barred, among units of language (even when these seem superficially like a pulverized normality)” (136).
---. “Reading Notes.” Contemporary Poetics. Ed. Louis Armand. Evanston, IL: Northwestern University Press, 2007. 197-207. “Radical texts solicit a nonsequential production or remaking of sense…”(201).
---. “Reading Lines Linear How to Mean.” A Broken Thing: Poets on the Line. Ed. Emily Rosko and Anton Vander Zee. Iowa City: University of Iowa Press, 2011. 40-43. “First: the line can be an obstacle, a straightening barrier to experience’s full efflorescence” (40).
Andrews, Tom. Untitled essay on an Ars Poetica. What Will Suffice: Contemporary American Poets on the Art of Poetry. Ed. Christopher Buckley and Christopher Merrill. Salt Lake City: Gibbs Smith, 1997. 2. “Invariably I find that if I insist on my original design, then ‘I lose something in the original.’ Increasingly I’m interested in letting my poems…engage directly this tension between my own desire to speak and the language’s tendency to displace the speaker. The more I write, the more I discover the truth of something Michel Foucault wrote: ‘Language always seems to be inhabited by the other, the elsewhere, the distant’” (2).
Antheil, George. “Abstraction an Time in Music.” Manifesto: A Century of Isms. Ed. Mary Ann Caws. Lincoln: University of Nebraska Press, 2001. 650-652. “The GREATEST ARTIST should be he who is able to bring out of THIS special and THAT special material, the finest forms that lay inert and potent in that material” (651).
Antin, David. “what it means to be avant-garde.” Artifice & Indeterminacy: An Anthology of New Poetics. Ed. Christopher Beach. Tuscaloosa: University of Alabama Press, 1998. 109-129. “but maybe that the problem / with the notion of the avant-garde / that it turns itself from a discourse into a tradition / whose members worry about its decline in a threatening future / and maybe that’s why I’m such a poor avant-gardist / because i’m mainly concerned with the present” (120-121).
Anzaldúa, Gloria. “Borderlands/La Frontera (excerpt).” Manifesto: A Century of Isms. Ed. Mary Ann Caws. Lincoln: University of Nebraska Press, 2001. 614-618. “The ability to respond is what is meant by responsibility, yet our cultures take away our ability to act—shackles us in the name of protection. Blocked, immobilized, we can’t move forward, can’t move backwards, That writhing serpent movement, the very movement of life, swifter than lightning, frozen” (615).
---. “Tradition of the Shaman.” Conversant Essays: Contemporary Poets on Poetry. Detroit: Wayne State University Press, 1990. 99-100.
Apollinaire, Guillaume. “The New Spirit and the Poets.” Poetry in Theory: An Anthology 1900-2000. Ed. Jon Cook. Malden, MA: Blackwell Publishing, 2004. 75-82. “When a modern poet notes in several lines the throbbing sound of an airplane, it must be regarded above all as the desire of the poet to accustom his sensibility to reality. His passion for truth impels him to take almost scientific notes which, if he wishes to present them as poems, have the faults of being trompe-oreilles so to speak, to which actuality will always be superior” (78).
---. “Picasso.” Manifesto: A Century of Isms. Ed. Mary Ann Caws. Lincoln: University of Nebraska Press, 2001. 115-120. “His insistence on the pursuit of beauty has since changed everything in art” (117).
---. “The New Painting: Art Notes.” Manifesto: A Century of Isms. Ed. Mary Ann Caws. Lincoln: University of Nebraska Press, 2001. 120-123. “One could give the following definition of art: creation of new illusions. Indeed, everything we feel is only illusion, and the function of the artist is to modify the illusions of the public in accordance with his own creation” (121).
---. “Cubism Differs.” Manifesto: A Century of Isms. Ed. Mary Ann Caws. Lincoln: University of Nebraska Press, 2001. 123-125. “Cubism differs from the old schools of painting in that it aims, not at an art of imitation, but at an art of conception, which tends to rise to the height of creation” (123).
---. “Horse Calligram.” Manifesto: A Century of Isms. Ed. Mary Ann Caws. Lincoln: University of Nebraska Press, 2001. 126. “to be sensitive to poetry for it dominates / all dreadfully” (126).
---. “The Little Car.” Manifesto: A Century of Isms. Ed. Mary Ann Caws. Lincoln: University of Nebraska Press, 2001. 129-130. “We understood my buddy and I / That the little car had taken us into a New epoch / And although we were both grown men / We had just been born” (130).
Archambeau, Robert. “The Discursive Situation of Poetry.” The Monkey & The Wrench: Essays Into Contemporary Poetics. Akron, OH: University of Akron Press, 2011. 5-26. “As even this brief and incomplete survey of writers makes clear, American poets have noted the decline of the audience for poetry, and found it troubling. But when decriers of the decline make MFA programs their whipping boy they misunderstand the role such programs play in the distancing of poet from audience. In fact, poetry’s decline of popularity predates the rise of writing programs, and such programs are properly seen as the latest episode in a larger and long-enduring drama, a drama that began in the nineteenth century” (9).
Aristotle. The Poetics (complete). Criticism: Major Statements. Ed. Charles Kaplan & William Anderson. New York: St. Martin’s Press, 1991. 21-53. “The poet and the historian differ not by writing in verse or in prose. The work of Herodotus might be put into verse, and it would still be a species of history, with metre no less than without it. The true difference is that one relates what has happened, the other what may happen. Poetry, therefore, is a more philosophical and a higher thing than history: for poetry tends to express the universal, history the particular” (30).
Armand, Louis. “Strange Attractions: Technopoetics in the Vortex.” Contemporary Poetics. Ed. Louis Armand. Evanston, IL: Northwestern University Press, 2007. 293-320. “The ideas of repetition, generative constraint, and probability bring into a focus a fundamental characteristic of hypertext—that of the transversal. Transversality might be thought of as a particular kind of punctuation or puncturing (bifurcations, ruptures, discontinuities, cancellations), suggestive of a network of what Marc Augé calls ‘non places’ and What Hélène Cixous refers to as ‘a metonymic chain where the other place always has its other place’—a ‘zero of dimension’ or punctum between what has previously been thought of as the ‘inside’ and ‘outside’ of language” (296).
Armantrout, Rae. “‘Why Don’t Women Do Language-Oriented Writing?’” In the American Tree. Ed. Ron Silliman. Orono, ME: National Poetry Foundation, 1986.
---. “Cheshire Poetics.” American Women Poets in the 21st Century. Edited by Claudia Rankine and Juliana Spahr. Middletown, CT: Wesleyan University Press, 2002. 24-26. “It’s a Cheshire poetics, one that points two ways then vanishes in the blur of what is seen and what is seeing, what can be known and what it is to know. That double bind” (24).
---. “Feminist Poetics and the Meaning of Clarity.” Artifice & Indeterminacy: An Anthology of New Poetics. Ed. Christopher Beach. Tuscaloosa: University of Alabama Press, 1998. 287-296. “The question of how best to represent women’s social position remained open, and…I didn’t believe that women had ever shown a marked preference for writing poetry of an easily readable, because conventional, kind. From Dickinson to Stein to Riding-Jackson to the women I discussed in that 1978 essay (Susan Howe, Carla Harryman, and Lyn Hejinian), American women have been radical innovators” (287).
Arnold, Matthew. “The Study of Poetry.” Criticism: Major Statements. Ed. Charles Kaplan & William Anderson. New York: St. Martin’s Press, 1991. 357-380. “The best poetry is what we want; the best poetry will be found to have a power of forming, sustaining, and delighting us, as nothing else can. A clearer, deeper sense of the best in poetry, and of the strength and joy to be drawn from it, is the most precious benefit which we can gather from a poetical collection such as the present” (360).
---. “On Translating Homer.” The Prelude to Poetry: The English Poets in Defence and Praise of Their Own Art. Ed. Ernest Rhys. London: J.M. Dent, 1927. 275-284. “So the translator really has no good model before him for any part of his work, and has to invent everything for himself. He is to be rapid in movement, plain in speech, simple in thought, and noble” (276).
Arp, Jean (Hans). “Manifesto of the Dada Crocodarium.” Manifesto: A Century of Isms. Ed. Mary Ann Caws. Lincoln: University of Nebraska Press, 2001. 292. “long live DADA” (292).
---. “The Elephant Style versus the Bidet Style.” Manifesto: A Century of Isms. Ed. Mary Ann Caws. Lincoln: University of Nebraska Press, 2001. 292-293. “Rational architecture was repressed aesthetics” (292).
---. “Infinite Millimeter Manifesto.” Manifesto: A Century of Isms. Ed. Mary Ann Caws. Lincoln: University of Nebraska Press, 2001. 293. “we have to first let forms, colors, words, sounds grow / and then explain them” (293).
---. “Concrete Art.” Manifesto: A Century of Isms. Ed. Mary Ann Caws. Lincoln: University of Nebraska Press, 2001. 524. “Concrete art is a basic art, a sane and natural art that grows the stars of peace, love, and poetry in the head and in the heart” (524).
--- and others. “Poetry Is Vertical.” Manifesto: A Century of Isms. Ed. Mary Ann Caws. Lincoln: University of Nebraska Press, 2001. 529. “The final disintegration of the ‘I’ in the creative act is made possible by the use of a language which is a mantic instrument, and which does not hesitate to adopt a revolutionary attitude toward word and syntax, going even so far as to invent a hermetic language, if necessary” (529).
Artaud, Antonin. “The Theatre of Cruelty: First Manifesto.” Manifesto: A Century of Isms. Ed. Mary Ann Caws. Lincoln: University of Nebraska Press, 2001. 451-459. “Neither Humor, nor Poetry, nor Imagination means anything unless, by an anarchic destruction generating a fantastic flight of forms which ill constitute the whole spectacle, they succeed in organically calling into question man, his ideas about reality, and his poetic place in reality” (453).
---. “All Writing Is Pigshit.” Manifesto: A Century of Isms. Ed. Mary Ann Caws. Lincoln: University of Nebraska Press, 2001. 460-461. “The whole literary scene is a pigpen, especially this one” (460).
---. “Here Where Others…” Manifesto: A Century of Isms. Ed. Mary Ann Caws. Lincoln: University of Nebraska Press, 2001. 462. “I want to make a Book that will derange men, that will be like an open door leading them where they would never have consented to go. A door simply ajar on reality” (462).
---. “Revolt against Poetry.” Manifesto: A Century of Isms. Ed. Mary Ann Caws. Lincoln: University of Nebraska Press, 2001. 463-464. “The unconscious producer of our selves is that of an ancient copulator who frees himself to commit more vulgar magicks, and who has pulled off the most infamous wizardry by having brought himself back to his self-same self over and above his very self, eternally, so that he was able even to pull a word out of a cadaver” (464).
---. “Shit to the Spirit.” Manifesto: A Century of Isms. Ed. Mary Ann Caws. Lincoln: University of Nebraska Press, 2001. 464-470. “A nightmare never is an accident, but an evil fastened on to us by a whore, by the mouth of a ghoul of a whore who finds us too rich with life, and so creates by very exact slurps some interferences in our thought, some catastrophic voids in the passage of the breath of our sleeping body, which believes itself free from care” (467).
---. “Spell for Leon Fouks.” A Book of the Book: Some Works & Projections About the Book & Writing. New York: Granary Books, 2000. 226-227.
Ashbery, John. “The Invisible Avant-Garde.” Twentieth-Century American Poetics: Poets on the Art of Poetry. Ed. Dana Gioia, David Mason, and Meg Schoerke. Boston: McGraw Hill, 2004. 287-291. “To experiment was to have the feeling that one was poised on some outermost brink. In other words if one wanted to depart, even moderately, from the norm, one was taking one’s life—one’s life as an artist—into one’s hands” (288).
---. Untitled Essay on a poem. Ecstatic Occasions, Expedient Forms: 85 Leading Contemporary Poets Select and Comment on Their Poems. Ed. David Lehman. Ann Arbor: University of Michigan Press, 2001. 2-4. “These restraints [pantoums] seem to have a paradoxically liberating effect, for me at least” (4).
---. “Respect for Things as They Are.” Poets on Painters: Essays on the Art of Painting by Twentieth-Century Poets. Edited by J.D. McClatchy. Berkeley: University of California Press, 1988. 247-254.
Atwood, Margaret. “Poetic Process?” A Field Guide to Contemporary Poetry and Poetics. Revised Edition. Ed. Stuart Friebert, David Walker, and David Young. Oberlin, OH: Oberlin College Press, 1997. 21. “I don’t want to know how I write poetry. Poetry is dangerous: talking too much about it, like naming your gods, brings bad luck. I believe that most poets will go to almost any lengths to conceal their own reluctant, scanty insights both from others and from themselves. Paying attention to how you do it is like stopping in the middle of any other totally involving and pleasurable activity to observe yourself suspended in the fatal inner mirror: you may improve your so-called technique, but only at the expense of your so-called soul” (21).
Auden, W.H. “Writing.” The Poet’s Work. Ed. Reginald Gibbons. New York: Houghton Mifflin, 1979. 240-253. “The poet who writes ‘free’ verse is like Robinson Crusoe on his desert island: he must do all his cooking, laundry, and darning for himself. In a few exceptional cases, this manly independence produces something original and impressive, but more often the result is squalor—dirty sheets on the unmade bed and empty bottles on the unswept floor” (249).
“Poetry is not magic. Insofar as poetry, or any other of the arts, can be said to have an ulterior purpose, it is, by telling the truth, to disenchant and disintoxicate” (253).
---. “The Poet and the City.” Poetry in Theory: An Anthology 1900-2000. Ed. Jon Cook. Malden, MA: Blackwell Publishing, 2004. 377-384. “[A] poem which was really like a political democracy—examples, unfortunately, exist—would be formless, windy, banal and utterly boring…” (383).
---. “from The Virgin and the Dynamo.” 20th Century Poetry & Poetics. Fourth Edition. Ed. Gary Geddes. Toronto: Oxford University Press, 1996. 790-794. “A poem may be described as being written in iambic pentameters, but if every foot in every line were identical, the poem would sound intolerable to the ear. I am sometimes inclined to think that the aversion of many modern poets and their readers to formal verse may be due to their association of regular repetition and formal restrictions with all that is most boring and lifeless in modern life, road drills, time-clock punching, bureaucratic regulations” (791).
---. “Calm Even in the Catastrophe.” Poets on Painters: Essays on the Art of Painting by Twentieth-Century Poets. Edited by J.D. McClatchy. Berkeley: University of California Press, 1988. 127-137.
---. From “The Enchafed Flood: The Artist as Don Quixote.” Prose Keys to Modern Poetry. Edited by Karl Shapiro. Evanston: Row Peterson & Co., 1962. 200-203.
Balestrini, Nanni and others. “Manifesto of Naples.” Manifesto: A Century of Isms. Ed. Mary Ann Caws. Lincoln: University of Nebraska Press, 2001.
Balla, Giacomo. “Futurist Manifesto of Men’s Clothing 1913.” Futurist Manifestos. Edited by Umbro Appolonio. Boston: Artworks, 2001. 132-134.
---. “The Late Balla – Futurist Balla 1915.” Futurist Manifestos. Edited by Umbro Appolonio. Boston: Artworks, 2001. 206-207.
---. “The Futurist Universe 1918.” Futurist Manifestos. Edited by Umbro Appolonio. Boston: Artworks, 2001. 219.
--- and Forunato Depero. “Futurist Reconstruction of the Universe 1915.” Futurist Manifestos. Edited by Umbro Appolonio. Boston: Artworks, 2001. 197-200.
Bar-Nadav, Hadara. “The Poem as Canvas: Interdisciplinary Pedagogies.” Poets on Teaching: A Sourcebook. Ed. Joshua Marie Wilkinson. Iowa City: University of Iowa Press, 2010.
Baraka, Amiri. “How You Sound??” The New American Poetry 1945-1960. Ed. Donald Allen. Berkeley: University of California Press, 2000.
---. “Hunting Is Not Those Heads on the Wall.” Poetry in Theory: An Anthology 1900-2000. Ed. Jon Cook. Malden, MA: Blackwell Publishing, 2004.
---. “State/Meant.” Poetry in Theory: An Anthology 1900-2000. Ed. Jon Cook. Malden, MA: Blackwell Publishing, 2004.
---. “Expressive Language.” The Poetics of The New American Poetry. Edited by Donald Allen and Warren Tallman. New York: Grove Press, 1973.
---. “Pulling it Down or the Good Manners of Vampires.” Beats at Naropa. Ed. Anne Waldman and Laura Wright. Minneapolis: Coffee House Press, 2009.
---. “Lecture.” Civil Disobediences: Poetics and Politics in Action. Ed. Anne Waldman and Lisa Birman. Minneapolis: Coffee House Press, 2004.
Barbiero, Daniel. “Avant-Garde without Agonism?” Telling It Slant: Avant-Garde Poetics of the 1990s. Ed. Mark Wallace & Steven Marks. Tuscaloosa: University of Alabama Press, 2001.
Barg, Barbara. “Questions.” The L=A=N=G=U=A=G=E Book. Ed. Bruce Andrews and Charles Bernstein. Carbondale: Southern Illinois University Press, 1984.
Barnes, Djuna. Untitled Excerpt on Writing. Illuminations: Great Writers on Writing. Edited by Christina Davis & Christopher Edgar. New York: T&W Books, 2003. 11.
Barone, Dennis. “The Rape of Clarissa by Terry Eagleton.” Code of Signals: Recent Writings in Poetics. Ed. Michael Palmer. Berkeley: North Atlantic Books, 1983.
Barthes, Roland. “Is There Any Poetic Writing?” Poetry in Theory: An Anthology 1900-2000. Ed. Jon Cook. Malden, MA: Blackwell Publishing, 2004.
---. “The Written Face.” A Book of the Book: Some Works & Projections About the Book & Writing. New York: Granary Books, 2000. 311-312.
Baudelaire, Charles. “The Painter of Modern Life, Parts 1-4.” Toward the Open Field: Poets on the Art of Poetry 1800-1950. Ed. Melissa Kwasny. Middletown, CT: Wesleyan University Press, 2004.
---. Notes from “Intimate Journals.” Prose Keys to Modern Poetry. Edited by Karl Shapiro. Evanston: Row Peterson & Co., 1962. 35-37.
---. from “The Flowers of Evil: Three Drafts of a Preface.” Prose Keys to Modern Poetry. Edited by Karl Shapiro. Evanston: Row Peterson & Co., 1962. 31-35.
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---. “Introduction.” Civil Disobediences: Poetics and Politics in Action. Ed. Anne Waldman and Lisa Birman. Minneapolis: Coffee House Press, 2004.
---. “Femanifestos.” Civil Disobediences: Poetics and Politics in Action. Ed. Anne Waldman and Lisa Birman. Minneapolis: Coffee House Press, 2004.
---. “My Life a Book.” A Book of the Book: Some Works & Projections About the Book & Writing. New York: Granary Books, 2000. 80-83.
Waldrep, G.C. “Mailing the Black Box.” Poets on Teaching: A Sourcebook. Ed. Joshua Marie Wilkinson. Iowa City: University of Iowa Press, 2010.
Waldrop, Rosmarie. “Alarms & Excursions.” The Politics of Poetic Form: Poetry and Public Policy. Ed. Charles Bernstein. New York: Roof Books, 1998.
---. Untitled Essay on a poem. Ecstatic Occasions, Expedient Forms: 85 Leading Contemporary Poets Select and Comment on Their Poems. Ed. David Lehman. Ann Arbor: University of Michigan Press, 2001.
---. “Why Prose Poems?” Lyric Postmodernisms: An Anthology of Contemporary Innovative Poetries. Edited by Reginald Shepherd. Denver: Counterpath Press, 2008.
Walker, Alice. “In Search of Our Mother’s Gardens.” Claims for Poetry. Ed. Donald Hall. Ann Arbor: University of Michigan Press, 2000.
Walker, David. “Stone Soup: Contemporary Poetry and the Obsessive Image.” A Field Guide to Contemporary Poetry and Poetics. Revised Edition. Ed. Stuart Friebert, David Walker, and David Young. Oberlin, OH: Oberlin College Press, 1997.
Wallace, Mark. “Toward a Free Multiplicity of Form.” Telling It Slant: Avant-Garde Poetics of the 1990s. Ed. Mark Wallace & Steven Marks. Tuscaloosa: University of Alabama Press, 2001.
---. “Roadie.” Poets on Teaching: A Sourcebook. Ed. Joshua Marie Wilkinson. Iowa City: University of Iowa Press, 2010.
---. “Against Unity.” The Monkey & The Wrench: Essays Into Contemporary Poetics. Akron, OH: University of Akron Press, 2011.
---. “With Romantic Materialism.” A Poetics of Criticism. Edited by Juliana Spahr, Mark Wallace, Kristin Prevallet, and Pam Rehm. Buffalo: Leave Books, 1994. 249-262.
Ward, Diane. “Nine-Tenths of Our Body.” Code of Signals: Recent Writings in Poetics. Ed. Michael Palmer. Berkeley: North Atlantic Books, 1983.
Wark, McKenzie. “From Hypertext to Codework.” Contemporary Poetics. Ed. Louis Armand. Evanston, IL: Northwestern University Press, 2007.
Warren, Rosanna. “Orpheus the Painter: Apollinaire and Robert Delaunay.” Conversant Essays: Contemporary Poets on Poetry. Detroit: Wayne State University Press, 1990. 549-563.
Warshall, Peter. “Symbiosis.” Civil Disobediences: Poetics and Politics in Action. Ed. Anne Waldman and Lisa Birman. Minneapolis: Coffee House Press, 2004.
Watson, Craig. “Statement.” The L=A=N=G=U=A=G=E Book. Ed. Bruce Andrews and Charles Bernstein. Carbondale: Southern Illinois University Press, 1984.
Watten, Barrett. “For Change.” In the American Tree. Ed. Ron Silliman. Orono, ME: National Poetry Foundation, 1986.
---. “Method and L=A=N=G=U=A=G=E….” In the American Tree. Ed. Ron Silliman. Orono, ME: National Poetry Foundation, 1986.
---. “Note.” The L=A=N=G=U=A=G=E Book. Ed. Bruce Andrews and Charles Bernstein. Carbondale: Southern Illinois University Press, 1984.
---. “Object Status.” The L=A=N=G=U=A=G=E Book. Ed. Bruce Andrews and Charles Bernstein. Carbondale: Southern Illinois University Press, 1984.
---. “Writing and Capitalism.” The L=A=N=G=U=A=G=E Book. Ed. Bruce Andrews and Charles Bernstein. Carbondale: Southern Illinois University Press, 1984.
---. “Total Syntax: The Work in the World.” Artifice & Indeterminacy: An Anthology of New Poetics. Ed. Christopher Beach. Tuscaloosa: University of Alabama Press, 1998.
---. “The Bride of the Assembly Line: Radical Poetics in Construction.” Poetry and Cultural Studies: A Reader. Edited by Maria Damon and Ira Livingston. Urbana: University of Illinois Press, 2009. 163-176.
Webb, Phyllis. “On The Line.” 20th Century Poetry & Poetics. Fourth Edition. Ed. Gary Geddes. Toronto: Oxford University Press, 1996.
Weigl, Bruce. Untitled essay on an Ars Poetica. What Will Suffice: Contemporary American Poets on the Art of Poetry. Ed. Christopher Buckley and Christopher Merrill. Salt Lake City: Gibbs Smith, 1997.
Weiner, Hannah. “Forum.” The Politics of Poetic Form: Poetry and Public Policy. Ed. Charles Bernstein. New York: Roof Books, 1998.
---. “Capitalistic Useless Phrases after Endless.” The L=A=N=G=U=A=G=E Book. Ed. Bruce Andrews and Charles Bernstein. Carbondale: Southern Illinois University Press, 1984.
Weiner, Lawrence. “Regarding…” The L=A=N=G=U=A=G=E Book. Ed. Bruce Andrews and Charles Bernstein. Carbondale: Southern Illinois University Press, 1984.
Weiss, Theodore. “Toward a Classical Modernity…” Poets on Poetry. Ed. Howard Nemerov. New York: Basic Books, 1966.
Welish, Marjorie. Untitled Essay on a poem. Ecstatic Occasions, Expedient Forms: 85 Leading Contemporary Poets Select and Comment on Their Poems. Ed. David Lehman. Ann Arbor: University of Michigan Press, 2001.
---. “Artist’s Statement.” Lyric Postmodernisms: An Anthology of Contemporary Innovative Poetries. Edited by Reginald Shepherd. Denver: Counterpath Press, 2008.
Welty, Eudora. “Place in Fiction.” Manifesto: A Century of Isms. Ed. Mary Ann Caws. Lincoln: University of Nebraska Press, 2001.
---. Untitled Excerpt on Writing. Illuminations: Great Writers on Writing. Edited by Christina Davis & Christopher Edgar. New York: T&W Books, 2003. 99.
Werner, Marta. “Divinations: Emily Dickinson’s Scriptive Economics.” A Poetics of Criticism. Edited by Juliana Spahr, Mark Wallace, Kristin Prevallet, and Pam Rehm. Buffalo: Leave Books, 1994. 87-96.
Weston, Jesse L. From “From the Ritual to Romance: The Fisher King.” Prose Keys to Modern Poetry. Edited by Karl Shapiro. Evanston: Row Peterson & Co., 1962. 75-90.
Whalen, Philip. “Untitled.” The New American Poetry 1945-1960. Ed. Donald Allen. Berkeley: University of California Press, 2000.
---. “‘Goldberry is Waiting’; or, P.W., His Magic Education as a Poet.” The Poetics of The New American Poetry. Edited by Donald Allen and Warren Tallman. New York: Grove Press, 1973.
---. “Sudden Histories, Natural Jumps.” Talking Poetics from Naropa Institute: Annals of the Jack Kerouac School of Disembodied Poetics. Volume Two. Ed. Anne Waldman and Marilyn Webb. Boulder: Shambhala, 1978.
Wharton, Edith. Untitled Excerpt on Writing. Illuminations: Great Writers on Writing. Edited by Christina Davis & Christopher Edgar. New York: T&W Books, 2003. 101.
Wheeler, Susan. “Poetics Statement.” American Poets in the 21st Century: The New Poetics. Edited by Claudia Rankine and Lisa Sewell. Middletown, CT: Wesleyan University Press, 2007.
Whistler, James Abbott McNeill. “The Ten O’Clock.” Manifesto: A Century of Isms. Ed. Mary Ann Caws. Lincoln: University of Nebraska Press, 2001.
Whitman, Walt. “The Poem of America.” The McGraw Hill Book of Poetry. Edited by Robert DiYanni and Kraft Rompf. New York: McGraw Hill, 1993.
---. “Preface to Leaves of Grass.” American Poetry and Poetics: Poems and Critical Documents from the Puritans to Robert Frost. Edited by Daniel G. Hoffman. New York: Anchor Books, 1962.
---. “From Specimen Days.” American Poetry and Poetics: Poems and Critical Documents from the Puritans to Robert Frost. Edited by Daniel G. Hoffman. New York: Anchor Books, 1962.
---. “Edgar Poe’s Significance.” American Poetry and Poetics: Poems and Critical Documents from the Puritans to Robert Frost. Edited by Daniel G. Hoffman. New York: Anchor Books, 1962.
---. “My Tribute to Four Poets.” American Poetry and Poetics: Poems and Critical Documents from the Puritans to Robert Frost. Edited by Daniel G. Hoffman. New York: Anchor Books, 1962.
---. “Death of Longfellow.” American Poetry and Poetics: Poems and Critical Documents from the Puritans to Robert Frost. Edited by Daniel G. Hoffman. New York: Anchor Books, 1962.
---. “A Backward Glance O’er Travel’d Roads.” American Poetry and Poetics: Poems and Critical Documents from the Puritans to Robert Frost. Edited by Daniel G. Hoffman. New York: Anchor Books, 1962.
---. “Walt Whitman to Ralph Waldo Emerson.” The Poetics of The New American Poetry. Edited by Donald Allen and Warren Tallman. New York: Grove Press, 1973.
---. From “So Long!” A Book of the Book: Some Works & Projections About the Book & Writing. New York: Granary Books, 2000. 112.
Whittemore, Reed. “Poetry as Discovery.” Poets on Poetry. Ed. Howard Nemerov. New York: Basic Books, 1966.
Wilbur, Richard. “Poetry and Happiness.” Claims for Poetry. Ed. Donald Hall. Ann Arbor: University of Michigan Press, 2000.
---. Untitled Essay on a poem. Ecstatic Occasions, Expedient Forms: 85 Leading Contemporary Poets Select and Comment on Their Poems. Ed. David Lehman. Ann Arbor: University of Michigan Press, 2001.
---. “On My Own Work.” Poets on Poetry. Ed. Howard Nemerov. New York: Basic Books, 1966.
---. Untitled essay on a poem. Fifty Contemporary Poets: The Creative Process. Ed. Alberta T. Turner. New York: David McKay Co., 1977.
Wilde, Oscar. “The Poets and the People: By One of the Latter.” Manifesto: A Century of Isms. Ed. Mary Ann Caws. Lincoln: University of Nebraska Press, 2001.
---. “Preface to The Picture of Dorian Gray.” Manifesto: A Century of Isms. Ed. Mary Ann Caws. Lincoln: University of Nebraska Press, 2001.
---. Untitled Excerpt on Writing. Illuminations: Great Writers on Writing. Edited by Christina Davis & Christopher Edgar. New York: T&W Books, 2003. 103.
---. From “The Decay of Dying.” Prose Keys to Modern Poetry. Edited by Karl Shapiro. Evanston: Row Peterson & Co., 1962. 55-56.
Williams. C.K. “Contexts: An Essay on Intentions.” Strong Words: Modern Poets on Modern Poetry. Edited by W.N. Herbert and Matthew Hollis. Northumberland: Bloodaxe, 2000. 184-187.
---. “The Poet and History.” Conversant Essays: Contemporary Poets on Poetry. Detroit: Wayne State University Press, 1990. 388-398.
Williams, Miller. “The Line in Poetry.” Antaeus. Poetry & Poetics. Summer / Autumn, 1978. Vol. 30/31.
Williams, Tyrone. “The Human Teacher.” Poets on Teaching: A Sourcebook. Ed. Joshua Marie Wilkinson. Iowa City: University of Iowa Press, 2010.
Williams, William Carlos. “Projective Verse and….” The Poet’s Work. Ed. Reginald Gibbons. New York: Houghton Mifflin, 1979.
---. “A New Measure.” Twentieth-Century American Poetics: Poets on the Art of Poetry. Ed. Dana Gioia, David Mason, and Meg Schoerke. Boston: McGraw Hill, 2004.
---. “The Poem as a Field of Action.” Twentieth-Century American Poetics: Poets on the Art of Poetry. Ed. Dana Gioia, David Mason, and Meg Schoerke. Boston: McGraw Hill, 2004.
---. “Preface to Kora in Hell.” Poetry in Theory: An Anthology 1900-2000. Ed. Jon Cook. Malden, MA: Blackwell Publishing, 2004.
---. “Edgar Allan Poe.” The Poetics of The New American Poetry. Edited by Donald Allen and Warren Tallman. New York: Grove Press, 1973.
---. “The Work of Gertrude Stein.” The Poetics of The New American Poetry. Edited by Donald Allen and Warren Tallman. New York: Grove Press, 1973.
---. “Introduction to The Wedge.” The Poetics of The New American Poetry. Edited by Donald Allen and Warren Tallman. New York: Grove Press, 1973.
---. “William Carlos Williams to Robert Creeley.” The Poetics of The New American Poetry. Edited by Donald Allen and Warren Tallman. New York: Grove Press, 1973.
---. “Letter.” Antaeus. Poetry & Poetics. Summer / Autumn, 1978. Vol. 30/31.
---. “The Pluralism of Experience.” Manifesto: A Century of Isms. Ed. Mary Ann Caws. Lincoln: University of Nebraska Press, 2001.
---. “On Measure—Statement for Cid Corman.” 20th Century Poetry & Poetics. Fourth Edition. Ed. Gary Geddes. Toronto: Oxford University Press, 1996.
---. “A Matisse and Painting” and “Painting in the American Grain.” Poets on Painters: Essays on the Art of Painting by Twentieth-Century Poets. Edited by J.D. McClatchy. Berkeley: University of California Press, 1988. 25-37.
---. From “In the American Grain.” Prose Keys to Modern Poetry. Edited by Karl Shapiro. Evanston: Row Peterson & Co., 1962. 203-206.
---. Untitled Excerpt on Writing. Illuminations: Great Writers on Writing. Edited by Christina Davis & Christopher Edgar. New York: T&W Books, 2003. 105.
Williamson, Alan. “Stories about the Self.” After Confession: Poetry as Autobiography. Saint Paul: Graywolf Press, 2001. 51-70.
Willis, Elizabeth. “The Arena in the Garden…” Telling It Slant: Avant-Garde Poetics of the 1990s. Ed. Mark Wallace & Steven Marks. Tuscaloosa: University of Alabama Press, 2001.
---. Lyric Postmodernisms: An Anthology of Contemporary Innovative Poetries. Edited by Reginald Shepherd. Denver: Counterpath Press, 2008.
---. “Hero’s Skirt.” A Poetics of Criticism. Edited by Juliana Spahr, Mark Wallace, Kristin Prevallet, and Pam Rehm. Buffalo: Leave Books, 1994. 165-172.
Wilson, Peter Lamborn. “Hieroglyphics and Money.” Civil Disobediences: Poetics and Politics in Action. Ed. Anne Waldman and Lisa Birman. Minneapolis: Coffee House Press, 2004.
Wiman, Christian. “A Piece of Prose.” Twentieth-Century American Poetics: Poets on the Art of Poetry. Ed. Dana Gioia, David Mason, and Meg Schoerke. Boston: McGraw Hill, 2004.
Wimsatt, W.K. “The Concrete Universal.” Poetry in Theory: An Anthology 1900-2000. Ed. Jon Cook. Malden, MA: Blackwell Publishing, 2004.
Wimsatt, W.K. and Monroe C. Beardsley. “The Concept of Meter…” The Structure of Verse: Modern Essays on Prosody. Ed. Harvey Gross. New York: Ecco Press, 1979.
Winters, Yvor. “…The Testament of Stone.” Twentieth-Century American Poetics: Poets on the Art of Poetry. Ed. Dana Gioia, David Mason, and Meg Schoerke. Boston: McGraw Hill, 2004.
---. “The Audible Reading of Poetry.” The Structure of Verse: Modern Essays on Prosody. Ed. Harvey Gross. New York: Ecco Press, 1979.
Wojahn, David. Untitled essay on an Ars Poetica. What Will Suffice: Contemporary American Poets on the Art of Poetry. Ed. Christopher Buckley and Christopher Merrill. Salt Lake City: Gibbs Smith, 1997.
Woolf, Virginia. “Shakespeare’s Sister, from A Room of One’s Own.” Criticism: Major Statements. Ed. Charles Kaplan & William Anderson. New York: St. Martin’s Press, 1991.
---. Untitled Excerpt on Writing. Illuminations: Great Writers on Writing. Edited by Christina Davis & Christopher Edgar. New York: T&W Books, 2003. 107.
Wordsworth, William. “Preface to Lyrical Ballads.” Criticism: Major Statements. Ed. Charles Kaplan & William Anderson. New York: St. Martin’s Press, 1991.
---. “Observations and a Passage on Poetic Diction.” The Prelude to Poetry: The English Poets in Defence and Praise of Their Own Art. Ed. Ernest Rhys. London: J.M. Dent, 1927.
Wormser, Baron. “Soul Music: Religion and Poetry.” Conversant Essays: Contemporary Poets on Poetry. Detroit: Wayne State University Press, 1990. 564-568.
Wright, C.D. “A Taxable Matter.” A Field Guide to Contemporary Poetry and Poetics. Revised Edition. Ed. Stuart Friebert, David Walker, and David Young. Oberlin, OH: Oberlin College Press, 1997.
Wright, Charles. Untitled essay on a poem. Fifty Contemporary Poets: The Creative Process. Ed. Alberta T. Turner. New York: David McKay Co., 1977.
---. Untitled essay on an Ars Poetica. What Will Suffice: Contemporary American Poets on the Art of Poetry. Ed. Christopher Buckley and Christopher Merrill. Salt Lake City: Gibbs Smith, 1997.
---. “Charles Wright at Oberlin.” A Field Guide to Contemporary Poetry and Poetics. Revised Edition. Ed. Stuart Friebert, David Walker, and David Young. Oberlin, OH: Oberlin College Press, 1997.
Wright, James. “Letters from Europe, Two Notes from Venice…” American Poets in 1976. Ed. William Heyen. Indianapolis: Bobbs-Merrill, 1976.
---. “A Response to ‘The Working Line.’” A Field Guide to Contemporary Poetry and Poetics. Revised Edition. Ed. Stuart Friebert, David Walker, and David Young. Oberlin, OH: Oberlin College Press, 1997.
Yakich, Mark. “Yakking Points.” Poets on Teaching: A Sourcebook. Ed. Joshua Marie Wilkinson. Iowa City: University of Iowa Press, 2010.
Yau, John. Untitled Essay on a poem. Ecstatic Occasions, Expedient Forms: 85 Leading Contemporary Poets Select and Comment on Their Poems. Ed. David Lehman. Ann Arbor: University of Michigan Press, 2001.
---. “Between the Forest and Its Trees (Second Version).” A Poetics of Criticism. Edited by Juliana Spahr, Mark Wallace, Kristin Prevallet, and Pam Rehm. Buffalo: Leave Books, 1994. 44-48.
Yeats, W. B. “The Symbolism of Poetry.” Poetry in Theory: An Anthology 1900-2000. Ed. Jon Cook. Malden, MA: Blackwell Publishing, 2004.
---. “The First Principle.” The McGraw Hill Book of Poetry. Edited by Robert DiYanni and Kraft Rompf. New York: McGraw Hill, 1993.
---. “A General Introduction for My Work.” Modern Poets on Modern Poetry. Ed. James Scully. London: McGraw Hill, 1966.
---. “Anima Hominis (excerpt).” Manifesto: A Century of Isms. Ed. Mary Ann Caws. Lincoln: University of Nebraska Press, 2001.
---. “from Magic.” 20th Century Poetry & Poetics. Fourth Edition. Ed. Gary Geddes. Toronto: Oxford University Press, 1996.
---. “Art and Ideas.” Poets on Painters: Essays on the Art of Painting by Twentieth-Century Poets. Edited by J.D. McClatchy. Berkeley: University of California Press, 1988. 1-10.
---. From “A Vision: The Great Wheel.” Prose Keys to Modern Poetry. Edited by Karl Shapiro. Evanston: Row Peterson & Co., 1962. 121-136.
---. Untitled Excerpt on Writing. Illuminations: Great Writers on Writing. Edited by Christina Davis & Christopher Edgar. New York: T&W Books, 2003. 109.
Yetsirah, Sefer. “Anonymous.” A Book of the Book: Some Works & Projections About the Book & Writing. New York: Granary Books, 2000. 341-344.
Yingling, Thomas. “The Homosexual Lyric.” Poetry in Theory: An Anthology 1900-2000. Ed. Jon Cook. Malden, MA: Blackwell Publishing, 2004.
Young, David. Untitled essay on a poem. Fifty Contemporary Poets: The Creative Process. Ed. Alberta T. Turner. New York: David McKay Co., 1977.
---. “The Bite of the Muskrat: Judging Contemporary Poetry.” A Field Guide to Contemporary Poetry and Poetics. Revised Edition. Ed. Stuart Friebert, David Walker, and David Young. Oberlin, OH: Oberlin College Press, 1997.
---. “Language: The Poet as Master and Servant.” A Field Guide to Contemporary Poetry and Poetics. Revised Edition. Ed. Stuart Friebert, David Walker, and David Young. Oberlin, OH: Oberlin College Press, 1997.
---. “Second Honeymoon: Some Thoughts on Translation.” A Field Guide to Contemporary Poetry and Poetics. Revised Edition. Ed. Stuart Friebert, David Walker, and David Young. Oberlin, OH: Oberlin College Press, 1997.
Young, Karl. “Bookforms.” The Book, Spiritual Instrument. Edited by Jerome Rothenburg and David Guss. New York: Granary Books, 2000. 52-58.
---. “Notation and the Art of Reading.” A Book of the Book: Some Works & Projections About the Book & Writing. New York: Granary Books, 2000. 25-49.
---. “Notes on Codex Vienna.” The Book, Spiritual Instrument. Edited by Jerome Rothenburg and David Guss. New York: Granary Books, 2000. 108-123.
Young, Kevin. “Poetics Statement.” American Poets in the 21st Century: The New Poetics. Edited by Claudia Rankine and Lisa Sewell. Middletown, CT: Wesleyan University Press, 2007.
Young, Stephanie. “Thinking, Practice.” Poets on Teaching: A Sourcebook. Ed. Joshua Marie Wilkinson. Iowa City: University of Iowa Press, 2010.
Yu, Timothy. “Making the Case for Asian American Poetry.” Poets on Teaching: A Sourcebook. Ed. Joshua Marie Wilkinson. Iowa City: University of Iowa Press, 2010.
Zack, Lev. “overture.” Manifesto: A Century of Isms. Ed. Mary Ann Caws. Lincoln: University of Nebraska Press, 2001.
Zapruder, Matthew. “Don’t Paraphrase.” Poets on Teaching: A Sourcebook. Ed. Joshua Marie Wilkinson. Iowa City: University of Iowa Press, 2010.
Zawacki, Andrew. “Artist’s Statement.” The Iowa Anthology of New American Poetries. Ed. by Reginald Shepherd. Iowa City: University of Iowa Press, 2004.
---. “Learned Ignorance.” Poets on Teaching: A Sourcebook. Ed. Joshua Marie Wilkinson. Iowa City: University of Iowa Press, 2010.
Zdanevich, Ilya and Mikhail Larionov. “Why We Paint Ourselves: A Futurist Manifesto.” Manifesto: A Century of Isms. Ed. Mary Ann Caws. Lincoln: University of Nebraska Press, 2001.
Zimmer, Paul. “The Importance of Being Zimmer.” American Poets in 1976. Ed. William Heyen. Indianapolis: Bobbs-Merrill, 1976.
Zoline, Pamela. “Council on Counterpoetics” (with 10 others). Poems for the Millennium: The University of California Book of Modern & Postmodern Poetry. Volume Two: From Postwar to Millennium. Ed. Jerome Rothenberg and Pierre Joris. Berkeley: University of California Press, 1998.
Zucker, Rachel. “Artist’s Statement.” The Iowa Anthology of New American Poetries. Ed. by Reginald Shepherd. Iowa City: University of Iowa Press, 2004.
Zukofsky, Louis. “An Objective.” Twentieth-Century American Poetics: Poets on the Art of Poetry. Ed. Dana Gioia, David Mason, and Meg Schoerke. Boston: McGraw Hill, 2004.
---. “A Statement for Poetry.” Poetry in Theory: An Anthology 1900-2000. Ed. Jon Cook. Malden, MA: Blackwell Publishing, 2004.
***
Poetics Collections by Individual Authors
Alteri, Charles. The Art of Twentieth-Century American Poetry: Modernism and After. Malden, MA: Blackwell Publishing, 2006.
Amato, Joe. Industrial Poetics: Demo Tracks for a Mobile Culture. Iowa City: University of Iowa Press, 2006.
Armantrout, Rae. Collected Prose. Philadelphia: Singing Horse Press, 2007.
Ashbery, John. Selected Prose. Ed. Eugene Richie. Ann Arbor: University of Michigan Press, 2004.
---. Other Traditions. Cambridge, MA: Harvard University Press, 2001.
Auden, W.H. The Prolific and the Devourer. Hopewell, NJ: Ecco Press, 1981.
Beachy-Quick, Dan. A Whaler’s Dictionary. Minneapolis: Milkweed Editions, 2008.
---. Wonderful Investigations: Essays, Meditations, Tales. Minneapolis: Milkweed Editions, 2012
Bernstein, Charles. A Poetics. Cambridge: Harvard University Press, 1992.
---. Attack of the Difficult Poems: Essays and Interventions. Chicago: University of Chicago Press, 2011.
---. My Way: Speeches and Poems. Chicago: University of Chicago Press, 1999.
Blaser, Robin. The Fire: Collected Essays of Robin Blaser. Ed. Miriam Nichols. Berkeley: University of California Press, 2006.
Celan, Paul. Collected Prose. Tr. Rosmarie Waldrop. Manchester: Carcanet, 2003.
Clover, Joshua. 1989: Bob Dylan Didn’t Have This to Sing About. Berkeley: University of California Press, 2009.
---. The Matrix. London: BFI, 2004.
Cole, Norma. To Be At Music: Essays & Talks. Richmond, CA: Omnidawn Publishing, 2010.
Corbett, William. All Prose. Cambridge: Zoland Books, 2001.
Creeley, Robert. Collected Prose. Champaign: Dalkey Archive, 2001.
Culler, Jonathan. Structuralist Poetics. Ithaca: Cornell University Press, 1975.
Davenport, Guy. The Hunter Gracchus and Other Papers on Literature & Art. New York: Counterpoint, 1996.
Doty, Mark. The Art of Description: World into Word. Minneapolis: Graywolf Press, 2010.
Duncan, Robert. A Selected Prose. Ed. Robert J. Bertholf. New York: New Directions, 1995.
Finkelstein, Norman. Lyrical Interference: Essays on Poetics. New York: Spuyten Duyvil, 2003.
Fraser, Kathleen. Translating the Unspeakable: Poetry and the Innovative Necessity. Tuscaloosa: University of Alabama Press, 2000
Gilbert, Alan. Another Future: Poetry and Art in a Postmodern Twilight. Wesleyan University Press, 2006.
Ginsberg, Allen. Deliberate Prose. New York: Penguin, 2000.
Gioia, Dana. Can Poetry Matter? Essays on Poetry and American Culture. Minneapolis: Graywolf, 1992.
Goldsmith, Kenneth. Uncreative Writing: Managing Language in the Digital Age. New York: Columbia University Press, 2011.
Grossman, Allen and Mark Halliday. The Sighted Singer: Two Works on Poetry for Readers and Writers. Baltimore: Johns Hopkins University Press, 1992.
Hass, Robert. Twentieth Century Pleasures: Prose on Poetry. New York: Ecco, 1984.
---. What Light Can Do: Essays on Art, Imagination, and the Natural World. New York: Ecco, 2012.
Hejinian, Lyn. The Language of Inquiry. Berkeley: University of California Press, 2000.
Hoagland, Tony. Real Sofistikashun: Essays on Poetry and Craft. Minneapolis: Graywolf Press, 2006.
Hollander, John. Melodious Guile: Fictive Pattern in Poetic Language. New Haven: Yale University Press, 1988.
Howe, Fanny. The Wedding Dress: Meditations on Word and Life. Berkeley: University of California Press, 2003.
---. The Winter Sun: Notes on a Vocation. Minneapolis: Graywolf Press, 2009.
Howe, Susan. The Birth-mark: unsettling the wilderness in American literary history. Middletown, CT: Wesleyan University Press, 1993.
---. My Emily Dickinson. Berkeley: North Atlantic Books, 1985.
Jarrell, Randall. No Other Book: Selected Essays. Ed. Brad Leithauser. New York: Perrenial, 2000.
Johnston, Devin. Creaturely and Other Essays. New York: Turtle Point, 2009.
Longenbach, James. The Art of the Poetic Line. Minneapolis: Graywolf Press, 2007.
Joris, Pierre. A Nomadic Poetics: Essays. Middletown, CT: Wesleyan University Press, 2003.
Joron, Andrew. The Cry at Zero: Selected Prose. Denver: Counterpath, 2007.
Kinzie, Mary. A Poet’s Guide to Poetry. Chicago: University of Chicago Press, 1999.
Koch, Kenneth. The Art of Poetry: Poems, Parodies, Interviews, Essays, and Other Work. Ann Arbor: University of Michigan Press, 1996.
Komunyakaa, Yusef. Blue Notes: Essays, Interviews, and Commentaries. Ann Arbor: University of Michigan Press, 2003.
Mackey, Nathaniel. Discrepant Engagement: Dissonance, Cross-Culturality, and Experimental Writing. Tuscaloosa: University of Alabama Press, 1993.
---. Paracritical Hinge: Essays, Talks, Notes, Interviews. Madison: University of Wisconsin Press, 2005.
Miller, Jane. Working Time: Essays on Poetry, Culture, and Travel. Ann Arbor: University of Michigan Press, 1992.
Moten, Fred. In the Break: The Aesthetics of the Black Radical Tradition. Minneapolis: University of Minnesota, 2003.
Myles, Eileen. The Importance of Being Iceland: Travel Essays in Art. Los Angeles: Semiotext(e), 2009.
Nelson, Maggie. Bluets. Seattle: Wave Books, 2009.
---. Women, The New York School, and Other True Abstractions. Iowa City: University of Iowa Press, 2007.
---. The Art of Cruelty: A Reckoning. New York: W. W. Norton, 2011.
Nealon, Christopher. The Matter of Capital: Poetry and Crisis in the American Century. Cambridge, MA: Harvard University Press, 2011.
---. Foundlings: Lesbian and Gay Historical Emotion Before Stonewall. Chapel Hill, NC: Duke University Press, 2001.
Notley, Alice. Coming After: Essays on Poetry. Ann Arbor: University of Michigan Press, 2005.
Olson, Charles. Collected Prose. Ed. Donald Allen and Benjamin Friedlander. Berkeley: University of California Press, 1997.
Oppen, George. Selected Prose, Daybooks, and Papers. Ed. Stephen Cope. Berkeley: University of California Press, 2007.
Padgett, Ron. The Teachers and Writers Handbook of Poetic Forms. New York: Teachers & Writers Collaborative, 1987.
Perloff, Marjorie. The Poetics of Indeterminacy: Rimbaud to Cage. Evanston: Northwestern University Press, 1981. [Essays on Rimbaud, Stein, Williams, Pound, Beckett, Ashbery, Cage, and Antin]
---. The Futurist Moment: Avant-Garde, Avant Guerre, and the Langugage of Rupture. Chicago: University of Chicago Press, 2003. [originally 1986]
---. 21st-Century Modernism: The “New” Poetics. Malden, MA: Blackwell Publishing, 2002. [Essays on Eliot, Stein, Duchamp, Khlebnikov]
---. The Dance of the Intellect: Studies in the Poetry of the Pound Tradition. Evanston: Northwestern University Press, 1985. [Essays on Pound, Stevens, Cage, Joyce, Williams, Oppen, Beckett, Cage, Language poetry, etc.]
---. Differentials: Poetry, Poetics, Pedagogy. Tuscaloosa: University of Alabama Press, 2004. [Essays on Humanities, Eliot, Pound, Duchamp, Wittgenstein, Jolas, Beckett, Silliman, Susan Howe, de Campos, Ronald Johnson, Bok, Bergvall, Raworth, Armantrout]
---. Poetic License: Essays on Modernist and Postmodernist Lyric. Evanston: Northwestern University Press, 1990. [Essays on Canonicity, Feminist poetics, Yeats, Khlebnikov, Lawrence, Pound, Stein, Beckett, Plath, Ginsberg, Merwin, Blackburn, Barthes, Ashbery, McCaffery, Susan Howe]
---. Poetry On & Off the Page: Essays for Emergent Occasions. Evanston: Northwestern University Press, 1998. [Essays on Loy, Duncan-Levertov, Hejinian, Barthes, Boltanski, McCaffery, Cage, Viola.]
---. Radical Artifice: Writing Poetry in the Age of Media. Chicago: University of Chicago Press, 1991.
--- and Craig Dworkin, Eds. The Sound of Poetry / The Poetry of Sound. Chicago: University of Chicago Press, 2009. [Essays by Roubaud, Susan Stewart, Lehto, Huang, Rosmarie Waldrop, Sieburth, Crnkovic, Nancy Perloff, McCaffery, Bok, Bernstein, Aji, Dworkin, Tawada, Susan Howe, Ruben Gallo, Bessa, Drucker, Ma, Reed, Goldsmith]
Palmer, Michael. Active Boundaries: Selected Essays and Talks. New York: New Directions, 2008.
Place, Vanessa and Rob Fitterman. Notes on Conceptualisms. Brooklyn: Ugly Duckling Presse, 2009.
Pound, Ezra. The Spirit of Romance. New York: New Directions, 1968.
---. ABC of Reading. New York: New Directions, 1934.
Rasula, Jed. This Compost: Ecological Imperatives in American Poetry. Athens, GA: University of Georgia Press, 2012.
Retallack, Joan. The Poethical Wager. Berkeley: University of California Press, 2003.
Revell, Donald. The Art of Attention: The Poet’s Eye. Minneapolis: Graywolf Press, 2007
Rich, Adrienne. What Is Found There: Notebooks on Poetry and Politics. New York: W. W. Norton, 1993.
---. Arts of the Possible: Essays and Conversations. New York: W. W. Norton, 2001.
---. On Lies, Secrets, and Silence: Selected Prose 1966-1978. New York: W. W. Norton, 1979.
---. Blood, Bread, and Poetry: Selected Prose 1979-1985. New York: W. W. Norton, 1986.
Robertson, Lisa. Nilling: Prose Essays on Noise, Pornography, The Codex, Melancholy, Lucretius, Folds, Cities and Related Aporias. Toronto: Bookthug, 2012.
Roethke, Theodore. On Poetry & Craft. Port Townsend, WA: Copper Canyon Press, 2001.
Roubaud, Jacques. Poetry, etcetera: Cleaning House. Tr. Guy Bennett. Los Angeles: Green Integer, 2006.
Ruefle, Mary. Madness, Rack, and Honey: Collected Lectures. Seattle: Wave Books, 2012.
Rukeyser, Muriel. The Life of Poetry. Ashfield, MA: Paris Press, 1996.
Shockley, Evie. Renegade Poetics: Black Aesthetics and Formal Innovation in African American Poetry. Iowa City: University of Iowa Press, 2011.
Silliman, Ron. The New Sentence. New York: Roof Books, 1995.
Sorrentino, Gilbert. Something Said: Essays. Champaign: Dalkey Archive, 2001.
Spahr, Juliana. Everybody’s Autonomy: Connective Reading and Collective Identity. Tuscaloosa: University of Alabama Press, 2001.
Spicer, Jack. The House That Jack Built: The Collected Lectures of Jack Spicer. Ed. Peter Gizzi. Middletown, CT: Wesleyan University Press, 1998.
Stefans, Brian Kim. Before Starting Over: Selected Writings and Interviews 1994-2005. Cambridge: Salt Publishing, 2006.
Stevens, Wallace. The Necessary Angel: Essays on Reality and the Imagination. New York: Knopf, 1951.
Stewart, Susan. Poetry and the Fate of the Senses. Chicago: University of Chicago Press, 2002.
Tate, James. The Route as Briefed. Ann Arbor: University of Michigan Press, 1999.
Voigt, Ellen Bryant. The Art of Syntax: Rhythm of Thought, Rhythm of Song. Minneapolis: Graywolf Press, 2009.
Waldrop, Rosmarie. Dissonance (if you are interested). Tuscaloosa: University of Alabama Press, 2005.
Williams, Jonathan. Blackbird Dust: Essays, Poems, and Photographs. New York: Turtle Point, 2000.
Williams, William Carlos. The Embodiment of Knowledge. New York: New Directions, 1974.
---. In the American Grain. New York: New Directions, 2009.
Wright, C.D. Cooling Time: An American Poetry Vigil. Port Townsend: Copper Canyon, 2005.
Yau, John. The Passionate Spectator: Essays on Art and Poetry. Ann Arbor: University of Michigan Press, 2006.
Young, Dean. The Art of Recklessness: Poetry as Assertive Force and Contradiction. Minneapolis: Graywolf, 2010.
Poetics Anthologies
After Confession: Poetry as Autobiography. Ed. Kate Sontag and David Graham. Saint Paul: Graywolf Press, 2001. [Essays by Olds, Matthews, Aleshire, Lea, Williamson, Burchac, Collins, David Graham, Plumly, Inez, Moss, Bidart, Rankine, Finch, Komunyakaa, Sontag, Kooser, Frost, Dunn, Hudgins, Galvin, Hahn, Gemin, Gluck, Harris, Kimberly Blaeser, Muske-Dukes, Chin, Ostriker, Rich]
American Poets in 1976. Ed. William Heyen. Indianapolis: Bobbs-Merrill, 1976. [including Bly, Brinnin, Creeley, Haines, Haislip, Heyen, Hugo, Ignatow, Logan Matthews, Mazzaro, Meredith, Oates, Pastan, Patterson, Peck, Plumly, Reed, Rich, Rosenthal, Sexton, Simpson, Smith, Stafford, St. John, Stryk, Turco, Wright, Zimmer.]
Artifice & Indeterminacy: An Anthology of New Poetics. Ed. Christopher Beach. Tuscaloosa: University of Alabama Press, 1998. [including: Bernstein, Perelman, Davidson, Perloff, Antin, Scalapino, Hejinian, Taggart, James Sherry, Silliman, McCaffery, Lazer, Mackey, Maria Damon, Armantrout, DuPlessis, Susan Howe]
Beats at Naropa. Ed. Anne Waldman and Laura Wright. Minneapolis: Coffee House Press, 2009. [including: McClure, Coolidge, Ginsberg, Snyder, Baraka, Hettie Jones, Kyger, Janine Pommy Vega, Waldman, Joyce Johnson, Perloff, Amram, Corso, Clellon Holmes, Edie Parker Kerouac, Ted Berrigan, Ann Charters, Ferlinghetti, Whalen, Dee Cervantes, Henderson, Sanders, Oughton, Burroughs, Rick Fields, Merwin, Trungpa, Rinpche, David Rome, Joshua Zim, di Prima, Steven Taylor.]
A Book of the Book: Some Works & Projections About the Book & Writing. Ed. Jerome Rothenberg and Steven Clay. New York: Granary Books, 2000. [Essays by Rothenberg, McCaffery, bpNichol, Karl Young, Everson, Keith S. Amith, Michael Davidson, Waldman, Derrida, Jabes, Stein, Blake, Erdman, Whitman, Susan Howe, Sieburth, Blanchot, Perloff, Cendrars, Delaunay, Marinetti, Janecek,, Khlebnikov, Maizels, Breton, Ernst, Duchamp, Beaumelle, Artaud, McGann, Nezahualcoyotl, Munn, Tedlock, Munn, Vicuña, Billeter, Barthes, Ishihara, Reinfeld, Carothers, Samarin, Meltzer, Gaffarel, Griaule, Borges, Mignolo, Phillips, Drucker, Roth, Hamilton, Knowles, Jess, Upton, Cutts, Tyson, Kaprow, Vogler, Alec Finlay, Ian Hamilton Finlay, Gillanders, Schneeman, Fahrner, Watts, Cameron, Ringgold, Cayley, Bernstein]
The Book, Spiritual Instrument. Ed. Jerome Rothenberg and David Guss. New York: Granary Books, 1996. [Essays by Rothenberg, Mallarme, Gibbs, Lansing, Guss, Karl Young, Tedlock, Cohen, Rasula, Knowles, Quasha, Oldknow, Higgins, Meltzer, Karl Young, Jabes, Eluard, Scholem, Blau]
A Broken Thing: Poets on the Line. Ed. Emily Rosko and Anton Vander Zee. Iowa City: University of Iowa Press, 2011. [including Kazim Ali, Bruce Andrews, Hadara Bar-Nadav, Catherine Barnett, Charles Bernstein, Mei-mei Berssenbrugge, Bruce Bond, Marianne Boruch, Scott Cairns, Joshua Clover, Norma Cole, Brent Cunningham, J.P. Dancing Bear, Christina Davis, Johanna Drucker, Camille Dungy, John O. Espinoza, Kathy Fagan, Annie Finch, Graham Foust, Alice Fulton, John Gallaher, Noah Eli Gordon, Arielle Greenberg, Sarah Gridley, Gabriel Gudding, Kimiko Hahn, Raza Ali Hasan, H.L. Hix, Cynthia Hogue, Fanny Howe, Christine Hume, Christine Hume, Karla Kelsey, Sarah Kennedy, Ben Lerner, Dana Levin, Timothy Liu, Thomas Lux, Joanie Mackowski, Shara McCallum, Heather McHugh, Wayne Miller, Jenny Mueller, Laura Mullen, Molly Pacock, V. Penelope Pelizzon, Emmy Pérez, Carl Phillips, Patrick Phillips, Donald Platt, Kevin Prufer, Paisley Rekdal, Donald Revell, Martha Rhodes, Alberto Ríos, Dana Roeser, Mary Ann Samyn, Robyn Schiff, Tim Seibles, Ravi Shankar, Evie Shockley, Eleni Sikelianos, Susan Stewart, Stephanie Strickland, Terese Svoboda, Cole Swensen, Sarah Vap, Joshua Marie Wilkinson, Robert Wrigley, Rachel Zucker]
Civil Disobediences: Poetics and Politics in Action. Ed. Anne Waldman and Lisa Birman. Minneapolis: Coffee House Press, 2004. [including: Waldman, Sonia Sanchez, Ted Berrigan, Duncan, John Oughton, Blaser, Notley, Hollo, Kai Nieminen, Ferlinghetti, Creeley, Bobbie Louise Hakins, Ondaatje, Warshall, Sanders, Ginsberg, Helen Adam, Sze, Swensen, Snyder, Grauerholz, Bye, Peter Lamborn Wilson, Kyger, Baraka, Delany, Michael du Plessis, Akilah Oliver, Myles, kari Edwards, Tejada, Lorenzo Thomas, Hunter, Guest, Douglas Oliver, Steven Taylor, Laird Hunt, Alan Gilbert, Beverly Dahlen, Sikelianos, Collom, Dickison, Joris, Mullen, Alcalay, Fawcett, Regan, Birman.]
Claims for Poetry. Ed. Donald Hall. Ann Arbor: University of Michigan Press, 2000. [including Ammons, Bell, Berry, Bly, Carruth, Creeley, Duncan, Edson, Gallagher, Gilbert, Haines, Hall, Hass, Higgins, Hollander, Hugo, Ignatow, Justice, Kennedy, Kern, Kostelanetz, Levertov,J. Logan, Lorde, McGrath, Mac Low, Merwin, O’Hara, Ostriker, Padgett, Pinsky, Rich, Ryan, Silliman, Simic, Simpson, Snodgrass, Snyder, Stafford, Strand, Walker, Wilbur]
Code of Signals: Recent Writings in Poetics. Ed. Michael Palmer. Berkeley: North Atlantic Books, 1983. [including James Clifford, Mackey, Taggart, Madeleine Burnside, Fanny Howe, Hocquard & Royet-Journoud, Charles Stein, David Levi-Strauss, Christopher Gaynor, David Shapiro & Lucio Pozzi, Bromige, Michael Davidson, Diane Ward, William Corbett, Bernadette Mayer, Clark Coolidge, Shurin, Susan Howe, Steve McCaffery, Perelman, Isaac the Blind, Michael Palmer, Gerrit Lansing, Richard Grossinger, Lori Chamberlain, Dennis Barone, Charles Bernstein, Ashbery,]
The Consequence of Innovation: 21st Century Poetics. Ed. Craig Dworkin. New York: Roof Books, 2008. [Essays by Dworkin, Steven Evans, Bernstein, Rasula, Barbara Cole, Biglieri, Sianne Ngai, Goldsmith, Brian Kim Stefans, K. Silem Mohammad, Gary Sullivan, Gottlieb, James Sherry, Bergvall on Templeton, Gilbert, Clune, Perloff]
Contemporary Poetics. Ed. Louis Armand. Evanston, IL: Northwestern University Press, 2007. [Including: Bernstein, Perloff, Kevin Nolan, Donald F. Theall, Perelman, Critchley, D.J. Huppatz, Michel Delville & Andrew Norris, Ricardo L. Nirenberg, Keston Sutherland, Nicole Tomlinson, Julian Savage, Andrews, Augusto de Campos, Darren Tofts, Gregory L. Ulmer, J. Hillis Miller, McKenzie Wark, Alan Sondheim, Louis Armand, Steve McCaffery, Allen Fisher]
Conversant Essays: Contemporary Poets on Poetry. Ed. James McCorkle. Detroit: Wayne State University Press, 1990. [Essays by William Logan, Crase, Taggart, Grosholz, Silliman, Anzaldua, Grahn, Eshleman, Steele, Hartman, Levertov, Umpierre, Rudman, Leithauser, Gioia, Fulton, Mackey, Bell, Corn, Schulman, Galassi, Hadas, Clampitt, Gilbert, Davidson, McDowell, St. John, McClatchy, Hacker, Jensen, Peacock, McKean, Swander, Hirsch, Klepfisz, Stern, C.K. Williams, Ostriker, Rothenberg, Bernstein, Randall, Clarke, Hamill, Levis, DuPlessis, Retallack, Christensen, Lauterbach, Lehman, Heller, Warren, Wormser, Plumly]
Criticism: Major Statements. Ed. Charles Kaplan & William Anderson. New York: St. Martin’s Press, 1991. [Including: Plato, Aristotle, Longinus, Horace, Sir Philip Sidney, John Dryden, Alexander Pope, Samuel Johnson, William Wordsworth, Coleridge, Keats, Shelley, Poe, Arnold, Pater, James, Tolstoy, Freud, Eliot, Woolf, Kenneth Burke, Ransom, Cleanth Brooks, Frye, Derrida, Rich, Eagleton, Jameson, Barthes, Todorov, Johnson, de Man, Fish, Showalter, Greenblatt, J. Hillis Miller, Sandra M. Gilbert and Susan Gubar, Henry Louis Gates, Jr.]
A Field Guide to Contemporary Poetry and Poetics. Revised Edition. Ed. Stuart Friebert, David Walker, and David Young. Oberlin, OH: Oberlin College Press, 1997. [including Stafford, Levertov, Atwood, Hall, Bly, Edson, Holub, Schmitz, McPherson, James Wright, John Haines, Shirley Kaufman, William Matthews, Simic, Marvin Bell, Gunter Eich, Jean Follain, Snyder, Levis, David Young, Alberta Turner, Walkder, David Young, C.D. Wright, David Shapiro, Kinnell, Rich, Charles Wright, Laura Jensen, Lee Upton.]
Futurist Manifestos. Ed. Umbro Apollonio. Boston: Art Works, 2001. [Marinetti, Boccioni, Carra, Russolo, Balla, Severini, Pratella, Bragaglia, Corra, de Saint-Point, Marinetti, Prampolini, Soffici, Corradini, Settimelli, Sant’Elia,]
Illuminations: Great Writers on Writing. Christina Davis and Christopher Edgar. New York: T&W Books, 2003. [A paragraph or two from Achebe, Akhmatova, Alighieri, Amichai, Djuna Barnes, Bishop, Boccaccio, Borges, Calvino, Cather, Celan, Conrad, Crane, Dickinson, Duras, George Eliot, T.S. Eliot, Emerson, Faulkner, Ford, Grass, Hemingway, Henry James, June Jordan, Kafka, Keats, Marquez, Mayakovsky, Mistral, de Montaigne, Moore, Morrison, Nabokov, Neruda, O’Hara, Orwell, Pessoa, Plath, Poe, Rilke, Roethke, Sexton, Shonagon, Stevens, Szymborska, Thoreau, Tolstoy, Tsvetaeva, Welty, Wharton, Wilde, Williams, Woolf, Yeats.]
The L=A=N=G=U=A=G=E Book. Ed. Bruce Andrews and Charles Bernstein. Carbondale: Southern Illinois University Press, 1984. [including: Eigner, Piombino, Davies, Peter Seaton, DiPalma, Silliman, Watten, Grenier, Craig Watson, Greenwald, Lally, Mac Low, Hejinian, Andrews, Bernstein, Sherry, Foreman, Rasula, Bromige, Andrew Kelly, Mayer, Rothenberg, Higgins, McCaffery, Susan Bee Laufer, Abigail Child, Ensslin, Gerald Burns, Madeleine Burnside, Benedetti, Darragh, Dewdney, Barg, Bruce Boone, Cris Cheek, Kirby Malone, Marshall Reese, Davidson, Fawcett, P. Inman, John Leo, Chris Mason, Palmer, Lorenzo Thomas, Weiner, Benson, Mottram, Lawrence Weiner, Schjeldahl, Noel, Perelman, Steve Hamilton, Lynne Dreyer, Andrew Kelly, Robert Kelly, Kit Robinson, Michael Gottlieb, Armantrout, Messerli, David Trotter, Ballerini and Milazzo, Don Byrd, Ted Pearson, Mengham, Drucker, Gottlieb, Diane Ward, Hills, Tolson, Ronald Johnson.]
A Megaphone: Some Enactments, Some Numbers, and Some Essays about the Continued Usefulness of Crotchless-pants-and-a-machine-gun Feminism. Ed. Juliana Spahr and Stephanie Young. Oakland: ChainLinks, 2011. [including Spahr, Stephanie Young, Ban, Bozicevic, Djuric, Fattal, Rapatzikou, Repar, Sakelliou, Scappettone, Schneider, Venkateswaran, Villiers, Whitener, Zemborain, Paul Foster Johnson, Brolaski, Grinnell, Peet, Dale Smith, Stallings, Reyes, CAConrad]
Manifesto: A Century of Isms. Ed. Mary Ann Caws. Lincoln: University of Nebraska Press, 2001. [Including Whistler, Wilde, Pierre-Louis, Mallarme, Moreas, redon, Hodler, Bryusov, Ivanov, Sologub, Yeats, Tzara, Stern and Wat, Snyder, Albert-Birot, Apollinaire, Braque, Cendrars, Jacob, Reverdy, Delaunay, Hausmann, Newman, Boccioni, Marinetti, Carra, Russolo, Ade Saint-Poit, Mandelstam, Graal-Arelsky, Zack, Burliuk, Mayakovsky, Khlebnikov and Kruchenykh, Larionov and Goncharova, Zdanevich and Larionov, Munch, Kokoschka, Klee, Ensor, Litteraire, Ensor, de Kooning, Kandinsky, Marc, Carra, de Chirico, Arp, Huelsenbeck, Janko, Doesburg, Duchamp, Picabia, Ray, Richter, Vache, Freytag-Loringhoven, Loy, Aldington, Lewis, Flint, Harltey, Pound, Dali, de la Serna, Ortega y Gasset, Torres-Garcia, Huidobro, Borges, Andrade, Hausmann, Schwitters, Lissitzky, Gabo and Pevsner, Tatli, Malevich, Moholy-Nagy, Popova, van Doesburg, Mondrian, Richter, Corbusier, Ozenfant, Artaud, Breton and Eluard, Rivera, Trotsky, Cahun, Morise, Cesaire, Matta, Senghor, Poe, Delaunay, Leger, Ponge, de Chirico, Marinetti, Volt, Fani, van Doesburg, Kandinsky, Jolas, Garnier, Picabia, de Vree, Fontana, Kiikuni, Isou, Olson, Lawrence, Hartley, Welty, Hartley, O’Hara, Whitman, Williams, DuBois, Anzaldua, Oppenheim, Cixou and Clement, Le Lionnais, Bee and Bernstein, Hejinian, Palmer, Piombino, Antheil, Boulez, Cage, Alexander, Hejduk, Jencks, Balestrini, Phillips, Roubaud, Stein, Jabes.]
Modern Poetics. Ed. James Scully. New York: McGraw Hill, 1965. [including Yeats, Pound, Frost, Eliot, Williams, Hopkins, Ransom, Moore, Stevens, cummings, Crane, Auden, Thomas, Jones, Lowell.]
Modern Poets on Modern Poetry. Ed. James Scully. London: McGraw Hill, 1966. [including: Yeats, Pound, Frost, Eliot, Williams, Hopkins, Ransom, Moore, cummings, Stevens, Crane, Auden, Thomas, David Jones, Lowell, Olson.]
The Monkey & The Wrench: Essays into Contemporary Poetics. Ed. Mary Biddinger and John Gallaher. Akron, OH: University of Akron Press, 2011. [Including: Archambeau, Gabbert, Dumanis, Stephen Burt, Benjamin Paloff, Elizabeth Robinson, David Kirby, Arielle Greenberg, Craig Santos Perez, Michael Theune, Megan Volpert, and Mark Wallace, Cole Swensen, and Joy Katz]
The Poet’s Vocation: Selections from the Letters of Hölderlin, Rimbaud and Hart Crane. Ed. William Burford and Christopher Middleton. Austin: University of Texas Press, 1967. [gorgeous, strange little book with lovely illustrations in a rare edition.]
The Poet’s Work. Ed. Reginald Gibbons. New York: Houghton Mifflin, 1979. [including Milosz, Pessoa, Mandelstam, Pasternak, Lorca, Cernuda, Stevens, Char, Montale, Seferis, Schwartz, Shapiro, A.D. Hope, MacDiarmid, Kunert, Berry, Machado, Valery, Crane, Thomas, Williams, Bogan, Moore, Auden, Jarrell, Duncan, Levertov, Heaney, Snyder.]
Poetics: Essays on the Art of Poetry. An Anthology from Tendril Magazine Compiled by Paul Mariani and George Murphy. Ocean Bluff, MA: Tendril Magazine, 1984. [including: Bell, Breslin, Dobyns, Gallagher, Galvin, Gilbert, Hass, Holden, Kinnell, Levertov, Matthews, Mueller, Nemerov, Ostriker, Pack, Plumbly, Ryan, Simic, and Stafford.]
A Poetics of Criticism. Ed. Juliana Spahr, Mark Wallace, Kristin Prevallet, Pam Rehm. Buffalo: Leave Books, 1994. [Essays by Gevirtz, Schultz, Nash, Scalapino, Yau, Giscombe, Ron Day, McGann, Tom Clark, Werner, High, Brennan, Hansen, Ducornet, Karasick, Schelling, Prevallet, Willis, Alexander, Gizzi, Daly, Burns, Levy, Nourbese-Philip, Rod Smith, Osman, Tan Lin, Wallace, Fernadez, Drucker, Robertson, Spahr, Bellamy, Derksen, Robertson, Nancy Shaw, Strang, Mayer]
The Poetics of The New American Poetry. Edited by Donald Allen and Warren Tallman. New York: Grove Press, 1973. [including Whitman, Fenollosa, Pound, Lawrence, Crance, Lorca, Stein, Williams, H.D., Zukofsky, Olson, Duncan, Spicer, Blaser, Creley, Dorn, Levertov, Ginsberg, Wieners, O’Hara, Baraka, Mac Low, Snyder, McClure, Ferlighetti, Kandel, Whalen]
Poetry and Cultural Studies: A Reader. Ed. Maria Damon and Ira Livingston. Urbana: University of Illinois Press, 2009. [Wordsworth, Adorno, Benjamin, Deleuze & Guattari, Du Bois, Easthope, Paredes, Gates, Jr., Abu-Lughod, Caton, Damon, Watten, Bruce Campbell, Tricia Rose, Robin D. G. Kelley, Kumar, Jauss, Ranciere, Kristin Ross, Harrington, Chakrabarty, Huang, DuPlessis, Sedgwick, Mowitt, Minh-ha, Lorde, Bernstein, Page Dubois, Kalaidjian, Henderson, Brathwaite, Burr, Algarin]
Poetry & Pedagogy: The Challenge of the Contemporary. Ed. Joan Retallack and Juliana Spahr. New York: Palgrave Macmillan, 2006. [including teaching essays by: Alan Golding, Lynn Keller, Altieri, Jonathan Monroe, Roland Greene, Morris Young, Maria Damon, Bernstein, Jerome McGann & Lisa Samuels, Mark McMorris, Lytle Shaw, Lyn Hejinian, G. Matthew Jenkins, Jim Keller, Juliana Chang, Jena Osman, Hiram Maxim, Derek Owens, Charles Bernstein, Harryette Mullen, Diane Glancy, and Bob Holman.]
Poetry in Theory: An Anthology 1900-2000. Ed. Jon Cook. Malden, MA: Blackwell Publishing, 2004. [including Yeats, Rilke, Freud, Hulme, Marinetti, Tagore, E. Thomas, A. Lowell, Apollinaire, Pound, Tzara, Khlebnikov, Eliot, Lawrence, W.C. Williams, Fenollosa, Loy, H. Crane, L. Hughes, Mayakovsky, Richards, Graves and Riding, Epson, Burke, Eluard and Breton, Leavis, Lorca, Stein, Tsvetaeva, Benjamin, Frost, Valery, Heidegger, Stevens, Jarrell, Cesaire, Olson, Zukofsky, Barthes, Wimsatt, Lacan, Davie, Blanchot, Larkin, Adorno, Jakobson, Dorn, O’Hara, Ginsberg, Auden, Baraka, Creeley, Ashbery, B.H. Smith, Genette, de Man, Walcott, Kristeva, Enzebsberger, Forrest-Thompson, Hill, Felman, Bernstein, Milosz, Rich, Poirier, Cronin, Derrida, Yingling, Perloff, Boland, Heaney, Vendler.]
Poets on Painters: Essays on the Art of Painting by Twentieth-Century Poets. Ed. J.D. McClatchy. Berkeley: University of California Press, 1988. [Essays by Yeats, Pound, Williams, Moore, Lawrence, Stein, Stevens, Auden, Spender, Cummings, Bishop, Rexroth, Nemerov, Jarrell, O’Hara, Creeley, Duncan, Davenport, Ashbery, Schuyler, Tomlinson, Ted Hughes, Merrill, Howard, Strand, Hollander]
Poets on Poetry. Ed. Howard Nemerov. New York: Basic Books, 1966. [including: Aiken, Moore, Eberhart, Cunningham, Belitt, Howes, Brinnin, Berryman, Gilbert, Vassar Miller, Duncan, Swenson, Wilbur, Corso, Smith, Whittemore, Weiss, Dickey, Nemerov.]
Poets on Poetry. Ed. Charles Norman. New York: Free Press, 1962. [including Sidney, Ben Jonson, Dryden, Samuel Johnson, Wordsworth, Coleridge, Shelley, W.C. Bryant, Emerson, Poe, Arnold, Pound, Eliot, Allen Tate, Stevens, cummings.]
Poets on Teaching: A Sourcebook. Ed. Joshua Marie Wilkinson. Iowa City: University of Iowa Press, 2010. [including: Gridley, Reddy, Mobilio, Sikelianos, Swensen, Burt, Carr, Liu, Dawn Lundy Martin, Goldsmith, Vokman, Peter Gizzi, Fishman, Silliman, Sandra Doller, Kunin, Lily Brown, Greenfield, Boully, Moten, Mullen, Wallace, Becker, Bar-Nadav, Tyrone Williams, Ulmer, Ramke, Doxsee, Beachey-Quick, Gander, Armantrout, Shockley, Browne, Foust, Catherine Wagner, Noah Eli Gordon, Hillman, Hofer, Streckfus, Zucker, Trigilio, Hume, Beasley, Nakayasu, Henry, Rosko, Nezhukumatathil, Ronk, Cooperman, de la Paz, Kapil, Theune, Mohammad, Steensen, Hoover, Lasky, Gallaher, Mengert, Kazim Ali, Jarnot, Sphr & Clover, McSweeney & Goransson, Stephanie Young, Rasula, Moxley, Greenberg, Brouwer, Elizabeth Robinson, Sharma, Kelsey, Osman, Zawacki, Nguyen, Sueyeun Juliette Lee, Rickel, Prevallet, York, Tracy K. Smith, Dinh, Hayes, Powell, Hayot, Limon, Ben Doller, Bolina, Johnson, Yakich, Iijima, Zapruder, Glenum, Lansana, Giscombe, Yu, Reyes, Hawley, Kristi Maxwell, Siken, Sabrina Orah Mark, Waldrep.]
The Politics of Poetic Form: Poetry and Public Policy. Ed. Charles Bernstein. New York: Roof Books, 1998. [including Rothenberg, Andrews, Waldrop, Brossard, Mackey, McGann, Silliman, S. Howe, Hunt, Mac Low, Inman, Weiner, Sherry, Piombino, Bernstein.]
The Prelude to Poetry: The English Poets in Defence and Praise of Their Own Art. Ed. Ernest Rhys. London: J.M. Dent, 1927. [including Chaucer, Spenser, Sidney, Campion, Daniel, Jonson, Milton, Dryden, Pope, Gray, Burns, Scott, Wordsworth, Coleridge, Shelley, Byron, Keats, Landor, Browning, Arnold, Bridges.]
Prose Keys to Modern Poetry. Ed. Karl Shapiro. Evanston: Row, Peterson, & Co., 1962. [essays by Poe, Baudelaire, Huysmans, Pater, Symons, Wilde, Eliot, Frazer, Weston, Hulme, Pound, Confucius, Yeats, Fenollosa, Stevens, Whitman, Miller, Rimbaud, Carroll, Hopkins, Owen, Auden, Williams, Cummings, Jeffers, Tate, Crane, Lawrence]
Strong Words: Modern Poets on Modern Poetry. Ed. W.N. Herbert and Matthew Hollis. Northumberland: Bloodaxe, 2000. [excerpts by Pound, Yeats, Eliot, Graves, Frost, Crance, Cummings, Stein, Stevens, Auden, MacNeice, MacDiarmid, Bunting, Williams, Zukofsky, Olson, Creeley, Levertov, Moore, Bishop, Lowell, Jarrell, Dougla, Dylan Thomas, W.S. Graham, Kavanagh, Hughes, Ginsberg, O’Hara, Baraka, Lorde, Rich, Gunn, Plath, Stevie Smith, Larkin, Ted Hughes, Heaney, Tony Harrison, Douglas Dunn, Walcott, Muldoon, Paulin, Raine, Stevenson, C.K. Williams, E. Feinstein, Morgan, Leonard, Adcock, Murray, Kinsella, Fanthorpe, Nicholes. Kennelly, Boland, McGuckian, O’Donoghue, Constantine, hugo Williams, Motion, Ciaran Carson, Sean O’Brien, Hofmann, Donaghy, Selima Hill, Maguire, Armitage, Maxwell, Burnside, Crawford, Lewis, D’Aguiar, Greenlaw, Jamie, Paterson, Hartley Williams.]
The Structure of Verse: Modern Essays on Prosody. Ed. Harvey Gross. New York: Ecco Press, 1979. [Including essays by Graves, Fussell, Bridges, Richards, Hollander, Winters, Jespersen, Wimsatt and Beardsley, Halle and Keyser, Stevenson, Eliot, Pound, Roethke, Kunitz, Justice.]
Talking Poetics from Naropa Institute: Annals of the Jack Kerouac School of Disembodied Poetics. Volume One. Ed. Anne Waldman and Marilyn Webb. Boulder: Shambhala, 1978. [including: Ginsberg, Duncan, Di Prima, Ted Berrigan, Burroughs, Dorn, McClure, Padgett, Coolidge, Mac Low, Cage]
Talking Poetics from Naropa Institute: Annals of the Jack Kerouac School of Disembodied Poetics. Volume Two. Ed. Anne Waldman and Marilyn Webb. Boulder: Shambhala, 1978. [including: Brownstein, Whalen, Rothenberg, Waldman, Algarin, McAdams, Sanders, Ginsberg]
Telling It Slant: Avant-Garde Poetics of the 1990s. Ed. Mark Wallace & Steven Marks. Tuscaloosa: University of Alabama Press, 2001. [With essays by Steve Evans, Lisa Robertson, Harryette Mullen, Jefferson Hansen, Gary Sullivan, Brian Kim Stefans, Daniel Barbiero, Leonard Schwartz, Kristin Prevallet, Christopher Funkhouser, Jeff Derksen, Sianne Ngai, Mark Wallace, Caroline Bergvall, Elizabeth Willis, Charles Borkhuis, Jena Osman, Bill Luoma, Benjamin Friedlander, Sherry Brennan, Tan Lin, C.S. Giscombe, Steven Marks, Andrew Levy, Rod Smith, Juliana Spahr.]
Toward the Open Field: Poets on the Art of Poetry 1800-1950. Ed. Melissa Kwasny. Middletown, CT: Wesleyan University Press, 2004. [including Wordsworth, Coleridge, Keats, Shelley, Emerson, Whitman, Dickinson, Hopkins, Baudelaire, Rimbaud, Mallarme, Breton, Lorca, Valery, Cesaire, Pound, Eliot, Loy, Hughes, Zukofsky, Stein, Stevens, Moore, Williams, Olson.]
Twentieth Century American Poetics. Ed. Dana Gioia, David Mason, and Meg Schoerke. Boston: McGraw Hill, 2004. [including J.W. Johnson, Frost, A. Lowell, Stein, Stevens, W.C. Williams, Pound, Jeffers, Moore, Eliot, Bogan, H. Crane, A. Tate, Winters, L. Hughes, Zukofsky, Rexroth, Olson, Cunningham, Hayden, Rukeyser, Jarrell, Stafford, Brooks, Duncan, Levertov, Simpson, Justice, Spicer, Bly, Creeley, O’Hara, Ashbery, Merwin, Hall, Rich, Espaillat, Stevenson, Simic, Foley, Pinsky, Hejinian, Gluck, Kinzie, S. G-L Lim, Silliman, Steele, Alvarez, Gioia, Logan, Dove and Nelson, Fulton, Wiman.
The Writer’s Notebook: Craft Essays from Tin House. Ed. New York: Tin House Books, 2009. [essays by mostly fiction writers and D.A. Powell, Matthea Harvey, and Marie Howe]
The Writer’s Notebook II: Craft Essays from Tin House. Ed. New York: Tin House Books, 2012. [essays by mostly fiction writers and Maggie Nelson]
Poetry Anthologies with Poetics Sections
20th Century Poetry & Poetics. Fourth Edition. Ed. Gary Geddes. Toronto: Oxford University Press, 1996. [including: Atwood, Auden, Bly, Boland, Creeley, Lorna Crozier, cummings, Eliot, Frost, Ginsberg, Heaney, Ted Hughes, Levertov, Levine, Lowell, Don McKay, Daphne Marlatt, bpNichol, Olson, Plath, Pound, Al Purdy, Rich, Roethke, Snyder, Stevens, Dylan Thomas, Webb, Williams, Yeats.]
American Poetry and Poetics: Poems and Critical Documents from the Puritans to Robert Frost. Edited by Daniel G. Hoffman. New York: Anchor Books, 1962. [including in “Critical Theory” section: John Cotton, Cotton Mather, Joseph Dennie, W.C. Bryant, Poe, Henry Timrod, de Tocqueville, Emerson, Whitman, Dickinson, Santayana, Frost]
American Poets in the 21st Century: The New Poetics. Edited by Claudia Rankine and Lisa Sewell. Middletown, CT: Wesleyan University Press, 2007. [with poetics statements by Mark Levine, Karen Volkman, D.A. Powell, Peter Gizzi, Juliana Spahr, Joshua Clover, Kevin Young, Tracie Morris, Myung Mi Kim, Stacy Doris, Susan Wheeler, Mark Nowak, Kenneth Goldsmith]
American Women Poets in the 21st Century. Edited by Claudia Rankine and Juliana Spahr. Middletown, CT: Wesleyan University Press, 2002. [with poetics by Rae Armantrout, Mei-mei Berssenbrugge, Lucie Brock-Broido, Jorie Graham, Barbara Guest, Lyn Hejinian, Brenda Hillman, Susan Howe, Ann Lauterbach, Harryette Mullen.]
Ecstatic Occasions, Expedient Forms: 85 Leading Contemporary Poets Select and Comment on Their Poems. Ed. David Lehman. Ann Arbor: University of Michigan Press, 2001. [including untitled short essays by Ammons, Ashbery, Bidart, Boland, Britton, Brock-Broido, Cage, Chernoff, Clampitt, Cohen Cooper, Corn, Crase, Creeley, Disch, Dolot, Dove, Flook, Fulton, Galassi, Gerstler, Gioia, Greger, Hacker, Hadas, Hammond, Hathaway, Hecht, Henry, Hine, Hirsch, Hollander, Hoover, Howard, Inez, Janowitz, Joseph, Justic, Kenney, Koethe, Komunyakaa, Lauterbach, Lehman, Leithauser, Logan, McClatchy, McHugh, Malinowitz, Mathews, Matthews, Merrill, Merwin, Mitchell, Morgan, Morice, H. Moss, Thylias Moss, H. Mullen, Charles North, Oates, Peacock, Pinsky, Pollitt, Salter, Schwartz, Simic, Simpson, Spires, Stallworthy, Strand, Stull, Tate, Turco, Updike Violi, Waldrop, Warren, Welish, Welt, Wheeler, Wilbur, Wright, Yau, Yenser.]
Fifty Contemporary Poets: The Creative Process. Ed. Alberta T. Turner. New York: David McKay Co., 1977. [including: Amorosi, Jon Anderson, Bell, Bendikt, Booth, Carruth, Chester, Dubie, Eberhart, Edson, Everwine, Francis, Fiebert, Gildner, Glck, Haines, Hall, James Baker Hall, Harper, Hey, Justice, Kaufman, Kennedy, Klappert, Kumin, Levertov, Lipsitz, Macdonald, McPherson, Matthews, Mazaro, Miller, Minty, Pastan, Ray, Reiss, Schmitz, Shelton, Simic, Simpson, Stafford, Stanford, Swift, Tate, Wallace, Wilbur, Willard, Woods, Charles Wright, David Young.]
In the American Tree. Ed. Ron Silliman. Orono, ME: National Poetry Foundation, 1986. [section called “The Second Front” with pieces by Carla Harryman, Collab piece by Silliman, Watten, Benson, Hejinian, Bernstein, Perelman; Jackson Mac Low; Robert Grenier; Ted Greenwald; Clark Coolidge; Lyn Hejinian; Steve Benson; Lynne Dreyer; Stephen Rodefer; David Bromige; Bruce Andres; Robert Grenier; Rae Armantrout; Tina Darragh; Kit Robinson; Clark Coolidge; Susan Howe; Bernadette Mayer & Member…; Ron Silliman; Nick Pimobino; Charles Bernstein; Barrett Watten]
The Iowa Anthology of New American Poetries. Ed. by Reginald Shepherd. Iowa City: University of Iowa Press, 2004. [with “Artist’s Statements” by Dan Beachy-Quick, Jasper Bernes, Cynthia Cruz, Jocelyn Emerson, Michele Glazer, Matthea Harvey, Joan Houlihan, Christine Hume, Catherine Imbriglio, Joanna Klink, Malinda Markham, Mark McMorris, Jenny Mueller, Laura Mullen, Amy Newman, Geoffrey Nutter, Tracy Philpot, D.A. Powell, Heather Ramsdell, Karen Volkman, Lawrence L. White, Sam Witt, Andrew Zawacki, Rachel Zucker]
Lyric Postmodernisms: An Anthology of Contemporary Innovative Poetries. Edited by Reginald Shepherd. Denver: Counterpath Press, 2008. [with poetics pieces by Bruce Beasley, Martine Bellen, Mei-mei Berssenbrugge, Gillian Conoley, Kathleen Fraser, Forrest Gander, C.S. Giscombe, Peter Gizzi, Brenda Hillman, Claudia Keelan, Timothy Liu, Nathaniel Mackey, Suzanne Paola, Bin Ramke, Donald Revell, Martha Ronk, Aaron Shurin, Carol Snow, Susan Stewart, Cole Swensen, Rosmarie Waldrop, Marjorie Welish, and Elizabeth Willis.]
The McGraw Hill Book of Poetry. Edited by Robert DiYanni and Kraft Rompf. New York: McGraw Hill, 1993. [Appenix: Critical Comments on Poetry, including: Plato, Aristotle, Sidney, S. Johnson, Blake, Wordsworth, Coleridge, Shelley, Keats, Poe, Whitman, Dickinson, Hopkins, Yeats, Valery, Frost, Rilke, Machado, Stevens, Pound, Eliot, Lorca, Seferis, Mandelstam, cummings, Neruda, Paz, Thomas, Levertov, Berry, Strand, Lorde, Heaney, Hass, Ackerman]
The New American Poetry 1945-1960. Ed. Donald Allen. Berkeley: University of California Press, 2000. [Last section is “Statements on Poetics” including pieces by Olson, Duncan, Creeley, Levertov, Ferlinghetti, Spicer, Kerouac, Ginsberg, Schuyler, O’Hara, Whalen, Snyder, McClure, Baraka, Wieners.]
Poems for the Millennium: The University of California Book of Modern & Postmodern Poetry. Volume Two: From Postwar to Millennium. Ed. Jerome Rothenberg and Pierre Joris. Berkeley: University of California Press, 1998. [including: Celan, Olson, Cage, Glissant, Debord, Baraka, Adrienne Rich, Parra, Maciunas, Cobbing, Chpin, McCaffery, Higgins, Roche, Edward Sanders, Beck, DuPlessis, Schneemann, Ishmael Reed, Adonis, Bhatt, Bernstein, di Prima, Rothenberg, Joris, Waldman, Zoline, Tarn, Talamantez, Rodney, Lifton, Hollo, Mary Crow.]
Postmodern American Poetry: A Norton Anthology. Ed. Paul Hoover. New York: W. W. Norton, 1994. [including: Olson, Cage, Duncan, Levertov, O’Hara, Ginsberg, Creeley, Rothenberg, Baraka, Susan Howe, Coolidge, Hejinian, Mayer, Silliman, Mackey, Bruce Andrews, Cruz, Bernstein.]
What Will Suffice: Contemporary American Poets on the Art of Poetry. Ed. Christopher Buckley and Christopher Merrill. Salt Lake City: Gibbs Smith, 1997. [including poems, some with commentary afterwards. Only listed are those with commentary by the poet: Agha Shaihid Ali, Tom Andrews, Marvin Bell, Bly, Michelle Boisseau, Earl S. Braggs, Christopher Buckley, Ralph Burns, Hayden Caruth, Judith Ortiz Cofer, Mark Cox, Mary Crow, Robert Dana, Glover Davis, Fred Dings, Rita Dove, Norman Dubie, Peter Everwine, Carol Snow, James Galvin, Brewster Ghiselin, Linda Gregg, Donald Hall, Judith Hall, Sam Hamill, C.G. Hanzlicek, Hass, Herrera, Brenda Hillman. Ed. Hirsch, Hirshfield, Hongo, Hugo, Lynda Hull, T.R. Hummer, Mark Irwin, Richard Jackson, Jean Janzen, Mark Jarman, Judy Jensen, Rodney Jones, Claudia Keelan, Yusef Komunyakaa, Kumin, Lauterbach, Sydney Lea, Carol Lem, Philip Levine, Levis, Victor Martinez, William Matthews, Colleen J. McElroy, Lynne McMahon, Carol Muske, Pavlich, Lucia Maria Perillo, Revell, Rios, Rivard, Margarita Luna Robles, Pattiann Rogers, Marieve Rugo, Dixie Salazar, Dennis Saleh, Luis Omar Salinas, Santos, Nye, Simic, Soto, Stafford, Gerald Stern, David St. John, Twichell, Voigt, Wakoski, Wiegl, Wojahn, Charles Wright ]
Books on Prosody & Forms
Aptowicz, Cristin O’Keefe. Words in Your Face: A Guided Tour Through Twenty Years of the New York City Poetry Slam. New York: Soft Skull, 2008.
Atkinson, David. The English Traditional Ballad: Theory, Method, and Practice. Hants, England: Ashgate, 2002.
Attridge, Derek. Poetic Rhythm: An Introduction. Cambridge: Cambridge University Press, 2006.
Auelestia, Gorka. Improvisational Poetry from the Basque Country. Reno: University of Nevada Press, 1995. [history of forms and practitioners]
Baer, William. Fourteen on Form: Conversations with Poets. Oxford, MS: University Press of Mississippi, 2009. [interviews with Richard Wilbur, Kumin, Walcott, Willis Barnstone, Hecht, Justice, Douglas Dunn, Robert Conquest, Nims, Cope, Frederick Morgan, Snodgrass, Hollander, X.J. Kennedy]
Baker, David, Ed. Meter in English: A Critical Engagement. Fayetteville: University of Arkansas Press, 1996. [Essays by Boland, Finch, Gioia, Hadas, Charles O. Hartman, Hass, Holley, Nims, Rothman, Steele, Turco, Weller, Wilbur, Woods, Robert Wallace]
--- and Ann Townsend, Eds. Radiant Lyre: Essays on Lyric Poetry. Minneapolis: Graywolf, 2007. [Essays by Baker, Richard Jackson, Plumly, Gregerson, Townsend, Carl Phillips, Pankey—several essays by each contributor on various forms: Elegy, Love Poem, Ode, Pastoral, etc.]
Block, Friedrich W., Christiane Heibach, and Karin Wenz, Eds. The Aesthetics of Digital Poetry. Germany: Hatje Cantz Verlag, 2004. [Essays in German and English by Wohlfahrt, Block, Heibach, Wenz, Glazier, Simanowski, Bootz, Berressem, Mark Bernstein, Beiguelman, Biggs, Zeitgenossen, Mark Amerkica, Seaman, Kac, Mex, Cramer, Auer, Cayley]
Bohn, Willard. The Aesthetics of Visual Poetry: 1914-1928. Chicago: University of Chicago Press, 1986. [Essays on Futurism, Apollinaire, Calligrams, Junoy, Salvat-Papasseit, Ultra, de Torre, de Zayas.]
Bök, Christian. Pataphysics: The Poetics of an Imaginary Science. Evanston, IL: Northwestern University Press, 2002. [On Alfred Jarry’s “pseudoscience. Chapters: Science and Poetry, Title Chapter, Italian Futurism, French Oulipianism, Canadian Pataphysics.]
Bradley, Adam. Book of Rhymes: The Poetics of Hip Hop. New York: BasicCivitas, 2009. [Chapters: “Rhythm,” “Rhyme,” “Word Play,” “Style,” “Storytelling,” “Signifying.]
Bradley, Ian. The Daily Telegraph Book of Hymns. London: Continuum, 2005. [Over 150 hymns with commentary on all of them.]
Brower, Reuben A., Ed. Forms of Lyric: Selected Papers from the English Institute. New York: Columbia University Press, 1970. [7 essays including Vendler on George Herbert and de Man’s “Lyric and Modernity.”]
Caplan, David. Poetic Form: An Introduction. New York: Pearson Longman, 2007. [basic text book style anthology focusing on form]
---. Questions of Possibility: Contemporary Poetry and Poetic Form. Oxford: Oxford University Press, 2005. [Essays on Sestina, Ghazal, Heroic Couplet, Ballad, and “Prosody after the Poetry Wars.”]
Caws, Mary Ann and Hermine Riffaterre. The Prose Poem in France: Theory and Practice. New York: Columbia University Press, 1983. [Essays by Breunig, Shattuck, Beaujour, Todorov, Barbara Johnson, Riffaterre, Cohn, Lawler, Caws, Sonnenfeld, Deguy, Hollander.]
Corn, Alfred. The Poem’s Heartbeat: A Manuel of Prosody. Port Townsend, WA: Copper Canyon Press, 2008.
Delville, Michel. The American Prose Poem: Poetic Form and the Boundaries of Genre. Gainsville: University Press of Florida, 1998. [essays on Joyce, Stein, Sherwood Anderson, Patchen, Edson, Bly, Simic]
Drucker, Joanna. The Century of Artists’ Books. New York: Granary Books, 2004.
---. Figuring the Word: Essays on Books, Writing, and Visual Poetics. New York: Granary Books, 1998.
Fussell, Paul. Poetic Meter & Poetic Form. New York: McGraw Hill, 1979.
Gross, Harvey. Sound and Form in Modern Poetry: A Study of Prosody from Thomas Hardy to Robert Lowell. Ann Arbor: University of Michigan Press, 1965.
---, Ed. The Structure of Verse: Modern Essays on Prosody. New York: Ecco Press, 1979. [Including essays by Graves, Fussell, Bridges, Richards, Hollander, Winters, Jespersen, Wimsatt and Beardsley, Halle and Keyser, Stevenson, Eliot, Pound, Roethke, Kunitz, Justice.]
Hartman, Charles O. Free Verse: An Essay on Prosody. Evanston: Northwestern University Press, 1980.
Hollander, John. Melodious Guile: Fictive Pattern in Poetic Language. New Haven: Yale University Press, 1988.
---. Rhyme’s Reason: A Guide to English Verse. New Haven: Yale University Press, 2001.
Kennedy, David. Elegy. New York: Routledge, 2007.
Kotz, Liz. Words To Be Looked At: Language in 1960s Art. Cambridge: MIT Press, 2007.
McDowell, Gary L. and F. Daniel Rzicznek. The Rose Metal Press Field Guide to Prose Poetry: Contemporary Poets in Discussion and Practice. Brookline, MA: Rose Metal Press, 2010. [Essays by Hicock, Duhamel, Byrd, Skinner, Robins, Keplinger, Goldberg, Greenberg, Wallace, Olsen, Lazar, Gonzalez, Seaton, Chernoff, and many others]
Oliver, Mary. A Poetry Handbook. New York: Mariner Books, 1994.
---. Rules for the Dance: A Handbook for Writing and Reading Metrical Verse. New York: Mariner Books, 1998.
Padgett, Ron. The Teachers and Writers Handbook of Poetic Forms. New York: Teachers & Writers Collaborative, 1987.
Pinsky, Robert. The Sounds of Poetry: A Brief Guide. New York: FSG, 1999.
Santilli, N. Such Rare Citings: The Prose Poem in English Literature. Madison: Farleigh Dickinson University Press, 2002. [Essays on De Quincey, Baudelaire, Blake, Wilde, Beckett, etc.]
Shaw, Robert B. Blank Verse: A Guide to Its History and Use. Athens, OH: Ohio University Press, 2007.
Smith, Barbara Herrnstein. Poetic Closure: A Study of How Poems End. Chicago: University of Chicago Press, 1968.
Strand, Mark and Eavan Boland. The Making of a Poem: A Norton Anthology of Poetic Forms. New York: W.W. Norton, 2000.
Thompson, John. The Founding of English Metre. London: Routledge, 1966.
Turco, Lewis. The New Book of Forms: A Handbook of Poetics. Hanover: University Press of New England, 1986.
Vendler, Helen. The Art of Shakespeare’s Sonnets. Cambridge: Harvard University Press, 1987. [extended commentary on every single sonnet]
General Reference Books on Poetry & Poetics
Bloom, Harold. The Art of Reading Poetry. New York: Harper, 2004.
Burt, Stephen. Close Calls with Nonsense: Reading New Poetry. Minneapolis: Graywolf Press, 2009.
Eagleton, Terry. How to Read a Poem. Malden, MA: Blackwell Publishing, 2007.
Fussell, Paul. Poetic Meter & Poetic Form. New York: McGraw Hill, 1979.
Orr, David. Beautiful and Pointless: A Guide to Modern Poetry. New York: Harper 2012.
Greene, Roland, et al. The Princeton Encyclopedia of Poetry and Poetics: Fourth Edition. Princeton: Princeton University Press, 2012.
Padgett, Ron. The Teachers and Writers Handbook of Poetic Forms. New York: Teachers & Writers Collaborative, 1987.
Turco, Lewis. The New Book of Forms: A Handbook of Poetics. Hanover: University Press of New England, 1986.
Special Issues of Journals on Poetics
Antaeus. Poetry & Poetics. Summer / Autumn, 1978. Vol. 30/31. Including “Essays” and “Documents” sections, with entries by: Kunitz, Fussell, Miller Williams, Justice, Plumly, Hass, Strand, Simic, Bloom, Montale, W.C. Williams, Grace Schulman, Philip Levine]
Interviews with Poets in Print
Adam, Helen. Interview. The Poet’s Craft: Interviews from the New York Quarterly. New York: Paragon House, 1987. 262-269.
Ai. Interview by Lawrence Kearney and Michael Cuddihy. American Poetry Observed: Poets on Their Work. Urbana: University of Illinois Press, 1984. 1-8.
Aiken, Conrad. Interview. Poets at Work: The Paris Review Interviews. Ed. George Plimpton. New York: Penguin Books, 1989.
Alexander, Margaret Walker and Joanne V. Gabbin. Conversation. The Furious Flowering of African American Poetry. Ed. Joanne V. Gabbin. Charlottesville: University Press of Virginia, 1999.
Alcalay, Ammiel. “Interview.” by Marlowe Fawcett. Civil Disobediences: Poetics and Politics in Action. Ed. Anne Waldman and Lisa Birman. Minneapolis: Coffee House Press, 2004.
Ali, Agha Shahid. Interview. The Verse Book of Interviews: 27 Poets on Language, Craft & Culture. Ed. Brian Henry and Andrew Zawacki. Amherst, MA: Verse Press, 2005.
Ammons, A.R. “Event: Corrective: Cure.” Acts of Mind: Conversations with Contemporary Poets. Edited by Richard Jackson. Tuscaloosa: University of Alabama Press, 1983. 32-38.
Anzaldúa, Gloria Evangelina. Interview. Innovative Women Poets: An Anthology of Contemporary Poetry and Interviews. Ed. Elizabeth A. Frost and Cynthia Hogue. Iowa City: University of Iowa Press, 2006.
Armantrout, Rae. Interview. What Is Poetry: Conversations with the American Avant-Garde. Ed. Daniel Kane. New York: Teachers & Writers Books, 2003.
---. Conversation with Jon Woodward. 12x12: Conversations in 21st Century Poetry & Poetics. Ed. Christina Mengert and Joshua Marie Wilkinson. Iowa City: University of Iowa Press, 2009.
Armitage, Simon. “Re-Writing the Good Book.” Acts of Mind: Conversations with Contemporary Poets. Edited by Richard Jackson. Tuscaloosa: University of Alabama Press, 1983. 252-255.
Arteaga, Alfred and Hajera Ghori. Letters. Letters to Poets: Conversations about Poetics, Politics, and Community. Ed. Jennifer Firestone and Dana Teen Lomax. Philadelphia: Saturnalia Books, 2008.
Ashbery, John. Interview. What Is Poetry: Conversations with the American Avant-Garde. Ed. Daniel Kane. New York: Teachers & Writers Books, 2003.
---. Interview. Poets at Work: The Paris Review Interviews. Ed. George Plimpton. New York: Penguin Books, 1989.
---. Craft Interview. The Craft of Poetry: Interviews from the New York Quarterly. Ed. William Packard. New York: Doubleday, 1974.
---. An Interview in Warsaw. Code of Signals: Recent Writings in Poetics. Ed. Michael Palmer. Berkeley: North Atlantic Books, 1983.
---. Interview by Sue Gangel. American Poetry Observed: Poets on Their Work. Urbana: University of Illinois Press, 1984. 9-20.
---. “The Imminence of a Revelation.” Acts of Mind: Conversations with Contemporary Poets. Edited by Richard Jackson. Tuscaloosa: University of Alabama Press, 1983. 69-76.
Atwood, Margaret. “Conversations.” 20th Century Poetry & Poetics. Fourth Edition. Ed. Gary Geddes. Toronto: Oxford University Press, 1996. 784-785. “All I can say is that sometimes the lines get longer, and sometimes they get shorter. Too rigid a theory results in silence.” (785).
Auden, W.H. Interview. Poets at Work: The Paris Review Interviews. Ed. George Plimpton. New York: Penguin Books, 1989.
---. Craft Interview. The Craft of Poetry: Interviews from the New York Quarterly. Ed. William Packard. New York: Doubleday, 1974.
Auster, Paul and Michelle Robinson. 12x12: Conversations in 21st Century Poetry & Poetics. Ed. Christina Mengert and Joshua Marie Wilkinson. Iowa City: University of Iowa Press, 2009.
Baraka, Amiri and Askia Touré. Conversation. The Furious Flowering of African American Poetry. Ed. Joanne V. Gabbin. Charlottesville: University Press of Virginia, 1999.
---. Interview. The Poet’s Craft: Interviews from the New York Quarterly. New York: Paragon House, 1987. 305-317.
Barker, George. Interview by Cyrena N. Pondrom. The Contemporary Writer: Interviews with Sixteen Novelists and Poets. Madison: University of Wisconsin Press, 1972. 253-279.
Barnstone, Willis. Interview. Fourteen on Form: Conversations with Poets. Baer, William. Oxford, MS: University Press of Mississippi, 2004. 54-64.
Barth, John. Interview by John C. Enck. The Contemporary Writer: Interviews with Sixteen Novelists and Poets. Madison: University of Wisconsin Press, 1972. 18-29.
Bell, Marvin. “Distilled from Thin Air.” Acts of Mind: Conversations with Contemporary Poets. Edited by Richard Jackson. Tuscaloosa: University of Alabama Press, 1983. 61-68.
---. Interview by Lawrence Smith. American Poetry Observed: Poets on Their Work. Urbana: University of Illinois Press, 1984. 21-33.
---. Interview. Finding the Words: Conversations with Writers Who Teach. Edited by Nancy Bunge. Athens, OH: Swallow Press, 1985. 1-17.
Benedikt, Michael. Interview by Naomi Shihab. American Poetry Observed: Poets on Their Work. Urbana: University of Illinois Press, 1984. 34-47.
Berkson, Bill and Bernadette Mayer. What’s Your Idea of a Good Time? NP: Tuumba Press, 2006.
Berrigan, Anselm (with Marcella Durand). Interview. The Verse Book of Interviews: 27 Poets on Language, Craft & Culture. Ed. Brian Henry and Andrew Zawacki. Amherst, MA: Verse Press, 2005.
Berssenbrugge, Mei-mei. Interview. Innovative Women Poets: An Anthology of Contemporary Poetry and Interviews. Ed. Elizabeth A. Frost and Cynthia Hogue. Iowa City: University of Iowa Press, 2006.
Bidart, Frank. Conversation with Pearl London (1994). Poetry In Person: Twenty-five Years of Conversations with America’s Poets. Ed. Alexander Neubauer. New York: Knopf, 2010.
Bishop, Elizabeth. Interview. Poets at Work: The Paris Review Interviews. Ed. George Plimpton. New York: Penguin Books, 1989.
---. Interview by George Starbuck. American Poetry Observed: Poets on Their Work. Urbana: University of Illinois Press, 1984. 48-62.
Blackburn, Paul. Craft Interview. The Craft of Poetry: Interviews from the New York Quarterly. Ed. William Packard. New York: Doubleday, 1974.
---. Interview. The Sullen Art: Interviews by David Ossman with Modern American Poets. New York: Corinth Books, 1963. 22-26.
Bly, Robert. Interview. The Sullen Art: Interviews by David Ossman with Modern American Poets. New York: Corinth Books, 1963. 39-42.
---. Interview. Towards a New American Poetics: Essays & Interviews. Edited by Ekbert Faas. Santa Barbara: Black Sparrow Press, 1979. 203-221.
---. Interview by Kevin Power. American Poetry Observed: Poets on Their Work. Urbana: University of Illinois Press, 1984. 63-77.
---. Interview. Towards a New American Poetics: Essays & Interviews. Edited by Ekbert Faas. Santa Barbara: Black Sparrow Press, 1979. 203-221.
Booth, Philip. “Lives We Keep Wanting to Know.” Acts of Mind: Conversations with Contemporary Poets. Edited by Richard Jackson. Tuscaloosa: University of Alabama Press, 1983. 84-92.
Borges, Jorge Luis. Interview. Tongues of Fallen Angels. Edited by Selden Rodman. New York: New Directions, 1974. 5-37.
---. Interview L.S. Dembo. The Contemporary Writer: Interviews with Sixteen Novelists and Poets. Madison: University of Wisconsin Press, 1972. 113-121.
Braz-Valentine, Claire and Dana Teen Lomax. Letters. Letters to Poets: Conversations about Poetics, Politics, and Community. Ed. Jennifer Firestone and Dana Teen Lomax. Philadelphia: Saturnalia Books, 2008.
Bronk, William. “Conversations with William Bronk.” Postmodern Poetry: The Talisman Interviews. Edited by Edward Foster. Hoboken: Talisman House, 1994. 1-19.
Brooks, Gwendolyn and B. Denise Hawkins. Conversation. The Furious Flowering of African American Poetry. Ed. Joanne V. Gabbin. Charlottesville: University Press of Virginia, 1999.
---. Interview by George Stavros. The Contemporary Writer: Interviews with Sixteen Novelists and Poets. Madison: University of Wisconsin Press, 1972. 233-252.
Bukowski, Charles. Interview. The Poet’s Craft: Interviews from the New York Quarterly. New York: Paragon House, 1987. 318-323.
Burnside, John. “Strong Words.” Acts of Mind: Conversations with Contemporary Poets. Edited by Richard Jackson. Tuscaloosa: University of Alabama Press, 1983. 259-261.
Burroughs, William S. “You Can’t Win.” Interview by John Oughton and Anne Waldman. Beats at Naropa. Ed. Anne Waldman and Laura Wright. Minneapolis: Coffee House Press, 2009.
Carroll, Paul. Interview. The Sullen Art: Interviews by David Ossman with Modern American Poets. New York: Corinth Books, 1963. 17-21.
Carruth, Hayden. Interview. The Verse Book of Interviews: 27 Poets on Language, Craft & Culture. Ed. Brian Henry and Andrew Zawacki. Amherst, MA: Verse Press, 2005.
Carson, Ciaran. “The Other.” Acts of Mind: Conversations with Contemporary Poets. Edited by Richard Jackson. Tuscaloosa: University of Alabama Press, 1983. 234-235.
Chapel, Fred. “On the Margins of Dreams.” Acts of Mind: Conversations with Contemporary Poets. Edited by Richard Jackson. Tuscaloosa: University of Alabama Press, 1983. 153-157.
Cherry, Kelly. Interview. Finding the Words: Conversations with Writers Who Teach. Edited by Nancy Bunge. Athens, OH: Swallow Press, 1985. 18-35.
Clampitt, Amy. Conversation with Pearl London (1983). Poetry In Person: Twenty-five Years of Conversations with America’s Poets. Ed. Alexander Neubauer. New York: Knopf, 2010.
Clifton, Lucille. Conversation with Pearl London (1983). Poetry In Person: Twenty-five Years of Conversations with America’s Poets. Ed. Alexander Neubauer. New York: Knopf, 2010.
Coleman, Wanda and Truong Tran. Letters. Letters to Poets: Conversations about Poetics, Politics, and Community. Ed. Jennifer Firestone and Dana Teen Lomax. Philadelphia: Saturnalia Books, 2008.
Connellan, Leo. Interview. The Poet’s Craft: Interviews from the New York Quarterly. New York: Paragon House, 1987. 324-335.
Conquest, Robert. Interview. Fourteen on Form: Conversations with Poets. Baer, William. Oxford, MS: University Press of Mississippi, 2004. 120-136.
Constantine, David. “Common and Peculiar.” Acts of Mind: Conversations with Contemporary Poets. Edited by Richard Jackson. Tuscaloosa: University of Alabama Press, 1983. 226-228.
Coolidge, Clark. Conversation with Edward Foster. Poetry and Poetics in a New Millennium. Ed. Edward Foster. Jersey City, NJ: Talisman House, 2000.
---. “A constant retrogression, and this is not memory.” Talking Poetry: Conversations in the Workshop with Contemporary Poets. Ed. Lee Bartlett. Albuquerque: University of New Mexico Press, 1987.
---. Interview. Postmodern Poetry: The Talisman Interviews. Edited by Edward Foster. Hoboken: Talisman House, 1994. 20-40.
Cope, Wendy. Interview. Fourteen on Form: Conversations with Poets. Baer, William. Oxford, MS: University Press of Mississippi, 2004. 153-171.
Cortez, Jayne. Interview. Innovative Women Poets: An Anthology of Contemporary Poetry and Interviews. Ed. Elizabeth A. Frost and Cynthia Hogue. Iowa City: University of Iowa Press, 2006.
--- and Rosamond S. King. Letters. Letters to Poets: Conversations about Poetics, Politics, and Community. Ed. Jennifer Firestone and Dana Teen Lomax. Philadelphia: Saturnalia Books, 2008.
Crawford, Robert. “Cosmopolibackofbeyondism.” Acts of Mind: Conversations with Contemporary Poets. Edited by Richard Jackson. Tuscaloosa: University of Alabama Press, 1983. 262-264.
Creeley, Robert. Interview. What Is Poetry: Conversations with the American Avant-Garde. Ed. Daniel Kane. New York: Teachers & Writers Books, 2003.
---. Interview with Linda Wagner. The Poetics of The New American Poetry. Edited by Donald Allen and Warren Tallman. New York: Grove Press, 1973.
---. Craft Interview. The Craft of Poetry: Interviews from the New York Quarterly. Ed. William Packard. New York: Doubleday, 1974.
---. Interview. The Sullen Art: Interviews by David Ossman with Modern American Poets. New York: Corinth Books, 1963. 56-64.
---. Interview. Towards a New American Poetics: Essays & Interviews. Edited by Ekbert Faas. Santa Barbara: Black Sparrow Press, 1979. 165-198.
---. “Projecting the Literal World.” Acts of Mind: Conversations with Contemporary Poets. Edited by Richard Jackson. Tuscaloosa: University of Alabama Press, 1983. 164-171.
Cruz, Victor Hernández and Brenda Coultas. Letters. Letters to Poets: Conversations about Poetics, Politics, and Community. Ed. Jennifer Firestone and Dana Teen Lomax. Philadelphia: Saturnalia Books, 2008.
D’Aguiar, Fred. “Further Adventures in the Skin Trade.” Acts of Mind: Conversations with Contemporary Poets. Edited by Richard Jackson. Tuscaloosa: University of Alabama Press, 1983. 270-273.
Debeljak, Ales. Interview. The Verse Book of Interviews: 27 Poets on Language, Craft & Culture. Ed. Brian Henry and Andrew Zawacki. Amherst, MA: Verse Press, 2005.
De Moraes, Vinicius. Interview. Tongues of Fallen Angels. Edited by Selden Rodman. New York: New Directions, 1974. 201-217.
Dickey, James. Interview. Poets at Work: The Paris Review Interviews. Ed. George Plimpton. New York: Penguin Books, 1989.
---. Craft Interview. The Craft of Poetry: Interviews from the New York Quarterly. Ed. William Packard. New York: Doubleday, 1974.
---. Interview by William Heyen and Peter Merchant. American Poetry Observed: Poets on Their Work. Urbana: University of Illinois Press, 1984. 78-87.
Donaghy, Michael. “My Report Card.” Acts of Mind: Conversations with Contemporary Poets. Edited by Richard Jackson. Tuscaloosa: University of Alabama Press, 1983. 243-244.
Dorn, Edward. Interview. The Verse Book of Interviews: 27 Poets on Language, Craft & Culture. Ed. Brian Henry and Andrew Zawacki. Amherst, MA: Verse Press, 2005.
---. Interview. The Sullen Art: Interviews by David Ossman with Modern American Poets. New York: Corinth Books, 1963. 82-86.
Duncan, Harry. Interview with Robert Dana on publishing. Against the Grain: Interviews with Maverick American Publishers. Ed. Robert Dana. Iowa City: University of Iowa Press, 1986.
Duncan, Robert. Interview. Towards a New American Poetics: Essays & Interviews. Edited by Ekbert Faas. Santa Barbara: Black Sparrow Press, 1979. 55-85.
Dunn, Douglas. Interview. Fourteen on Form: Conversations with Poets. Baer, William. Oxford, MS: University Press of Mississippi, 2004. 101-119.
Duplessis, Rachel Blau. Interview. Innovative Women Poets: An Anthology of Contemporary Poetry and Interviews. Ed. Elizabeth A. Frost and Cynthia Hogue. Iowa City: University of Iowa Press, 2006.
Durand, Marcella (with Anselm Berrigan). Interview. The Verse Book of Interviews: 27 Poets on Language, Craft & Culture. Ed. Brian Henry and Andrew Zawacki. Amherst, MA: Verse Press, 2005.
Eberhart, Richard. Interview. The Poet’s Craft: Interviews from the New York Quarterly. New York: Paragon House, 1987. 255-261.
Eliot, T.S. Interview. Poets at Work: The Paris Review Interviews. Ed. George Plimpton. New York: Penguin Books, 1989.
Enslin, Theodore. Conversation with Edward Foster. Poetry and Poetics in a New Millennium. Ed. Edward Foster. Jersey City, NJ: Talisman House, 2000.
---. “The work itself, the place at either end.” Talking Poetry: Conversations in the Workshop with Contemporary Poets. Ed. Lee Bartlett. Albuquerque: University of New Mexico Press, 1987.
Epstein, Daniel Mark. “Double Vision.” Acts of Mind: Conversations with Contemporary Poets. Edited by Richard Jackson. Tuscaloosa: University of Alabama Press, 1983. 120-125.
Epstein, Seymour. Interview. Finding the Words: Conversations with Writers Who Teach. Edited by Nancy Bunge. Athens, OH: Swallow Press, 1985. 36-40.
Eshleman, Clayton. “Into the moonlight of his own holdings.” Talking Poetry: Conversations in the Workshop with Contemporary Poets. Ed. Lee Bartlett. Albuquerque: University of New Mexico Press, 1987.
Espada, Martín. Interview. The Verse Book of Interviews: 27 Poets on Language, Craft & Culture. Ed. Brian Henry and Andrew Zawacki. Amherst, MA: Verse Press, 2005.
Everson, Willaim. “The claw moon talons the west.” Talking Poetry: Conversations in the Workshop with Contemporary Poets. Ed. Lee Bartlett. Albuquerque: University of New Mexico Press, 1987.
Fagan, Kate. Interview. The Verse Book of Interviews: 27 Poets on Language, Craft & Culture. Ed. Brian Henry and Andrew Zawacki. Amherst, MA: Verse Press, 2005.
Fahrner, Barbara. “Interpreting the ‘Kunstkammer.’ “ Interview by Hariett Watts. A Book of the Book: Some Works & Projections About the Book & Writing. New York: Granary Books, 2000. 476-488.
Ferlinghetti, Lawrence. Interview with Robert Dana on publishing. Against the Grain: Interviews with Maverick American Publishers. Ed. Robert Dana. Iowa City: University of Iowa Press, 1986.
Finkel, Donald. “Before the Beginning.” Acts of Mind: Conversations with Contemporary Poets. Edited by Richard Jackson. Tuscaloosa: University of Alabama Press, 1983. 146-152.
Fitzgerald, Robert. Interview. Poets at Work: The Paris Review Interviews. Ed. George Plimpton. New York: Penguin Books, 1989.
Fraser, Kathleen. Interview (and Barbara Guest). Innovative Women Poets: An Anthology of Contemporary Poetry and Interviews. Ed. Elizabeth A. Frost and Cynthia Hogue. Iowa City: University of Iowa Press, 2006.
---. “Placing Silence.” Conversation with Sarah Rosenthal. A Community Writing Itself: Conversations with Vanguard Writers of the Bay Area. Ed. Sarah Rosenthal. Champaign and London: Dalkey Archive, 2010.
--- with Patrick Pritchett. Letters. Letters to Poets: Conversations about Poetics, Politics, and Community. Ed. Jennifer Firestone and Dana Teen Lomax. Philadelphia: Saturnalia Books, 2008.
Frost, Robert. Interview. Poets at Work: The Paris Review Interviews. Ed. George Plimpton. New York: Penguin Books, 1989.
---. Interview. Tongues of Fallen Angels. Edited by Selden Rodman. New York: New Directions, 1974. 39-49.
Fulton, Alice. Interview. Innovative Women Poets: An Anthology of Contemporary Poetry and Interviews. Ed. Elizabeth A. Frost and Cynthia Hogue. Iowa City: University of Iowa Press, 2006.
Ginsberg, Allen. Interview. Poets at Work: The Paris Review Interviews. Ed. George Plimpton. New York: Penguin Books, 1989.
---. Craft Interview. The Craft of Poetry: Interviews from the New York Quarterly. Ed. William Packard. New York: Doubleday, 1974.
---. Interview. The Sullen Art: Interviews by David Ossman with Modern American Poets. New York: Corinth Books, 1963. 87-95.
---. Interview. Tongues of Fallen Angels. Edited by Selden Rodman. New York: New Directions, 1974. 183-199.
---. Interview. Finding the Words: Conversations with Writers Who Teach. Edited by Nancy Bunge. Athens, OH: Swallow Press, 1985. 41-52.
---. Interview. Towards a New American Poetics: Essays & Interviews. Edited by Ekbert Faas. Santa Barbara: Black Sparrow Press, 1979. 269-288.
Glück, Louise. Conversation with Pearl London (1979). Poetry In Person: Twenty-five Years of Conversations with America’s Poets. Ed. Alexander Neubauer. New York: Knopf, 2010.
Glück, Robert. “A Community Writing Itself.” Conversation with Sarah Rosenthal. A Community Writing Itself: Conversations with Vanguard Writers of the Bay Area. Ed. Sarah Rosenthal. Champaign and London: Dalkey Archive, 2010.
Godine, David. Interview with Robert Dana on publishing. Against the Grain: Interviews with Maverick American Publishers. Ed. Robert Dana. Iowa City: University of Iowa Press, 1986.
Greenlaw, Lavinia. “Interior with Extension Cord.” Acts of Mind: Conversations with Contemporary Poets. Edited by Richard Jackson. Tuscaloosa: University of Alabama Press, 1983. 274-276.
Grennan, Eamon. Conversation with Pearl London (1996). Poetry In Person: Twenty-five Years of Conversations with America’s Poets. Ed. Alexander Neubauer. New York: Knopf, 2010.
Grosholz, Emily. “Milosz and the Moral Authority of Poetry.” Conversant Essays: Contemporary Poets on Poetry. Detroit: Wayne State University Press, 1990. 65-78.
Grossman, Allen. Conversation with Mark Halliday. The Sighted Singer: Two Works on Poetry for Readers and Writers. Allen Grossman with Mark Halliday. Baltimore: Johns Hopkins University Press, 1992.
---. Conversation with Karen Volkman. 12x12: Conversations in 21st Century Poetry & Poetics. Ed. Christina Mengert and Joshua Marie Wilkinson. Iowa City: University of Iowa Press, 2009.
Guest, Barbara. Interview (and Kathleen Fraser). Innovative Women Poets: An Anthology of Contemporary Poetry and Interviews. Ed. Elizabeth A. Frost and Cynthia Hogue. Iowa City: University of Iowa Press, 2006.
---. “Clearing the Ordinary from the Room.” Conversation with Sarah Rosenthal. A Community Writing Itself: Conversations with Vanguard Writers of the Bay Area. Ed. Sarah Rosenthal. Champaign and London: Dalkey Archive, 2010.
Gunn, Thom. “For a sign of other than love.” Talking Poetry: Conversations in the Workshop with Contemporary Poets. Ed. Lee Bartlett. Albuquerque: University of New Mexico Press, 1987.
Guss, David. “Reading the Mesa: An Interview with Eduardo Calderon.” The Book, Spiritual Instrument. Edited by Jerome Rothenburg and David Guss. New York: Granary Books, 2000. 45-51.
Hacker, Marilyn. Conversation with Pearl London (1980). Poetry In Person: Twenty-five Years of Conversations with America’s Poets. Ed. Alexander Neubauer. New York: Knopf, 2010.
Hahn, Kimiko. “Magic: Power: Activation: Transformation.” Acts of Mind: Conversations with Contemporary Poets. Interview. Edited by Richard Jackson. Tuscaloosa: University of Alabama Press, 1983. 183-190.
Hall, Donald. “On the Periphery of Time.” Acts of Mind: Conversations with Contemporary Poets. Edited by Richard Jackson. Tuscaloosa: University of Alabama Press, 1983. 191-195.
Halpern, Daniel. Interview with Robert Dana on publishing. Against the Grain: Interviews with Maverick American Publishers. Ed. Robert Dana. Iowa City: University of Iowa Press, 1986.
Hamill, Sam. Interview with Robert Dana on publishing. Against the Grain: Interviews with Maverick American Publishers. Ed. Robert Dana. Iowa City: University of Iowa Press, 1986.
Harper, Michael S. and Aldon Lynn Nielsen. Conversation. The Furious Flowering of African American Poetry. Ed. Joanne V. Gabbin. Charlottesville: University Press of Virginia, 1999.
---. Interviewed by James Randall. American Poetry Observed: Poets on Their Work. Edited by Joe David Bellamy. Urbana: University of Illinois Press, 1984. 88-100.
Hart, Kevin. Interview. The Verse Book of Interviews: 27 Poets on Language, Craft & Culture. Ed. Brian Henry and Andrew Zawacki. Amherst, MA: Verse Press, 2005.
Harryman, Carla. Conversation with Sawako Nakayasu. 12x12: Conversations in 21st Century Poetry & Poetics. Ed. Christina Mengert and Joshua Marie Wilkinson. Iowa City: University of Iowa Press, 2009.
Hass, Robert. Conversation with Pearl London (1977). Poetry In Person: Twenty-five Years of Conversations with America’s Poets. Ed. Alexander Neubauer. New York: Knopf, 2010.
Hawkes, John. Interview by John J. Enck. The Contemporary Writer: Interviews with Sixteen Novelists and Poets. Madison: University of Wisconsin Press, 1972. 3-17.
Hecht, Anthony. Interview. Fourteen on Form: Conversations with Poets. Baer, William. Oxford, MS: University Press of Mississippi, 2004. 65-77.
Heller, Michael. Conversation with Edward Foster. Poetry and Poetics in a New Millennium. Ed. Edward Foster. Jersey City, NJ: Talisman House, 2000.
Hemingway, Ernest. Interview. Tongues of Fallen Angels. Edited by Selden Rodman. New York: New Directions, 1974. 51-61.
Hill, Selima. “Racoons – or, Can Art Be Evil?” Acts of Mind: Conversations with Contemporary Poets. Edited by Richard Jackson. Tuscaloosa: University of Alabama Press, 1983. 245-247.
Hillman, Brenda. “Our Very Greatest Human Thing Is Wild.” Conversation with Sarah Rosenthal. A Community Writing Itself: Conversations with Vanguard Writers of the Bay Area. Ed. Sarah Rosenthal. Champaign and London: Dalkey Archive, 2010.
Hirsch, Edward. Conversation with Pearl London (1993). Poetry In Person: Twenty-five Years of Conversations with America’s Poets. Ed. Alexander Neubauer. New York: Knopf, 2010.
Hofman, Michael. “I happen to believe.” Acts of Mind: Conversations with Contemporary Poets. Edited by Richard Jackson. Tuscaloosa: University of Alabama Press, 1983. 241-242.
Hollander, John. Interview. Fourteen on Form: Conversations with Poets. Baer, William. Oxford, MS: University Press of Mississippi, 2004. 216-236.
---. “The Candle in the Pitcher.” Acts of Mind: Conversations with Contemporary Poets. Edited by Richard Jackson. Tuscaloosa: University of Alabama Press, 1983. 196-205.
Hollo, Anselm. “Anselm Hollo and Translation.” Postmodern Poetry: The Talisman Interviews. Edited by Edward Foster. Hoboken: Talisman House, 1994. 41-47.
Holub, Miroslav. Interview. The Verse Book of Interviews: 27 Poets on Language, Craft & Culture. Ed. Brian Henry and Andrew Zawacki. Amherst, MA: Verse Press, 2005.
Hoover, Paul and Albert Flynn Desilver. Letters. Letters to Poets: Conversations about Poetics, Politics, and Community. Ed. Jennifer Firestone and Dana Teen Lomax. Philadelphia: Saturnalia Books, 2008.
Howe, Fanny. Interview. What Is Poetry: Conversations with the American Avant-Garde. Ed. Daniel Kane. New York: Teachers & Writers Books, 2003.
Howe, Susan. Interview. Innovative Women Poets: An Anthology of Contemporary Poetry and Interviews. Ed. Elizabeth A. Frost and Cynthia Hogue. Iowa City: University of Iowa Press, 2006.
---. Interview. Postmodern Poetry: The Talisman Interviews. Edited by Edward Foster. Hoboken: Talisman House, 1994. 48-68.
Hugo, Richard. Interview by David Dillon. American Poetry Observed: Poets on Their Work. Urbana: University of Illinois Press, 1984. 101-113.
Hume, Christine. (with Laura Solomon). Interview. The Verse Book of Interviews: 27 Poets on Language, Craft & Culture. Ed. Brian Henry and Andrew Zawacki. Amherst, MA: Verse Press, 2005.
Ignatow, David. “Answering the Dark.” Acts of Mind: Conversations with Contemporary Poets. Edited by Richard Jackson. Tuscaloosa: University of Alabama Press, 1983. 172-177.
Irby, Kenneth. “The breath on the edge of the lip.” Talking Poetry: Conversations in the Workshop with Contemporary Poets. Ed. Lee Bartlett. Albuquerque: University of New Mexico Press, 1987.
Jabes, Edmond. “The Book and the Desert/[Wilderness]: An Interview.” The Book, Spiritual Instrument. Edited by Jerome Rothenburg and David Guss. New York: Granary Books, 2000. 124-134.
Jamie, Kathleen. “Holding Fast – Truth and Change in Poetry.” Acts of Mind: Conversations with Contemporary Poets. Edited by Richard Jackson. Tuscaloosa: University of Alabama Press, 1983. 277-281.
Jarnot, Lisa. Interview. The Verse Book of Interviews: 27 Poets on Language, Craft & Culture. Ed. Brian Henry and Andrew Zawacki. Amherst, MA: Verse Press, 2005.
---. Interview. What Is Poetry: Conversations with the American Avant-Garde. Ed. Daniel Kane. New York: Teachers & Writers Books, 2003.
---. Conversation with Jennifer Reeves. We Saw the Light: Conversations between the New American Cinema and Poetry. Daniel Kane. Iowa City: University of Iowa Press, 2009.
Jones, Gayl. Interview. Chant of Saints: A Gathering of Afro-American Literature, Art, and Scholarship. Ed. Michael S. Harper & Robert B. Stepto. Urbana: University of Illinois Press, 1979.
Jones, LeRoi. Interview. The Sullen Art: Interviews by David Ossman with Modern American Poets. New York: Corinth Books, 1963. 77-81.
Jong, Erica. Craft Interview. The Craft of Poetry: Interviews from the New York Quarterly. Ed. William Packard. New York: Doubleday, 1974.
Jordan, June. Conversation with Pearl London (1979). Poetry In Person: Twenty-five Years of Conversations with America’s Poets. Ed. Alexander Neubauer. New York: Knopf, 2010.
Justice, Donald. Interview. Fourteen on Form: Conversations with Poets. Baer, William. Oxford, MS: University Press of Mississippi, 2004. 78-100.
---. Interview by Wayne Dodd and Stanley Plumly. American Poetry Observed: Poets on Their Work. Urbana: University of Illinois Press, 1984. 114-133.
Kelly, Robert. Interview. The Sullen Art: Interviews by David Ossman with Modern American Poets. New York: Corinth Books, 1963. 33-39.
Kennedy, X.J. Interview. Fourteen on Form: Conversations with Poets. Baer, William. Oxford, MS: University Press of Mississippi, 2004. 237-254.
Kinnell, Galway. Craft Interview. The Craft of Poetry: Interviews from the New York Quarterly. Ed. William Packard. New York: Doubleday, 1974.
---. Conversation with Pearl London (1981). Poetry In Person: Twenty-five Years of Conversations with America’s Poets. Ed. Alexander Neubauer. New York: Knopf, 2010.
---. Interview by Karla Landsfield, John Jackson, and Cheryl Sharp. American Poetry Observed: Poets on Their Work. Urbana: University of Illinois Press, 1984. 134-142.
Kinsella, John. Interview. The Verse Book of Interviews: 27 Poets on Language, Craft & Culture. Ed. Brian Henry and Andrew Zawacki. Amherst, MA: Verse Press, 2005.
Kleinzahler, August. Interview. The Verse Book of Interviews: 27 Poets on Language, Craft & Culture. Ed. Brian Henry and Andrew Zawacki. Amherst, MA: Verse Press, 2005.
Koch, Kenneth. Interview. What Is Poetry: Conversations with the American Avant-Garde. Ed. Daniel Kane. New York: Teachers & Writers Books, 2003.
Kumin, Maxine. Conversation with Pearl London (1973). Poetry In Person: Twenty-five Years of Conversations with America’s Poets. Ed. Alexander Neubauer. New York: Knopf, 2010.
---. Interview. Fourteen on Form: Conversations with Poets. Baer, William. Oxford, MS: University Press of Mississippi, 2004. 21-39.
---. “Settling in Another Field.” Acts of Mind: Conversations with Contemporary Poets. Edited by Richard Jackson. Tuscaloosa: University of Alabama Press, 1983. 107-113.
Kunin, Aaron. Conversation with Ben Lerner. 12x12: Conversations in 21st Century Poetry & Poetics. Ed. Christina Mengert and Joshua Marie Wilkinson. Iowa City: University of Iowa Press, 2009.
Kunitz, Stanley. Craft Interview. The Craft of Poetry: Interviews from the New York Quarterly. Ed. William Packard. New York: Doubleday, 1974.
---. Interview. Tongues of Fallen Angels. Edited by Selden Rodman. New York: New Directions, 1974. 93-111.
---. Interview by Michael Ryan. American Poetry Observed: Poets on Their Work. Urbana: University of Illinois Press, 1984. 143-154.
Kyger, Joanne. “Lokapala: Interview.” by Anne Waldman. Civil Disobediences: Poetics and Politics in Action. Ed. Anne Waldman and Lisa Birman. Minneapolis: Coffee House Press, 2004.
Larkin, Philip. “Living the Layers of Time.” Acts of Mind: Conversations with Contemporary Poets. Edited by Richard Jackson. Tuscaloosa: University of Alabama Press, 1983. 113-119.
Laughlin, James. Interview with Robert Dana on publishing. Against the Grain: Interviews with Maverick American Publishers. Ed. Robert Dana. Iowa City: University of Iowa Press, 1986.
Lauterbach, Ann. Interview. What Is Poetry: Conversations with the American Avant-Garde. Ed. Daniel Kane. New York: Teachers & Writers Books, 2003.
Leader, Mary. Conversation with Mark Yakich. 12x12: Conversations in 21st Century Poetry & Poetics. Ed. Christina Mengert and Joshua Marie Wilkinson. Iowa City: University of Iowa Press, 2009.
Lee, Li-Young. Conversation with Pearl London (1995). Poetry In Person: Twenty-five Years of Conversations with America’s Poets. Ed. Alexander Neubauer. New York: Knopf, 2010.
Levertov, Denise. Craft Interview. The Craft of Poetry: Interviews from the New York Quarterly. Ed. William Packard. New York: Doubleday, 1974.
---. Interview. The Sullen Art: Interviews by David Ossman with Modern American Poets. New York: Corinth Books, 1963. 73-76.
---. Interview by Sybil Estess. American Poetry Observed: Poets on Their Work. Urbana: University of Illinois Press, 1984. 155-167.
Levine, Mark. Conversation with Srikanth Reddy. 12x12: Conversations in 21st Century Poetry & Poetics. Ed. Christina Mengert and Joshua Marie Wilkinson. Iowa City: University of Iowa Press, 2009.
Levine, Philip. Conversation with Pearl London (1978). Poetry In Person: Twenty-five Years of Conversations with America’s Poets. Ed. Alexander Neubauer. New York: Knopf, 2010.
Lewis, Gwyneth. “Whose Coat is that Jacket? Whose Hat is that Cup?” Acts of Mind: Conversations with Contemporary Poets. Edited by Richard Jackson. Tuscaloosa: University of Alabama Press, 1983. 265-269.
Lidman, Sara. Interview by L.S. Dembo. The Contemporary Writer: Interviews with Sixteen Novelists and Poets. Madison: University of Wisconsin Press, 1972. 122-127.
Logan, John. Interview. The Sullen Art: Interviews by David Ossman with Modern American Poets. New York: Corinth Books, 1963. 43-45.
Lowell, Robert. Interview. Poets at Work: The Paris Review Interviews. Ed. George Plimpton. New York: Penguin Books, 1989.
MacLeish, Archibald. Interview. Poets at Work: The Paris Review Interviews. Ed. George Plimpton. New York: Penguin Books, 1989.
Mac Low, Jackson. Craft Interview. The Craft of Poetry: Interviews from the New York Quarterly. Ed. William Packard. New York: Doubleday, 1974.
Mackey, Nathaniel. “The Atmosphere Is Alive.” Conversation with Sarah Rosenthal. A Community Writing Itself: Conversations with Vanguard Writers of the Bay Area. Ed. Sarah Rosenthal. Champaign and London: Dalkey Archive, 2010.
---. Interview. Postmodern Poetry: The Talisman Interviews. Edited by Edward Foster. Hoboken: Talisman House, 1994. 69-83.
Maguire, Sarah. “Poetry Makes Nothing Happen.” Acts of Mind: Conversations with Contemporary Poets. Edited by Richard Jackson. Tuscaloosa: University of Alabama Press, 1983. 248-251.
Major, Clarence. Interview. Finding the Words: Conversations with Writers Who Teach. Edited by Nancy Bunge. Athens, OH: Swallow Press, 1985. 53-67.
Manfred, Frederick. Interview. Finding the Words: Conversations with Writers Who Teach. Edited by Nancy Bunge. Athens, OH: Swallow Press, 1985. 68-82.
Marquez, Gabriel Garcia. Interview. Tongues of Fallen Angels. Edited by Selden Rodman. New York: New Directions, 1974. 113-133.
Martin, John. Interview with Robert Dana on publishing (Black Sparrow). Against the Grain: Interviews with Maverick American Publishers. Ed. Robert Dana. Iowa City: University of Iowa Press, 1986.
Matthews, William. Conversation with Pearl London (1994). Poetry In Person: Twenty-five Years of Conversations with America’s Poets. Ed. Alexander Neubauer. New York: Knopf, 2010.
Maxwel, Glyn. “Strictures.” Acts of Mind: Conversations with Contemporary Poets. Edited by Richard Jackson. Tuscaloosa: University of Alabama Press, 1983. 256-258.
Mayer, Bernadette. Interview. What Is Poetry: Conversations with the American Avant-Garde. Ed. Daniel Kane. New York: Teachers & Writers Books, 2003.
McGuckian, Medbh. Interview. The Verse Book of Interviews: 27 Poets on Language, Craft & Culture. Ed. Brian Henry and Andrew Zawacki. Amherst, MA: Verse Press, 2005.
---. “And Cry Jesus to the Mice.” Acts of Mind: Conversations with Contemporary Poets. Edited by Richard Jackson. Tuscaloosa: University of Alabama Press, 1983. 219-221.
McHugh, Heather. “Doubling the Difference.” Acts of Mind: Conversations with Contemporary Poets. Edited by Richard Jackson. Tuscaloosa: University of Alabama Press, 1983. 93-100.
McPherson, James Alan. Interview. Finding the Words: Conversations with Writers Who Teach. Edited by Nancy Bunge. Athens, OH: Swallow Press, 1985. 83-86.
Merrill, James. Conversation with Pearl London (1979). Poetry In Person: Twenty-five Years of Conversations with America’s Poets. Ed. Alexander Neubauer. New York: Knopf, 2010.
---. Interview by Donald Sheehan. The Contemporary Writer: Interviews with Sixteen Novelists and Poets. Madison: University of Wisconsin Press, 1972. 139-152.
Merwin, W.S. Interview. The Sullen Art: Interviews by David Ossman with Modern American Poets. New York: Corinth Books, 1963. 65-72.
---. Interview b. Ed. Folsom and Carey Nelson. American Poetry Observed: Poets on Their Work. Urbana: University of Illinois Press, 1984. 168-180.
---. “Unnaming the Myths.” Acts of Mind: Conversations with Contemporary Poets. Edited by Richard Jackson. Tuscaloosa: University of Alabama Press, 1983. 48-52.
Miles, Josephine. Interview by Sanford Pinsker. American Poetry Observed: Poets on Their Work. Urbana: University of Illinois Press, 1984. 181-189.
Momaday, N. Scott. Interview. Finding the Words: Conversations with Writers Who Teach. Edited by Nancy Bunge. Athens, OH: Swallow Press, 1985. 87-95.
Moore, Marianne. Interview. Poets at Work: The Paris Review Interviews. Ed. George Plimpton. New York: Penguin Books, 1989.
Morgan, Frederick. Interview. Fourteen on Form: Conversations with Poets. Baer, William. Oxford, MS: University Press of Mississippi, 2004. 172-192.
Moriarty, Michael. Interview. The Poet’s Craft: Interviews from the New York Quarterly. New York: Paragon House, 1987. 336-347.
Moss, Howard. Craft Interview. The Craft of Poetry: Interviews from the New York Quarterly. Ed. William Packard. New York: Doubleday, 1974.
Motion, Andrew. “Yes and No.” Acts of Mind: Conversations with Contemporary Poets. Edited by Richard Jackson. Tuscaloosa: University of Alabama Press, 1983. 233.
Mueller, Lisel. Interview. Finding the Words: Conversations with Writers Who Teach. Edited by Nancy Bunge. Athens, OH: Swallow Press, 1985. 96-105.
Muldoon, Paul. Conversation with Pearl London (1995). Poetry In Person: Twenty-five Years of Conversations with America’s Poets. Ed. Alexander Neubauer. New York: Knopf, 2010.
Mullen, Harryette. Interview. Innovative Women Poets: An Anthology of Contemporary Poetry and Interviews. Ed. Elizabeth A. Frost and Cynthia Hogue. Iowa City: University of Iowa Press, 2006.
---. Interview. What Is Poetry: Conversations with the American Avant-Garde. Ed. Daniel Kane. New York: Teachers & Writers Books, 2003.
Mullen, Laura. Conversation with Jennifer K. Dick. 12x12: Conversations in 21st Century Poetry & Poetics. Ed. Christina Mengert and Joshua Marie Wilkinson. Iowa City: University of Iowa Press, 2009.
Muske, Carol. “Stepping into the Sky.” Acts of Mind: Conversations with Contemporary Poets. Edited by Richard Jackson. Tuscaloosa: University of Alabama Press, 1983. 39-47.
Myles, Eileen. Conversation with Edward Foster. Poetry and Poetics in a New Millennium. Ed. Edward Foster. Jersey City, NJ: Talisman House, 2000.
--- and Jennifer Firestone. Letters. Letters to Poets: Conversations about Poetics, Politics, and Community. Ed. Jennifer Firestone and Dana Teen Lomax. Philadelphia: Saturnalia Books, 2008.
Nabokov, Vladimir. Interview by Alfred Appel, Jr. The Contemporary Writer: Interviews with Sixteen Novelists and Poets. Madison: University of Wisconsin Press, 1972. 35-60.
Neruda, Pablo. Interview. Tongues of Fallen Angels. Edited by Selden Rodman. New York: New Directions, 1974. 63-91.
Neto, Joao Cabral de Melo. Interview. Tongues of Fallen Angels. Edited by Selden Rodman. New York: New Directions, 1974. 219-231.
Nims, John Frederick. Interview. Fourteen on Form: Conversations with Poets. Baer, William. Oxford, MS: University Press of Mississippi, 2004. 137-152.
Notley, Alice. Interview. Innovative Women Poets: An Anthology of Contemporary Poetry and Interviews. Ed. Elizabeth A. Frost and Cynthia Hogue. Iowa City: University of Iowa Press, 2006.
---. Conversation (1) with Edward Foster. Poetry and Poetics in a New Millennium. Ed. Edward Foster. Jersey City, NJ: Talisman House, 2000.
---. Conversation (2) with Edward Foster. Poetry and Poetics in a New Millennium. Ed. Edward Foster. Jersey City, NJ: Talisman House, 2000.
---. Interview. Postmodern Poetry: The Talisman Interviews. Edited by Edward Foster. Hoboken: Talisman House, 1994. 84-98.
O’Brien, Sean. “Proceedings in Palmersville.” Acts of Mind: Conversations with Contemporary Poets. Edited by Richard Jackson. Tuscaloosa: University of Alabama Press, 1983. 236-240.
O’Donoghue, Bernard. “Poetry’s Concern.” Acts of Mind: Conversations with Contemporary Poets. Edited by Richard Jackson. Tuscaloosa: University of Alabama Press, 1983. 222-225.
Oppen, George. Interview by L.S. Dembo. The Contemporary Writer: Interviews with Sixteen Novelists and Poets. Madison: University of Wisconsin Press, 1972. 172-190.
Ostriker, Alicia. Interview. Innovative Women Poets: An Anthology of Contemporary Poetry and Interviews. Ed. Elizabeth A. Frost and Cynthia Hogue. Iowa City: University of Iowa Press, 2006.
Owen, Maureen. Conversation with Edward Foster. Poetry and Poetics in a New Millennium. Ed. Edward Foster. Jersey City, NJ: Talisman House, 2000.
Pack, Robert. “Questions of Will.” Acts of Mind: Conversations with Contemporary Poets. Edited by Richard Jackson. Tuscaloosa: University of Alabama Press, 1983. 101-106.
Padgett, Ron. Conversation with Edward Foster. Poetry and Poetics in a New Millennium. Ed. Edward Foster. Jersey City, NJ: Talisman House, 2000.
---. Interview. Postmodern Poetry: The Talisman Interviews. Edited by Edward Foster. Hoboken: Talisman House, 1994. 99-114.
Palmer, Michael. Interview. What Is Poetry: Conversations with the American Avant-Garde. Ed. Daniel Kane. New York: Teachers & Writers Books, 2003.
---. “The Recovery of Language.” Conversation with Sarah Rosenthal. A Community Writing Itself: Conversations with Vanguard Writers of the Bay Area. Ed. Sarah Rosenthal. Champaign and London: Dalkey Archive, 2010.
---. “The man by contrast is fixed symmetrically.” Talking Poetry: Conversations in the Workshop with Contemporary Poets. Ed. Lee Bartlett. Albuquerque: University of New Mexico Press, 1987.
Pastan, Linda. “Unbreakable Codes.” Acts of Mind: Conversations with Contemporary Poets. Edited by Richard Jackson. Tuscaloosa: University of Alabama Press, 1983. 158-163.
Paterson, Don. Interview. The Verse Book of Interviews: 27 Poets on Language, Craft & Culture. Ed. Brian Henry and Andrew Zawacki. Amherst, MA: Verse Press, 2005.
---. “Aphorisms.” Acts of Mind: Conversations with Contemporary Poets. Edited by Richard Jackson. Tuscaloosa: University of Alabama Press, 1983. 282-286.
Paz, Octavio. Interview. Tongues of Fallen Angels. Edited by Selden Rodman. New York: New Directions, 1974. 135-161.
Peacock, Molly. Conversation with Pearl London (1992). Poetry In Person: Twenty-five Years of Conversations with America’s Poets. Ed. Alexander Neubauer. New York: Knopf, 2010.
Piercy, Marge. “Shaping Our Choices.” Acts of Mind: Conversations with Contemporary Poets. Edited by Richard Jackson. Tuscaloosa: University of Alabama Press, 1983. 178-182.
Pinsky, Robert. Conversation with Pearl London (1993). Poetry In Person: Twenty-five Years of Conversations with America’s Poets. Ed. Alexander Neubauer. New York: Knopf, 2010.
Plath, Sylvia. “An Interview.” 20th Century Poetry & Poetics. Fourth Edition. Ed. Gary Geddes. Toronto: Oxford University Press, 1996.
Plumly, Stanley. Conversation with Pearl London (1979). Poetry In Person: Twenty-five Years of Conversations with America’s Poets. Ed. Alexander Neubauer. New York: Knopf, 2010.
---. “The Path of Saying.” Acts of Mind: Conversations with Contemporary Poets. Edited by Richard Jackson. Tuscaloosa: University of Alabama Press, 1983. 1-6.
Pound, Ezra. Interview. Poets at Work: The Paris Review Interviews. Ed. George Plimpton. New York: Penguin Books, 1989.
Purdy, Al. “An Interview.” 20th Century Poetry & Poetics. Fourth Edition. Ed. Gary Geddes. Toronto: Oxford University Press, 1996.
Rakosi, Carl. Interview by L.S. Dembo. The Contemporary Writer: Interviews with Sixteen Novelists and Poets. Madison: University of Wisconsin Press, 1972. 191-295.
Ramsdell, Heather. Interview. The Verse Book of Interviews: 27 Poets on Language, Craft & Culture. Ed. Brian Henry and Andrew Zawacki. Amherst, MA: Verse Press, 2005.
Rankine, Claudia. Interview. The Verse Book of Interviews: 27 Poets on Language, Craft & Culture. Ed. Brian Henry and Andrew Zawacki. Amherst, MA: Verse Press, 2005.
---. Conversation with Sabrina Orah Mark. 12x12: Conversations in 21st Century Poetry & Poetics. Ed. Christina Mengert and Joshua Marie Wilkinson. Iowa City: University of Iowa Press, 2009.
Ratcliffe, Stephen. “Artifice and Accident.” Conversation with Sarah Rosenthal. A Community Writing Itself: Conversations with Vanguard Writers of the Bay Area. Ed. Sarah Rosenthal. Champaign and London: Dalkey Archive, 2010.
Raworth, Tom. “A curious hand touches the snow raising pigeons.” Talking Poetry: Conversations in the Workshop with Contemporary Poets. Ed. Lee Bartlett. Albuquerque: University of New Mexico Press, 1987.
Redmond, Eugene and Jabari Asm. Conversation. The Furious Flowering of African American Poetry. Ed. Joanne V. Gabbin. Charlottesville: University Press of Virginia, 1999.
Reed, Ishmael. “And that history is subject to the will.” Talking Poetry: Conversations in the Workshop with Contemporary Poets. Ed. Lee Bartlett. Albuquerque: University of New Mexico Press, 1987.
Retallack, Joan and Brenda Iijima. Letters. Letters to Poets: Conversations about Poetics, Politics, and Community. Ed. Jennifer Firestone and Dana Teen Lomax. Philadelphia: Saturnalia Books, 2008.
Rexroth, Kenneth. Interview. The Sullen Art: Interviews by David Ossman with Modern American Poets. New York: Corinth Books, 1963. 10-16.
---. Interview by Cyrena N. Pondrom. The Contemporary Writer: Interviews with Sixteen Novelists and Poets. Madison: University of Wisconsin Press, 1972. 153-171.
Reznikoff, Charles. Interview by L.S. Dembo. The Contemporary Writer: Interviews with Sixteen Novelists and Poets. Madison: University of Wisconsin Press, 1972. 206-215.
Rich, Adrienne. Interview by Elly Bulkin. American Poetry Observed: Poets on Their Work. Urbana: University of Illinois Press, 1984. 190-197.
Robinson, Elizabeth. “Falling Is the Safest Thing to Do.” Conversation with Sarah Rosenthal. A Community Writing Itself: Conversations with Vanguard Writers of the Bay Area. Ed. Sarah Rosenthal. Champaign and London: Dalkey Archive, 2010.
Rodefer, Stephen. “I inhabit the language the world heaps upon me.” Talking Poetry: Conversations in the Workshop with Contemporary Poets. Ed. Lee Bartlett. Albuquerque: University of New Mexico Press, 1987.
Rohrer, Matthew. Interview. The Verse Book of Interviews: 27 Poets on Language, Craft & Culture. Ed. Brian Henry and Andrew Zawacki. Amherst, MA: Verse Press, 2005.
Rothenberg, Jerome. Craft Interview. The Craft of Poetry: Interviews from the New York Quarterly. Ed. William Packard. New York: Doubleday, 1974.
---. Interview. The Sullen Art: Interviews by David Ossman with Modern American Poets. New York: Corinth Books, 1963. 27-32.
Roy, Camille. “Experience Is a Demanding Mistress.” Conversation with Sarah Rosenthal. A Community Writing Itself: Conversations with Vanguard Writers of the Bay Area. Ed. Sarah Rosenthal. Champaign and London: Dalkey Archive, 2010.
Royet-Journoud, Claude and Emmaneul Hocquard. “Conversation…1982.” Code of Signals: Recent Writings in Poetics. Ed. Michael Palmer. Berkeley: North Atlantic Books, 1983.
Rukeyser, Muriel. Craft Interview. The Craft of Poetry: Interviews from the New York Quarterly. Ed. William Packard. New York: Doubleday, 1974.
---. Conversation with Pearl London (1978). Poetry In Person: Twenty-five Years of Conversations with America’s Poets. Ed. Alexander Neubauer. New York: Knopf, 2010.
Rumsey, Tessa. Interview. The Verse Book of Interviews: 27 Poets on Language, Craft & Culture. Ed. Brian Henry and Andrew Zawacki. Amherst, MA: Verse Press, 2005.
Salamun, Tomaz. Interview. The Verse Book of Interviews: 27 Poets on Language, Craft & Culture. Ed. Brian Henry and Andrew Zawacki. Amherst, MA: Verse Press, 2005.
---. Conversation with Christian Hawkey. 12x12: Conversations in 21st Century Poetry & Poetics. Ed. Christina Mengert and Joshua Marie Wilkinson. Iowa City: University of Iowa Press, 2009.
Sanchez, Sonia. Interview. Innovative Women Poets: An Anthology of Contemporary Poetry and Interviews. Ed. Elizabeth A. Frost and Cynthia Hogue. Iowa City: University of Iowa Press, 2006.
Sanders, Edward. “Interview by Junior Burke.” Beats at Naropa. Ed. Anne Waldman and Laura Wright. Minneapolis: Coffee House Press, 2009.
Sarton, Mary. Interview by Karla Hammond. American Poetry Observed: Poets on Their Work. Urbana: University of Illinois Press, 1984. 198-206.
Scalapino, Leslie. Interview. Innovative Women Poets: An Anthology of Contemporary Poetry and Interviews. Ed. Elizabeth A. Frost and Cynthia Hogue. Iowa City: University of Iowa Press, 2006.
--- and Judith Goldman. Letters. Letters to Poets: Conversations about Poetics, Politics, and Community. Ed. Jennifer Firestone and Dana Teen Lomax. Philadelphia: Saturnalia Books, 2008.
---. “Messing Up Linear Time.” Conversation with Sarah Rosenthal. A Community Writing Itself: Conversations with Vanguard Writers of the Bay Area. Ed. Sarah Rosenthal. Champaign and London: Dalkey Archive, 2010.
---. Interview. Postmodern Poetry: The Talisman Interviews. Edited by Edward Foster. Hoboken: Talisman House, 1994. 115-123.
Schwerner, Armand. Conversation with Edward Foster. Poetry and Poetics in a New Millennium. Ed. Edward Foster. Jersey City, NJ: Talisman House, 2000.
Sexton, Anne. Interview. Poets at Work: The Paris Review Interviews. Ed. George Plimpton. New York: Penguin Books, 1989.
---. Craft Interview. The Craft of Poetry: Interviews from the New York Quarterly. Ed. William Packard. New York: Doubleday, 1974.
---. From 1928 to Whenever: A Conversation with…” American Poets in 1976. Ed. William Heyen. Indianapolis: Bobbs-Merrill, 1976.
Shapiro, Karl. Interview. The Poet’s Craft: Interviews from the New York Quarterly. New York: Paragon House, 1987. 299-304.
Shepherd, Reginald. Interview. The Verse Book of Interviews: 27 Poets on Language, Craft & Culture. Ed. Brian Henry and Andrew Zawacki. Amherst, MA: Verse Press, 2005.
Simic, Charles. Conversation with Pearl London (1995). Poetry In Person: Twenty-five Years of Conversations with America’s Poets. Ed. Alexander Neubauer. New York: Knopf, 2010.
---. Interview by Wayne Dodd and Stanley Plumly. American Poetry Observed: Poets on Their Work. Urbana: University of Illinois Press, 1984. 207-218.
---. “The Domain of the Marvelous Prey.” Acts of Mind: Conversations with Contemporary Poets. Edited by Richard Jackson. Tuscaloosa: University of Alabama Press, 1983. 19-26.
Singer, Isaac Bashevis. Interview by Cyrena N. Pondrum. The Contemporary Writer: Interviews with Sixteen Novelists and Poets. Madison: University of Wisconsin Press, 1972. 61-112.
Snodgrass, W.D. Interview. Fourteen on Form: Conversations with Poets. Baer, William. Oxford, MS: University Press of Mississippi, 2004. 193-215.
---. Interview. The Poet’s Craft: Interviews from the New York Quarterly. New York: Paragon House, 1987. 218-239.
---. Interview by David Dillon. American Poetry Observed: Poets on Their Work. Urbana: University of Illinois Press, 1984. 219-230.
Snyder, Gary. Interview. The Poet’s Craft: Interviews from the New York Quarterly. New York: Paragon House, 1987. 270-286.
---. Interview. Towards a New American Poetics: Essays & Interviews. Edited by Ekbert Faas. Santa Barbara: Black Sparrow Press, 1979. 105-142.
---, Lew Welch & Philip Whalen. “On Bread and Poetry.” On Bread and Poetry: A Panel Discussion with Gary Snyder, Lew Welch, and Philip Whalen. Bolinas: Gray Fox Press, 1977. 1-47.
Sobin, Gustaff. Interview. Postmodern Poetry: The Talisman Interviews. Edited by Edward Foster. Hoboken: Talisman House, 1994. 124-138.
Solomon, Laura. Interview. The Verse Book of Interviews: 27 Poets on Language, Craft & Culture. Ed. Brian Henry and Andrew Zawacki. Amherst, MA: Verse Press, 2005.
Sorrentino, Gilbert. Interview. The Sullen Art: Interviews by David Ossman with Modern American Poets. New York: Corinth Books, 1963. 46-55.
Spahr, Juliana. “How Does the Work Get Used.” Conversation with Sarah Rosenthal. A Community Writing Itself: Conversations with Vanguard Writers of the Bay Area. Ed. Sarah Rosenthal. Champaign and London: Dalkey Archive, 2010.
St. John, David “Renaming the Present.” Acts of Mind: Conversations with Contemporary Poets. Edited by Richard Jackson. Tuscaloosa: University of Alabama Press, 1983. 77-83.
Stafford, William. “Emergencies of the Moment.” Acts of Mind: Conversations with Contemporary Poets. Edited by Richard Jackson. Tuscaloosa: University of Alabama Press, 1983. 126-131.
---. Interview. Finding the Words: Conversations with Writers Who Teach. Edited by Nancy Bunge. Athens, OH: Swallow Press, 1985. 106-117.
---. Interview by Dave Smith. American Poetry Observed: Poets on Their Work. Urbana: University of Illinois Press, 1984. 231-237.
Stegner, Wallace. Interview. Finding the Words: Conversations with Writers Who Teach. Edited by Nancy Bunge. Athens, OH: Swallow Press, 1985. 118-127.
Strand, Mark. Interview by Richard Vine and Robert von Hallberg. American Poetry Observed: Poets on Their Work. Urbana: University of Illinois Press, 1984. 238-247.
---. “Untelling the Hour.” Acts of Mind: Conversations with Contemporary Poets. Edited by Richard Jackson. Tuscaloosa: University of Alabama Press, 1983. 13-18.
Sundman, Per Olof. Interview by L.S. Dembo. The Contemporary Writer: Interviews with Sixteen Novelists and Poets. Madison: University of Wisconsin Press, 1972. 128-136.
Swenson, May. Interview. The Poet’s Craft: Interviews from the New York Quarterly. New York: Paragon House, 1987. 240-254.
Swenson, Tree. Interview with Robert Dana on publishing (Copper Canyon). Against the Grain: Interviews with Maverick American Publishers. Ed. Robert Dana. Iowa City: University of Iowa Press, 1986.
Tarn, Nathaniel. “Over the fragile sails your hands would make.” Talking Poetry: Conversations in the Workshop with Contemporary Poets. Ed. Lee Bartlett. Albuquerque: University of New Mexico Press, 1987.
Tate, James. Interview by Helena Minton, Louis Papineau, Cliff Saunders, and Karen Florsheim. American Poetry Observed: Poets on Their Work. Urbana: University of Illinois Press, 1984. 248-265.
Tran, Truong. “I Became the Other.” Conversation with Sarah Rosenthal. A Community Writing Itself: Conversations with Vanguard Writers of the Bay Area. Ed. Sarah Rosenthal. Champaign and London: Dalkey Archive, 2010.
Troupe, Quincy and Traci Gourdine. Letters. Letters to Poets: Conversations about Poetics, Politics, and Community. Ed. Jennifer Firestone and Dana Teen Lomax. Philadelphia: Saturnalia Books, 2008.
Valentine, Jean. “The Hallowing of the Everyday.” Acts of Mind: Conversations with Contemporary Poets. Edited by Richard Jackson. Tuscaloosa: University of Alabama Press, 1983. 27-31.
Vicuña, Cecilia and Jill Magi. Letters. Letters to Poets: Conversations about Poetics, Politics, and Community. Ed. Jennifer Firestone and Dana Teen Lomax. Philadelphia: Saturnalia Books, 2008.
Wagoner, David. Interview by Philip Dacey. American Poetry Observed: Poets on Their Work. Urbana: University of Illinois Press, 1984. 266-274.
Wakoski, Diane. Craft Interview. The Craft of Poetry: Interviews from the New York Quarterly. Ed. William Packard. New York: Doubleday, 1974.
---. “Listening for whatever there was to hear.” Talking Poetry: Conversations in the Workshop with Contemporary Poets. Ed. Lee Bartlett. Albuquerque: University of New Mexico Press, 1987.
---. Interview. Finding the Words: Conversations with Writers Who Teach. Edited by Nancy Bunge. Athens, OH: Swallow Press, 1985. 128-144.
---. Interview by Lawrence Smith. American Poetry Observed: Poets on Their Work. Urbana: University of Illinois Press, 1984. 275-284. Walcott, Derek. “Reflections before and after Carnival.” Chant of Saints: A Gathering of Afro-American Literature, Art, and Scholarship. Ed. Michael S. Harper & Robert B. Stepto. Urbana: University of Illinois Press, 1979. p. 296.
---. Conversation with Pearl London (1982). Poetry In Person: Twenty-five Years of Conversations with America’s Poets. Ed. Alexander Neubauer. New York: Knopf, 2010.
---. “In Conversation.” Strong Words: Modern Poets on Modern Poetry. Edited by W.N. Herbert and Matthew Hollis. Northumberland: Bloodaxe, 2000. 167-171.
---. Interview. Fourteen on Form: Conversations with Poets. Baer, William. Oxford, MS: University Press of Mississippi, 2004. 40-53.
---. Interview. Tongues of Fallen Angels. Edited by Selden Rodman. New York: New Directions, 1974. 233-259.
Waldman, Anne. Conversation with Edward Foster. Poetry and Poetics in a New Millennium. Ed. Edward Foster. Jersey City, NJ: Talisman House, 2000.
---. “Everything run along in creation till I end the song.” Talking Poetry: Conversations in the Workshop with Contemporary Poets. Ed. Lee Bartlett. Albuquerque: University of New Mexico Press, 1987.
--- and Karen Weiser. Letters. Letters to Poets: Conversations about Poetics, Politics, and Community. Ed. Jennifer Firestone and Dana Teen Lomax. Philadelphia: Saturnalia Books, 2008.
---. Interview. Finding the Words: Conversations with Writers Who Teach. Edited by Nancy Bunge. Athens, OH: Swallow Press, 1985. 145-156.
Waldrop, Rosmarie. Conversation with Christine Hume. 12x12: Conversations in 21st Century Poetry & Poetics. Ed. Christina Mengert and Joshua Marie Wilkinson. Iowa City: University of Iowa Press, 2009.
---. Interview. Postmodern Poetry: The Talisman Interviews. Edited by Edward Foster. Hoboken: Talisman House, 1994. 139-152.
Warren, Robert Penn. Interview. Poets at Work: The Paris Review Interviews. Ed. George Plimpton. New York: Penguin Books, 1989.
---. “On the Horizon of Time.” Acts of Mind: Conversations with Contemporary Poets. Edited by Richard Jackson. Tuscaloosa: University of Alabama Press, 1983. 53-60.
Warsh, Lewish. Interview. What Is Poetry: Conversations with the American Avant-Garde. Ed. Daniel Kane. New York: Teachers & Writers Books, 2003.
---. Conversation with Edward Foster. Poetry and Poetics in a New Millennium. Ed. Edward Foster. Jersey City, NJ: Talisman House, 2000.
Weiss, Theodore. Interview. Finding the Words: Conversations with Writers Who Teach. Edited by Nancy Bunge. Athens, OH: Swallow Press, 1985. 157-170.
Welish, Marjoie. Interview. The Verse Book of Interviews: 27 Poets on Language, Craft & Culture. Ed. Brian Henry and Andrew Zawacki. Amherst, MA: Verse Press, 2005.
---. Interview. What Is Poetry: Conversations with the American Avant-Garde. Ed. Daniel Kane. New York: Teachers & Writers Books, 2003.
Wier, Dara. Interview. The Verse Book of Interviews: 27 Poets on Language, Craft & Culture. Ed. Brian Henry and Andrew Zawacki. Amherst, MA: Verse Press, 2005.
---. Conversation with Paul Fattaruso. 12x12: Conversations in 21st Century Poetry & Poetics. Ed. Christina Mengert and Joshua Marie Wilkinson. Iowa City: University of Iowa Press, 2009.
---. “The Languages of Illusion.” Acts of Mind: Conversations with Contemporary Poets. Edited by Richard Jackson. Tuscaloosa: University of Alabama Press, 1983. 132-139.
Wilbur, Richard. Craft Interview. The Craft of Poetry: Interviews from the New York Quarterly. Ed. William Packard. New York: Doubleday, 1974.
---. Interview by David Dillon. American Poetry Observed: Poets on Their Work. Urbana: University of Illinois Press, 1984. 285-295.
---. Interview. Finding the Words: Conversations with Writers Who Teach. Edited by Nancy Bunge. Athens, OH: Swallow Press, 1985. 171-181.
---. Interview. Fourteen on Form: Conversations with Poets. Baer, William. Oxford, MS: University Press of Mississippi, 2004. 3-20.
---. “The Mystery of Things that Are.” Acts of Mind: Conversations with Contemporary Poets. Edited by Richard Jackson. Tuscaloosa: University of Alabama Press, 1983. 140-145.
Williams, C.K. Conversation with Pearl London (1988). Poetry In Person: Twenty-five Years of Conversations with America’s Poets. Ed. Alexander Neubauer. New York: Knopf, 2010.
Williams, Hugo. “Leaping Versus Blabbing.” Acts of Mind: Conversations with Contemporary Poets. Edited by Richard Jackson. Tuscaloosa: University of Alabama Press, 1983. 229-232.
Williams, John Hartley. “A Manifesto.” Acts of Mind: Conversations with Contemporary Poets. Edited by Richard Jackson. Tuscaloosa: University of Alabama Press, 1983. 287-288.
Williams, Jonathan. Interview with Robert Dana on publishing. Against the Grain: Interviews with Maverick American Publishers. Ed. Robert Dana. Iowa City: University of Iowa Press, 1986.
Williams, Miller. “The Sanctioned Babel.” Acts of Mind: Conversations with Contemporary Poets. Edited by Richard Jackson. Tuscaloosa: University of Alabama Press, 1983. 7-12.
Williams, Sherley Anne and Deborah McDowell. Conversation. The Furious Flowering of African American Poetry. Ed. Joanne V. Gabbin. Charlottesville: University Press of Virginia, 1999.
Williams, William Carlos. Interview. Poets at Work: The Paris Review Interviews. Ed. George Plimpton. New York: Penguin Books, 1989.
Wright, C.D. Interview. Innovative Women Poets: An Anthology of Contemporary Poetry and Interviews. Ed. Elizabeth A. Frost and Cynthia Hogue. Iowa City: University of Iowa Press, 2006.
Wright, Charles. Interview. The Verse Book of Interviews: 27 Poets on Language, Craft & Culture. Ed. Brian Henry and Andrew Zawacki. Amherst, MA: Verse Press, 2005.
Wright, James. Interview by Bruce Henrickson. American Poetry Observed: Poets on Their Work. Urbana: University of Illinois Press, 1984. 296-309.
Yau, John. Interview. The Verse Book of Interviews: 27 Poets on Language, Craft & Culture. Ed. Brian Henry and Andrew Zawacki. Amherst, MA: Verse Press, 2005.
---. Interview. Postmodern Poetry: The Talisman Interviews. Edited by Edward Foster. Hoboken: Talisman House, 1994. 153-174.
--- and Anselm Berrigan. Letters. Letters to Poets: Conversations about Poetics, Politics, and Community. Ed. Jennifer Firestone and Dana Teen Lomax. Philadelphia: Saturnalia Books, 2008.
Yglesias, Helen. Interview. Finding the Words: Conversations with Writers Who Teach. Edited by Nancy Bunge. Athens, OH: Swallow Press, 1985. 182-189.
Zukofsky, Louis. Interview by L.S. Dembo. The Contemporary Writer: Interviews with Sixteen Novelists and Poets. Madison: University of Wisconsin Press, 1972. 216-232.
Anthologies of Interviews / Conversations with Poets
12x12: Conversations in 21st Century Poetry & Poetics. Ed. Christina Mengert and Joshua Marie Wilkinson. Iowa City: University of Iowa Press, 2009. [including conversations between Jon Woodward & Rae Armantrout; Ben Lerner & Aaron Kunin; Jennifer K. Dick & Laura Mullen; Srikanth Reddy & Mark Levine; Christine Hume & Rosmarie Waldrop; Sawako Nakayasu & Carla Harryman; Karen Volkman & Allen Grossman; Michelle Robinson & Paul Auster; Sabrina Orah Mark & Claudia Rankine; Christian Hawkey & Tomaz Salamun; Mark Yakich & Mary Leader; and Paul Fattaruso & Dara Wier]
Acts of Mind: Conversations with Contemporary Poets. Ed. Richard Jackson. Tuscaloosa: University of Alabama Press, 1983. [interviews with Plumly, Miller Williams, Strand, Simic, Valentine, Ammons, Muske, Merwin, Warren, Bell, Ashbery, St. John, Booth, McHugh, Pack, Kumin, Kunitz, Epstein, Stafford, Wier, Wilbur, Finkel, Chappell, Pastan, Creeley, Ignatow, Piercy, Harper, Hall, Hollander]
Against the Grain: Interviews with Maverick American Publishers. Ed. Robert Dana. Iowa City: University of Iowa Press, 1986. [Including: Harry Duncan, Lawrence Ferlinghetti, David Godine, Daniel Halpern, Sam Hamill, James Laughlin, John Martin, Tree Swenson, and Jonathan Williams.]
American Poetry Observed: Poets on Their Work. Ed. Joe David Bellamy. Urbana: University of Illinois Press, 1984. [Interviews with Ai, Ashbery, Bell, Benedikt, Bishop, Bly, Dickey, Harper, Hugo, Justice, Kinnell, Kunitz, Levertov, Merwin, Miles, Rich, Sarton, Simic, Snodgrass, Stafford, Strand, Tate, Wagoner, Wakoski, Wilbur, James Wright.]
Chant of Saints: A Gathering of Afro-American Literature, Art, and Scholarship. Ed. Michael S. Harper & Robert B. Stepto. Urbana: University of Illinois Press, 1979. [including an interview with Walcott—as well as Ellison, Morrison, and Gayl Jones.]
A Community Writing Itself: Conversations with Vanguard Writers of the Bay Area. Ed. Sarah Rosenthal. Champaign and London: Dalkey Archive, 2010. [including interviews with Fraser, Gluck, Barbara Guest, Hillman, Mackey, Palmer, Ratcliffe, Robinson, Camille Roy, Scalapino, Spahr, Truong Tran.]
The Contemporary Writer: Interviews with Sixteen Novelists and Poets. Ed. L.S. Dembo and Cyrena N. Pondrom. Madison: University of Wisconsin Press, 1972. [Hawkes, Barth, Bellow, Nabokov, Singer, Borges, Lidman, Sundman, James Merrill, Rexroth, Oppen, Rakosi, Reznikoff, Zukofsky, Brooks, George Barker.]
The Craft of Poetry: Interviews from the New York Quarterly. Ed. William Packard. New York: Doubleday, 1974. [including interviews with Auden, Blackburn, Sexton, Kunitz, Rothenberg, Ginsberg, Levertov, Kinnell, Ashbery, Dickey, Rukeyser, Wilbur, Creeley, Mac Low, Howard Moss, Jong, Wakoski,]
Finding the Words: Conversations with Writers Who Teach. Ed. Nancy Bunge. Athens, OH: Swallow Press, 1985. [Conversations with Marvin Bell, Kelly Cherry, Seymour Epstein, Allen Ginsberg, Clarence Major, Frederick Manfred, James Alan McPherson, N. Scott Momaday, Lisel Mueller, William Stafford, Wallace Stegner, Wakoski, Waldman, Weiss, Wilbur, Yglesias.]
Fourteen on Form: Conversations with Poets. Ed. William Baer. Oxford, MS: University Press of Mississippi, 2009. [interviews with Richard Wilbur, Kumin, Walcott, Willis Barnstone, Hecht, Justice, Douglas Dunn, Robert Conquest, Nims, Cope, Frederick Morgan, Snodgrass, Hollander, X.J. Kennedy]
The Furious Flowering of African American Poetry. Ed. Joanne V. Gabbin. Charlottesville: University Press of Virginia, 1999. [including conversations with: Michael S. Harper & Aldon Lynn Nielsen; Eugene Redmond & Jabari Asim; Amiri Baraka & Askia Toure; Sherley Anne Williams & Deborah McDowell; Margaret Walker Alexander & Joanne V. Gabbin; Gwendolyn Brooks & B. Denise Hawkins]
Innovative Women Poets: An Anthology of Contemporary Poetry and Interviews. Ed. Elizabeth A. Frost and Cynthia Hogue. Iowa City: University of Iowa Press, 2006. [including interviews with: Anzaldua, Berssenbrugge, Jayne Cortez, DuPlessis, Alice Fulton, Susan Howe, Harryette Mullen, Alice Notley, Ostriker, Sonia Sanchez, Scalapino, C.D. Wright, Barbara Guest & Kathleen Fraser.]
Letters to Poets: Conversations about Poetics, Politics, and Community. Ed. Jennifer Firestone and Dana Teen Lomax. Philadelphia: Saturnalia Books, 2008. [Anselm Berrigan with John Yau; Brenda Cuoltas & Victor Hernandez Cruz; Truong Tran & Wanda Coleman; Patrick Pritchett & Kathleen Fraser; Hajera Ghori & Alfred Arteaga; Jennifer Firestone & Eileen Myles; Karen Wiser & Anne Waldman; Jill Magi & Cecilia Vicuña; Rosamond S. King & Jayne Cortez; Judith Goldman & Leslie Scalapino; Traci Gourdine & Quincy Troupe; Brenda Iijima & Joan Retallack; Dana Teen Lomax & Claire Braz-Valentine; Albert Flynn Desilver & Paul Hoover.]
Looking Up Harryette Mullen: Interviews on Sleeping with the Dictionary and Other Works. Barbara Henning. New York: Belladonna, 2011.
On Bread & Poetry: A Panel Discussion with Gary Snyder, Lew Welch, & Philip Whalen. Ed. Donald Allen. Bolinas: Grey Fox Press, 1977.
Poetry and Poetics in a New Millennium. Ed. Edward Foster. Jersey City, NJ: Talisman House, 2000. [including interviews with: Clark Coolidge, Theodore Enslin, Michael Heller, Eileen Myles, Alice Notley, Maureen Owen, Ron Padgett, Armand Schwerner, Anne Waldman, and Lewis Warsh.]
Poetry In Person: Twenty-five Years of Conversations with America’s Poets. Ed. Alexander Neubauer. New York: Knopf, 2010. [Including: Kumin, Hass, Rukeyser, Philip Levine, Gluck, June Jordan, James Merrill, Hacker, Kinnell, Walcott, Clampitt, Clifton, Plumly, C.K. Williams, Peacock, Pinsky, Hirsch, Bidart, Matthews, Muldoon, Li-Young Lee, Simic, Grennan]
Poets at Work: The Paris Review Interviews. Ed. George Plimpton. New York: Penguin Books, 1989. [including interviews with: Robert Penn Warren, Eliot, Frost, Moore, Lowell, Pound, Williams, Ginsberg, Aiken, Sexton, Auden, Macleish, Dickey, Bishop, Ashbery, Robert Fitzgerald.]
The Poet’s Craft: Interviews from The New York Quarterly. Ed. William Packard. New York: Paragon House, 1987. [Interviews with Auden, Blackburn, Sexton, Kunitz, Ginsberg, Levertov, Kinnell, Ashbery, Dickey, Rukeyser, Wilbur, Creeley, Jong, Wakoski, Snodgrass, Swenson, Eberhart, Adam, Snyder, Warren, Karl Shapiro, Baraka, Bukowski, Connellan, Michael Moriarty]
Postmodern Poetry: The Talisman Interviews. Ed. Edward Foster. Hoboken: Talisman House, 1994. [Interviews with Bronk, Coolidge, Hollo, Susan Howe, Mackey, Notley, Padgett, Scalapino, Sobin, Rosmarie Waldrop, Yau]
The Sighted Singer: Two Works on Poetry for Readers and Writers. Allen Grossman with Mark Halliday. Baltimore: Johns Hopkins University Press, 1992. [book-length conversation]
The Sullen Art: Interviews by David Ossman with modern American Poets. Ed. David Ossman. New York: Corinth Books, 1963. [Interviews with Rexroth, Carroll, Blackburn, Rothenberg, Kelly, Bly, John Logan, Sorrentino, Creeley, Merwin, Levertov, LeRoi Jones, Dorn, Ginsberg]
Talking Poetry: Conversations in the Workshop with Contemporary Poets. Ed. Lee Bartlett. Albuquerque: University of New Mexico Press, 1987. [including: Coolidge, Enslin, Eshleman, Everson, Gunn, Irby, Michael Palmer, Raworth, Ishmael Reed, Rodefer, Tarn, Wakoski, and Waldman.]
Tongues of Fallen Angels. Ed. Selden Rodman. New York: New Directions, 1974. [Conversations with Borges, Frost, Hemingway, Neruda, Kunitz, Marquez, Paz, Mailer, Ginsberg, Moraes, Neto, Walcott]
Towards a New American Poetics: Essays and Interviews. Ed. Ekbert Faas. Santa Barbara: Black Sparrow Press, 1979. [Essay on Olson, and interviews with Duncan, Snyder, Creeley, Bly, and Ginsberg]
The Verse Book of Interviews: 27 Poets on Language, Craft & Culture. Ed. Brian Henry and Andrew Zawacki. Amherst, MA: Verse Press, 2005. [including interviews with: Salamun, Charles Wright, Kleinzahler, Christine Hume & Laura Solomon, Dorn, Espada, McGuckian, Reginald Shepherd, Agha Shaid Ali, Rankine, Welish, Anselm Berrigan & Marcella Durand, Yau, Jarnot, Rohrer, Wier, Rumsey, Carrut, Holub, Ramsdell, Kinsella, Fagan, Don Paterson, Kevin Hart, Debeljak.]
We Saw the Light: Conversations between the New American Cinema and Poetry. Daniel Kane. Iowa City: University of Iowa Press, 2009. [interview with Lisa Jarnot, essays]
What Is Poetry: Conversations with the American Avant-Garde. Ed. Daniel Kane. New York: Teachers & Writers Books, 2003. [including conversations with: Ashbery, Armantrout, Creeley, Fanny Howe, Jarnot, Koch, Lauterbach, Mayer, Harryette Mullen, Palmer, Warsh, Welish.]
What’s Your Idea of a Good Time? Letters and Interviews 1977-1985. Bill Berkson and Bernadette Mayer. np: Tuumba Press, 2006. [book-length conversation]
Teaching & Writing Poetry
(Bibliography, Prompts, Terms, Forms, & Resources)
Bibliography
Poetry in and Out of the Classroom: Essays from the ACLS Elementary and Secondary Schools Teacher Curriculum Development Project. American Council of Learned Societies, 1995.
Addonizio, Kim. Ordinary Genius: A Guide for the Poet Within. New York: W. W. Norton, 2009.
--- and Dorianne Laux. The Poet’s Companion: A Guide to the Pleasures of Writing Poetry. New York: W. W. Norton, 1997.
Behn, Robin and Chase Twichell, Eds. The Practice of Poetry: Writing Exercises from Poets Who Teach. New York: Harper, 1992. [with essays/exercises by Lauterbach, Lux, Muske, Kumin, Dove, Waters, Lea, Christopher Davis, Mathis, Snively, Pettit, Waldman, Mitchell, Jackson, Linnea Johnson, McKean, Broughton, Spires, St. John, Stanton, Gilbert, Behn, Upton, Swander, Ullman, Hirsch, Wojahn, Hongo, Alexander, Digges, Klokker, Rosen, McPherson, Alberta Turner, Myers, Friebert, Simmerman, Weiss, Berstein, Mac Low, Dischell, McClatchy, Southwick, Maggie Anderson, Flint, Ostriker, Swenson, Dunn, Bryan, Myers, Gioia, Hudgins, Becker, Baumel, Peacock, Shahid Ali, Rabbitt, Halpern, Matthews, McMahon, Twichell, Weingarten, Plumly, Tillinghast, Justice, Emanuel]
Bennett, Paula Bernat, Karen L. Kilcup, and Philipp Schweighauser, Eds. Teaching Nineteenth-Century American Poetry. New York: MLA, 2007.
Bunge, Nancy. Finding the Words: Conversations with Writers Who Teach. Athens, OH: Swallow Press, 1985. [Conversations with Marvin Bell, Kelly Cherry, Seymour Epstein, Allen Ginsberg, Clarence Major, Frederick Manfred, James Alan McPherson, N. Scott Momaday, Lisel Mueller, William Stafford, Wallace Stegner, Wakoski, Waldman, Weiss, Wilbur, Yglesias.]
Clark, Kevin. The Mind’s Eye: A Guide to Writing Poetry. New York: Pearson Longman, 2008.
Collom, Jack. Moving Windows: Evaluating the Poetry Children Write. New York: Teachers & Writers Collaborative, 1985.
Cooper, Patsy. When Stories Come to School: Telling, Writing, & Performing Stories in the Early Childhood Classroom. New York: Teachers & Writers Collaborative, 1993.
Cummins, Paul F. with Anna Cummins & Emily Cummins. Proceed with Passion: Engaging Students in Meaningful Education. Los Angeles: Red Hen Press, 2004.
Dobyns, Stephen. Best Words, Best Order: Essays on Poetry. New York: St. Martin’s Griffin, 1997.
Edgar, Christopher and Ron Padgett, Eds. Classics in the Classroom: Using Great Literature to Teach Writing. New York: Teachers & Writers Collaborative, 1999. [Essays on teaching Gilgamesh, Greek poetry, Sappho and Praxilla, Aristophanes, Psalms and Proverbs, Catullus, Beowulf, Rumi, Shakespeare, Hamlet, Basho, Keats, Shelley, von Kleist, Twain, Milton, Ovid, Diogenes, Homer, Hesiod, Bronte, Sophocles, Shakespeare, Kafka, Chaucer, and others. One essay by Sikelianos.]
---, Eds. Educating the Imagination: Essays & Ideas for Teachers & Writers, Volume One. New York: Teachers & Writers Collaborative, 1994. [Foreward by Joe Brainard, essays on writing poetry, fiction, and more]
---, Eds. Educating the Imagination: Essays & Ideas for Teachers & Writers, Volume Two. New York: Teachers & Writers Collaborative, 1994. [Essays on writing poetry, plays, across the curriculum, parody and humor, reading, and language by Julie Patton, Herbert Kohl, Ron Padgett, Bernadette Mayer, Bill Zavatsky, Maureen Owen, Towle, and “My High School English Teacher” essays by Ginsberg, Waldman, Holman, Hagedorn, Elmore Leonard, and others]
Edgar, Christopher and Susan Elson Wood. The Nearness of You: Students & Teachers Writing On-Line. New York: Teachers & Writers Collaborative, 1996. [Essay sections: “From the Computer Lab to the Internet,” “Students & Teachers,” “Writers On-Line,” “On-Line Writing Projects,” “Telecommunications & Reform”]
Fagin, Larry. The List Poem: A Guide to Teaching & Writing Catalog Verse. New York: Teachers & Writers Collaborative, 1991.
Hass, Robert. On Teaching Poetry. Berkeley: Bancroft Library, 2006. [20 pages]
Hermsen, Terry and Robert Fox, Eds. Teaching Writing from Writer’s Point of View. Urbana: National Council of Teachers of English, 1998.
Hillman, Brenda. Cracks in the Oracle Bone: Teaching Certain Contemporary Poems. Berkeley: University of California Press, 2008.
Hugo, Richard. The Triggering Town: Lectures and Essays on Poetry and Writing. New York: W.W. Norton, 1979.
Hunly, Tom. The Poetry Gymnasium: 94 Proven Exercises to Shape Your Best Verse. Jefferson, North Carolina: McFarland, 2011.
Kiteley, Brian. The 3 A.M. Epiphany: Uncommon Writing Exercises that Transform Your Fiction. Cincinnati: Writer’s Digest, 2005.
Koch, Kenneth. Rose, Where Did You Get That Red? New York: Vintage, 1990.
---. Wishes, Lies, and Dreams: Teaching Children to Write Poetry. New York: Harper & Row, 1970.
---. I Never Told Anybody: Teaching Poetry Writing to Old People. New York: Teachers & Writers Collaborative, 1997.
Kooser, Ted: The Poetry Home Repair Manual: Practical Advice for Beginning Poets. Lincoln, NE: Bison Books, 2007.
Kovacs, Edna. Writing Across Cultures: A Handbook on Writing Poetry & Lyrical Prose. Hillsboro, OR: Blue Heron, 1993.
Kowit, Steve. In the Palm of Your Hand: The Poet’s Portable Workshop. Gardiner, Maine: Tilbury House, 1995.
Martin, Anne. Reading Your Students: Their Writing & Their Selves. New York: Teachers & Writers, 1983.
Marzan, Julio. Luna, Luna: Creative Writing Ideas from Spanish, Latin American, and Latino Literature. New York: Teachers & Writers Collaborative, 1997. [Essays by Koch, Pmmy Vega, Espada, Alvarez, and others]
McEwen, Christian and Mark Statman. The Alphabet of the Trees: A Guide to Nature Writing. New York: Teachers & Writers Collaborative, 2000. [Essays by Snyder, Sharpe, Karwoska, Bruchac, Swope, Bader, Kim Stafford, Tallmadge, Oliver, Bash, Rabkin, Leslie, Roth, McEwen, Marshall, Masturzo, Zwinger, Duckworth, Wertsch, Morse, Harter, Higginson, Gregory, Clary, Collom, Hermsen, Galt, Vega, Gilmore, Peck.]
McGurl, Mark. The Program Era: Postwar Fiction and the Rise of Creative Writing. Cambridge, MA: Harvard University Press, 2009.
Oliver, Mary. A Poetry Handbook. New York: Mariner Books, 1994.
---. Rules for the Dance: A Handbook for Writing and Reading Metrical Verse. New York: Mariner Books, 1998.
Orr, Gregory and Ellen Bryant Voigt, Eds. Poets Teaching Poets: Self and the World. Ann Arbor: University of Michigan Press, 1996. [Essays by Hass, Gluck, Aleshire, Boruch, Dennis, Williamson, Wood, Grossman, Wilner, Ryan, Gibbons, McHugh, Voigt, Dobyns, Hoagland, and Orr.]
Padgett, Ron. The Teachers and Writers Handbook of Poetic Forms. New York: Teachers & Writers Collaborative, 1987.
Parsons, Les. Poetry Themes and Activities: Exploring the fun and fantasy of language. Ontario: Pembroke, 1992.
Ponsot, Marie and Rosemary Deen. Beat Not the Poor Desk: Writing: What to Teach, How to Teach it and Why. Portsmouth, NH: Boynton/Cook, 2003. [yikes]
Pound, Ezra. ABC of Reading. New York: New Directions, 1960.
Pritchard, William H. English Papers: A Teaching Life. Saint Paul: Graywolf, 1995.
Muller, Lauren and the Blueprint Collective. June Jordan’s Poetry for the People: A Revolutionary Blueprint. New York: Routledge, 1995.
Retallack, Joan and Juliana Spahr. Poetry and Pedagogy: The Challenge of the Contemporary. New York: Palgrave, 2006. [Essays by Golding, Keller, Altieri, Monroe, Greene, Morris Young, Damon, Bernstein, McGann, Samuels, McMorris, Shaw, Hejinian, Jenkins, Jim Keller, Chang, Osman, Maxim, Owens, Harryette Mullen, Glancy, Holman]
Robinson, Sandra R. Origins: Bringing Words to Life, Vol. 1. New York: Teachers & Writers, 1989.
--- and Lindsay McAuliffe. Origins: The Word Families, Vol. 2. New York: Teachers & Writers, 1989.
Sedgwick, Fred. Teaching Poetry. London: Continuum, 2003.
Smith, Hazel. The Writing Experiment: Strategies for Innovative Creative Writing. Allen & Unwin: Australia, 2005.
Sprague, Jane. Imaginary Syllabi. Long Beach, CA: Palm Press, 2011.
Skinner, Jeffrey. The 6.5 Practices of Moderately Successful Poets: A Self-Help Memoir. Louisville: Sarabande, 2012.
Statman, Mark. Listener in the Snow: The Practice and Teaching of Poetry. New York: Teachers & Writers, 2000. [Preface by Koch]
Stegner, Wallace. On Teaching Creative Writing: A Response to a Series of Questions. Dartmouth: Montgomery Endowment, 1989.
Strand, Mark and Eavan Boland. The Making of a Poem: A Norton Anthology of Poetic Forms. New York: W.W. Norton, 2000.
Thomas, Lorenzo, Ed. Sing the Sun Up: Creative Writing Ideas from African American Literature. New York: Teachers & Writers Collaborative, 1998.
Tsujimoto, Joesph I. Teaching Poetry Writing to Adolescents. Urbana: National Council of Teachers of English, 1988.
Weiss, Jen and Scott Herndon. Brave New Voices: The Youth Speaks Guide to Teaching Spoken Word Poetry. Portsmouth: Heineman, 2001.
Wendt, Ingrid. Starting With Little Things: A Guide to Writing Poetry in the Classroom. Place? Oregon Arts Foundation, 1989.
Wiggerman, Scott and David Meischen. Wingbeats: Exercises and Practice in Poetry. Austin: Dos Gatos Press, 2011.
Wilkinson, Joshua Marie. Poets on Teaching: A Sourcebook. Iowa City: University of Iowa Press, 2010. [99 essays by Gridley, Reddy, Mobilio, Sikelianos, Swensen, Burt, Carr, Liu, Dawn Lundy Martin, Goldsmith, Vokman, Peter Gizzi, Fishman, Silliman, Sandra Doller, Kunin, Lily Brown, Greenfield, Boully, Moten, Mullen, Wallace, Becker, Bar-Nadav, Tyrone Williams, Ulmer, Ramke, Doxsee, Beachey-Quick, Gander, Armantrout, Shockley, Browne, Foust, Catherine Wagner, Noah Eli Gordon, Hillman, Hofer, Streckfus, Zucker, Trigilio, Hume, Beasley, Nakayasu, Henry, Rosko, Nezhukumatathil, Ronk, Cooperman, de la Paz, Kapil, Theune, Mohammad, Steensen, Hoover, Lasky, Gallaher, Mengert, Kazim Ali, Jarnot, Sphr & Clover, McSweeney & Goransson, Stephanie Young, Rasula, Moxley, Greenberg, Brouwer, Elizabeth Robinson, Sharma, Kelsey, Osman, Zawacki, Nguyen, Sueyeun Juliette Lee, Rickel, Prevallet, York, Tracy K. Smith, Dinh, Hayes, Powell, Hayot, Limon, Ben Doller, Bolina, Johnson, Yakich, Iijima, Zapruder, Glenum, Lansana, Giscombe, Yu, Reyes, Hawley, Kristi Maxwell, Siken, Sabrina Orah Mark, Waldrep.]
Willis, Meredith Sue. Deep Revision: A Guide for Teachers, Students, and Other Writers. New York: Teachers & Writers Collaborative, 1993.
Wooldridge, Susan G. Poemcrazy: Freeing Your Life with Words. New York: Broadway, 1997.
Worsley, Dale and Bernadette Mayer. The Art of Science Writing. New York: Teachers & Writers Collaborative, 2007.
Wormser, Baron and David Cappella. A Surge of Language: Teaching Poetry Day by Day. Place: Boyton/Cook, 2004.
Zavatsky, Bill and Ron Padgett. The Whole Word Catalogue2. New York: Teachers & Writers Collaborative, 1987.
Ziegler, Alan. The Writing Workshop, Vol. 1. New York: Teachers & Writers Collaborative, 2007.
---. The Writing Workshop, Vol. 2. New York: Teachers & Writers Collaborative, 2000.
Greek & Latin Terms to Spur Writing
Adynaton (Gr. “not possible”): A form of hyperbole, which involves the magnification of an event by reference to the impossible. “My love burns like a hundred suns.” Write five of these.
Amblysia (Gr. “blunting”): A device related to euphemism where language is reduced or modified by way of preparation for the announcement of something tragic or alarming (“Are you sitting down?”). Write five of these for good and bad.
Anaphora (Gr. “carrying up or back”): Rhetorical device involving repetition of a word or group of words in successive clauses. Write twenty lines beginning with the same word or phrase like Allen Ginsberg’s “America” or like Charles Wright’s ‘The Dead…” Try it with a question phrase like “Who could….” or a slightly awkward phrase like “We, who…”
Anacoluthon (Gr. “lacking sequence”): Beginning a sentence one way and finishing it in another. Write five of these.
Anadiplosis (Gr. “doubling”): Repetition of the last word of one clause at the beginning of the following clause to gain a special effect. “The keys shone is the yellow moonlight brightly. Brightly they looked into each other’s palm lines.” Write five of these.
Antanaclasis (Gr. “breaking back against”): A figurative device in which a word is used twice or more in two or more of its possible senses. When Othello is about to murder Desdemona, he says: “Put out the light, and then put out the light”—referring to both candle and the murder. Write five of these.
Anthimeria (Gr. “anthos” flower + “meros” part): The substitution of one part of speech for another. “The cloud beetled across the horizon.” Write 10 of these.
Asyndeton (Gr. “unconnected”): A rhetorical device where conjunctions, articles and even pronouns are omitted for the sake of speed an economy. Write 5 single long lines. Then remove as much as you can—in terms of asyndeton—in the rewriting of them.
Chiasmus (Gr. “placing crosswise”): Reversal of grammatical structures in successive phrases or clauses. Dr. Johnson: “By the day the frolic, and the dance by night.” Write five of these.
Hyperbaton (Gr. “overstepping”): Figure of speech where words are transposed from their usual order. “The flowers pink sat lovely on their stems, greenly.” Write 3 long hyperbatonic lines.
Hypotaxis poem. Write a poem in one long (100 word at least) single sentence—full of images, metaphors, and sensory details—that does not tell a story and leaps thing to thing almost dreamlike.
Irony: The two basic kinds of irony are verbal irony and irony of situation…At its simplest, verbal irony involves saying what one does not mean…At their very crudest: “I haven’t seen you for ages,’ from one man to another when they meet every day. Situational irony occurs when, for instance, a man is laughing uproariously at the misfortune of another even while the same misfortune, unbeknownst, is happening to him.” Try to write an example showing each kind of irony.
Metaphor (Gr. “Carrying from one place to another”): A figure of speech in which one thing is described in terms of another. The comparison is usually implicit; whereas, in Simile, the comparison is usually explicit.
Metonymy (Gr. “name change”): Figure of speech in which a name or attribute of a thing is substituted for the thing itself. “The bench” for the judiciary. “I’ve read Dante” for his “works.” “I pledge allegiance to the flag.” Write five of these.
Parataxis poem. Write a poem of discreet individual objects and images—unrelated to each other and without any relationship state—just one thing after another.
Simile (from L., “similis” or like): A figure of speech in which one thing is likened to another, in such a way as to clarify and enhance an image. It is an explicit comparison (as opposed to the metaphor, where the comparison is implicit) recognizable by the use of the words ‘like’ or ‘as.’ Write ten of these.
Synathroesmus: An accumulation of words of different meaning.
“He was a sordid, bird-loving, blonde, fastidious, and beach-combing fellow.” Write five of these.
Synecdoche (Gr. “Taking up together”): Figure of speech where part stands for whole. “His dad bought him a new set of wheels.” (perhaps?): “Can you give me a hand?” “Lend me your ear”—but these could easily be metonymy, too. Write five of these.
Tmesis (Gr. “a cutting”): The separation of the parts of a word by the insertion of another word or words. Not unusual in abusive speech. E.g., “Neverthebloodyless.” Write five of these. Try to invent unfamiliar connections.
Zeugma (Gr. “yoking, bonding”): Figure of speech in which the same word (verb or preposition) is applied to two others in different sense. Dickens: “Miss Bolo went home in a flood of tears and a sedan chair.” “George went fishing this weekend and caught three salmon and a cold.” Write five of these.
Content-Based Prompts
All Things poem. “Write a poem about all the things you’ve written poems about, or that you would like to write poems about. If you like, you can start every line with ‘I like to write about’ or ‘I would like to write about’.” For reference, see Robert Herrick’s poem “The Argument of His Book” (Koch’s Rose 37).
Animal poem. “When you can’t write, try writing about an animal.” (via Digges—and before that Levis from Levine-- in The Practice of Poetry 97.)
Apology poem. Write a poem where “you are apologizing for something you’re really secretly glad you did.” Refer to William Carlos Williams’s poem “This is Just to Say.” (Koch’s Rose 100).
Autobiographical poem. Write about a real memory in three different forms: in prose with metaphors and details; in three line stanzas; and in three words per line.
Blackbird poem. “Write a poem in which you talk about the same thing in a number of different ways.” Try to break it into Thirteen separate, numbered parts. Refer to Wallace Stevens’s poem “Thirteen Ways of Looking at a Blackbird.” (Koch’s Rose 86).
Black Sheep poem. “Write a poem about or from the voice of someone who has been cast out or has voluntarily left the family: the drunkard, the thief, or the perpetrator of the otherwise unforgivable.” (From Rosen in The Practice of Poetry 101.)
Break-up poem. Write a poem about a break University Press, real or imagined.
Childhood Memory Poem. Write a poem about a single memory from your childhood. (Adapted from Kowit 17)
Cinema poem. Write while watching an old movie with the sound off. Write random lines throughout. Rearrange them and work them into a poem when the film’s over.
Cliché poem. Write a poem entirely of clichés, then re-write each line entirely.
City poem. Write a poem to city that you know well. Try to mine it for every detail you love and hate about it. It’s not a postcard, it’s a version of your city as you see it—in all its richness, complexity, and contradiction.
Comic poem. Try writing a poem designed to make us out loud. Think of silly, awkward, hilarious, embarrassing details, images, characters, and stories. Surprise is key here.
Comparison poem. “Write a poem in which you compare deep and serious feelings to things in science and math. If you like, put one of these comparisons in every line. Or you can devote the whole poem to one or two comparisons.” For reference, see John Donne’s poem “A Valediction: Forbidding Mourning.” (Koch’s Rose 50.)
Cut-up Expansure poem. Cut up a bunch of lines from various sources, then write your own lines between those words, lines, and sentences. (Adapted from Waldman in The Practice of Poetry 123.)
Danger poem. Write a poem about the last time you were in any kind of danger—real or imagined. Try to write it in a single heavily enjambed stanza. Adapted from Clark’s Mind’s Eye 90.
Desire poem. Write a poem rooted in desire—every line (say ten) should reflect different kinds of longing, wanting, hunger, craving, and thirst.
Double story poem. Write a poem where two very different stories are told, but each line alternates between them without explanation. Adapted from Clark’s Mind’s Eye 119.
Dramatic Monologue poem. “Write a dramatic monologue (a poem spoken in a voice other than your own)...Perhaps you should say some things you’d never allow yourself to say in one of your own poems.” (from St. John in The Practice of Poetry 63.)
Dream poem. Write about an old dream that’s haunted you. Don’t indicate that it’s a dream. Try to write it clearly in simple lines. (Adapted from Kowit 86.)
Dream Litany poem. Write a poem that begins with the line “I dreamed” and write ten lines. (from Koch’s Wishes 128.)
Earliest Memory poem. “Write a poem describing your earliest memory, using sensory, concrete language only.” From Clark’s Mind’s Eye 90.
Eavesdropper poem. Go to a public place (bus depot, tavern, café, diner, mall, etc.) and write down at least ten overheard things. Then assemble a poem from that language. Adapted from Clark’s Mind’s Eye 106.
Ekphrastic poem. Write a poem in conversation with a piece of visual art like a painting. Describe it, speak to it, and let it speak.
Encounter poem. Write a poem where the speaker encounters something for the first time—a new food, animal, town, mode of transport, activity, etc. Refer to D.H. Lawrence’s poem “The Snake.”
Enemy poem. Like the friend poem, but directed at an enemy. Go for direct address, and detail.
Epic Compressed. Write an entire epic poem—huge shifts in time, location, action, characters—in 15 lines.
Fable poem. Write a poem about a literal experience but turn it into a fable.
Fairy Tale poem. Find an old fairy tale—ideally from another time and from another culture, such as from Grimm’s Fairy Tales—and re-write your own version of it.
Family Secret poem. Framed by a single anecdote, with just 3-4 details of the secret. (Adapted from Kowit 19.)
Fear poem. “Write a poem that scares you.” (from McPherson in The Practice of Poetry 104.)
Five-senses poem. Write a poem that uses all five senses—one in each line, twice each for ten lines. Adapted from Clark’s Mind’s Eye 38.
Friend poem. Write a poem directed at a real friend about your friendship. Use the most specific, familiar language they would recognize immediately as well as details, memories, etc.
Future poem. Write a poem set in the future—either next year, in 2046, or in the year 3000.
Internal Rhyme poem. Write a poem that relies heavily on internal rhyme instead of end rhyme. Think associatively and follow the sound patterns with less regard for meaning than normal. Adapted from Clark’s Mind’s Eye 38.
Inventory poem. Like Whitman, try to assemble a great list of familiar and unfamiliar things in your poem—apostrophize to them, call on them, name them, describe them, speak to them. (Adapted from Kowit 233).
Invitation poem. Write “a poem in which you invite people (or only one person if you wish) to a magical beautiful place full of sounds and colors, and where all kinds of marvelous things may happen.” (Koch’s Rose 62).
Journey poem. Write a poem where you take a trip and end up in a totally unexpected place, town, planet, or setting. Adapted from Clark’s Mind’s Eye 91.
Kitchen poem. “Write a poem about your mother’s kitchen.” (From Dove in The Practice of Poetry 89.)
Liar’s poem. Write a poem comprised entirely of untrue statements. (Adapted from Koch’s Wishes 50, 198.)
Locust Tree poem. Write a poem that uses a single word on each line to describe something—a person, a town, a car wreck, a field—in a disjointed way. Refer to William Carlos Williams’s “The Locust Tree in Flower.” (Koch’s Rose 101).
Lorca Place Poem. “Write a poem about a beautiful, strange place which is full of colors.” Refer to Lorca’s poem “Arbole, Arbole.” (Koch’s Rose 133).
Love poem. Try to write a poem about romantic love that does not rely on sentimentality, cliché, or melodrama.
Magical realism poem. Write a poem that seems grounded in reality, but where impossible things begin to happen—that are understood as normal in the poem. Adapted from Clark’s Mind’s Eye 165.
Metaphor poem. Write a poem entirely composed out of various metaphors. See Padgett’s Handbook 112.
Momento Mori. Write a short poem where you are reminded of your own mortality. Try to avoid any direct statement of death; see if it can be invoked. (Adapted from Kowit 223).
Motif poem. “Write a poem in which an element (a phrase, a motif, a particular kind of diction, etc.) is returned to several times in the course of the poem.” Dunn in The Practice of Poetry 104.
Myth poem. Write a poem drawn on an ancient myth, but rewrite it from another perspective, being liberal with details.
Narrative poem. “Write a poem, eleven to fifteen lines long, in which you tell a story.” Flint in The Practice of Poetry 164.
Natural poem. Harder than it sounds: compose a poem made up of only natural objects—nothing human made at all.
Object poem. Begin with a familiar or unfamiliar object. Focus on it; study it. Begin to write about this object very carefully, clearly, metaphorically, obliquely.
Object / Action poem. “Write a poem in which you include approximately one object and one action per line….don’t worry about connecting one line logically to the next.” From Southwick in The Practice of Poetry 158.
Quotidian Reflection poem. Write a detailed, descriptive poem about something you do all the time—looking for your keys to flossing. Write about it in clinical detail. See what sort of metaphors and sensory details can emerge. (Adapted from Kowit 242).
Reality bending poem. Begin a poem with four or five reality-based lines. Slowly start to unhinge the real from the world of your poem through surreal description, metaphor, and other modes. (Adapted from Kowit 127).
Related poems. Write a group of poems related to each other in form, or content, or both.” From Anderson in The Practice of Poetry 160.
Rewrite poem. Return to a draft, an incomplete exercise and begin it again by rewriting every word, every line and see where it takes you. (Adapted from Kowit 47).
River poem. “Write a poem with a different river in each line.” Refer to Ashbery’s poem “Into the Dusk-Charged Air.” (Koch’s Rose 150).
Secret poem. Write a poem in which you reveal something to yourself, about yourself, that you have never told anybody. Begin with that line.
Seduction poem. “Write a ‘seduction poem’, in tetrameter couplets, in a modern voice.” From Ostriker in The Practice of Poetry 169.
Seeming poem. Write a poem alternating between the “I seem to be / but now I am” construction. (Koch’s Wishes 256.)
Special Power poem. Imagine that you have a special power and “write a poem in which, in a boasting, generous, and secret-telling kind of way, [you] offer to share these secrets. Refer to Walt Whitman’s poem “Song of Myself.” (Koch’s Rose 74).
Swan of Bees poem. Write a poem that has a construction like “swan of bees” or “blackboard of dreams” or “window of kisses” in every line. (Koch’s Wishes 155.)
Tell poem. Write a poem comprised entirely of short “tell” statements, with as little showing as possible to see where it leads you.
Thing poem. Write a poem from the perspective of an inanimate object—like a cigarette, a truck tire, a whisky glass, or the door knob of a castle. (Koch’s Wishes 270.)
TV poem. Write a poem while the sound is off, and switch the channel if you get stuck. Adapted from Clark’s Mind’s Eye 24.
Two-line poem. Write a two-line poem like Pound’s famous “In a Station of the Metro” where two distinct images are paired. Adapted from Clark’s Mind’s Eye 24 and 36.
Tyger poem. “Write a poem in which you are talking to a beautiful and mysterious creature and you can ask it anything you want—anything. You have the power to do this because you can speak its secret language” Refer to William Blake’s poem “The Tyger” (Koch’s Rose 6).
Unrelated Objects poem. Find several unrelated objects. “Write a poem describing the room from which these objects come.” (Pamela Alexander in The Practice of Poetry 96.)
Used to poem. Write a poem with the construction “I used to / but now” and repeat this, vary it, expand it. (Koch’s Wishes 174.)
Variegated Terrain poem. Write a poem of fifteen lines, where each relies on a specific emotion (otherwise unstated), like switching from jealousy to sorrow to fury to joy to confusion to hilarity to dread to curiosity to silliness and so on.
Voyelle poem. “Write a poem in which in every line you give the color of a vowel and also mention a few things which have that color. If you like, you can say that these things are the origin of the colors and of the vowels.” See Rimbaud’s poem “Voyelles” for reference. (Koch’s Rose 163).
Formal Constraints
Aerated poem. “Try writing a poem that employs much ‘open’ or white space throughout.” Adapted from Clark’s Mind’s Eye 150.
Alternating line lengths. Write a poem with long lines, then short, long, then short. Vary these greatly. Look at Anne Carson’s Autobiography of Red for example. Also see Hudgins in The Practice of Poetry 189.)
Anapestic Dimeter. Try writing a six-syllable line (with the stresses on the third and the sixth syllable) for 20 lines.
Automatic poem. Write without taking the pen from the page (or your fingers from the keys) for fifteen minutes. Follow any passing thought or distraction, bring it into the writing. Let it get weird. Put that piece away for a day or two, then return to it and pluck out a line that resonates to begin a poem.
Beginning with another poem. Take a poem that’s new to you that you like (e.g., Rimbaud, Lorca, Mandelstam). Pluck out a good line from the middle of that poem, and begin a poem with that line as your first line.
Between-the-Lines poem. Take a poem new to you that is dense and strange. Type out the poem triple-spaced and print it out. Then write your own lines between the lines of the extant poem. Once you are finished, cross out or delete the original poet’s lines and rework your own lines into a poem. (Adapted from McClatchy in The Practice of Poetry 155.)
Break poem. “Write a poem in which some major change (in style or content) occurs across a stanza break. The poem should not explicate or comment on the change: it should rather absorb or reflect it.” (From Alexander in The Practice of Poetry 147.)
Chance poem. Open up the dictionary. Choose out 10 words at random. Write a poem with those ten words. (Adapted from Kowit 118).
Choriambic Sonnet. A sixteen-syllable line (‘—’) in an octave and sestet.
Contradiction poem. Take a line from a poem new to you that is a statement. Use that line as a first line and begin your poem as a contradiction or refutation of that poem. Adapted from Gilbert in The Practice of Poetry 148.
Construction poem. “Write a poem in which you literally build and/or take apart something for your reader.” (From Digges in The Practice of Poetry 139.)
Dactylic Trimeter poem. Try to write ten lines: 9 syllables a line (3, with the stress falling on the first, fourth, and seventh syllables of each line). Unrhymed. Also try Dactylic Hexameter if you’re feeling ambitious.
Dialogue poem. Write a poem in two voices—this could be in direct conversation or this could be two voices that cannot actually hear each other. See how distinct you can make them.
Emulation poem. Write a poem in the style and voice (but your own words) of another poem, say by Creeley, Niedecker, Ashbery, or Shakespeare. This could be a poem you know well and love, but is probably better if it’s a poem new to you in a style you’re unfamiliar with.
Extended Metaphor poem. Write a poem comprised entirely of an extended metaphor. See if you can generate 15 lines.
Expansure poem. The opposite of an erasure (see below), this is a poem where you take a small bit of found text (like a road sign, or a text message) and expand around it—grow it way it into something radically different than what the original says.
Future tense poem. Write a poem that relies only on future tense verbs.
Iambic Tetrameter. Dickinson loved varying this meter (with Iambic trimeter) so try it for sixteen lines.
Index /Table of Contents poem. Write a fake (or mock) index or Table of Contents for an imagined book. From Upton in The Practice of Poetry 129.
Kunin poem. Write a poem of five syllables per line, in three five line stanzas. Refer to Aaron Kunin’s book Folding Ruler Star.
List poem. This could be about loves, losses, meals, cities, those you’ve known who’ve passed away. See Padgett’s Handbook 100.
Implement/Surface poem. Write a poem with a different implement than you’re used to (a magic marker, a sharpee, a colored pencil, etc.) and find a surface that’s large to write on (like a dry erase board in a classroom or cut out grocery bag, cut open a shoe box).
Midwinter Day Poem. Write a single poem, all throughout a single day. Try to get as much as humanly possible of your lived reality (passing thoughts, changes in light and weather, interruptions, unlikely connections, ramblings) as possible. Refer to Bernadette Mayer’s book Midwinter Day.
Most Common Words Poem. Write a poem comprised only of the most common words in English: http://en.wikipedia.org/wiki/Most_common_words_in_English
Negation poem. Write a poem with only negative statements (e.g., “I lost all my nickels, there was no moon, and the stars had been evaporated by the sun which had gone missing in the absent sky”).
Noise poem. Write a poem that imitates a single sound and try to imitate it differently in each line—expand on it, contradict it, follow it to other sounds, metaphors, sensory details. (Adapted from Koch’s Wishes 126.)
Opposite poems. “Choose a pair of words with opposite or nearly opposite meanings…Write a poem titled and based upon each of the words you have chosen.” (from Dischell in The Practice of Poetry 143.)
Photograph poem. Find two photographs: one new to you and one that’s familiar. Write a poem drawing from the images in both. (Adapted from Kowit 100).
Poemfilm. Make a short movie (on iMovie for instance) of found footage or footage you’ve filmed—and edit it together with either your text (subtitled) or your voice over narration.
Prose poem. Use just five complete sentences, unrelated to one another.
Question poem. Write a poem comprised entirely of questions. Be specific, leap around, and ask yes/no questions as well as open-ended questions.
Q&A poem. Write a question and then answer it in the poem in multiple—even contradictory ways. (Adapted from Smith 111.)
Quotation poem. Find a quotation old or new, but unrelated to poetry. Use that as your epigraph and write a poem beneath it that does not refer to the quotation directly. Adapted from Clark’s Mind’s Eye 105.
Ransom Note poem. Cut letters out of a new paper, junk mail, or magazines. Reassemble a poem in the form of a ransom note, letter by letter. (Adapted from Kowit 110).
Recorded poem. Record yourself speaking a poem as you improvise it. Then Transcribe and expand it.
Serial poem. Write a poem broken into sections (numbered parts, for example) or create your own new way of dividing the poem’s discrete parts up.
Syllabic Poem. Write a rhymed poem of ten lines, alternating 9 and 7 syllables per line. (Adapted from Kowit 179).
Transliteration. Find a poem in a language you do not read or speak. Do an incorrect poetic translation of that poem—however roughly or oddly—into your own English, without any regard for what the original poem means, working only on what the words might sound like in English.
Trochaic Tetrameter. Write ten lines, with 8 syllables a line, but using only a trochaic (stress, unstressed) meter.
Unpunctuated poem. Write a poem in 20 lines without any punctuation. Adapted from Clark’s Mind’s Eye 52.
Walk Poem. Go for a walk with a notebook and pen. Stop every so often to write lines mid-walk. Let details, scents, passing thoughts, and any overheard sound or speech come in. See Padgett’s Handbook 200.
Wish poem. Write a poem which begins, varyingly, with I wish, and, and Sometimes. (From Koch’s Wishes 13).
Traditional Forms
Acrostic. Write a twenty-six line poem, each line beginning with each letter of the alphabet. See Padgett’s Handbook (4) for variations.
Anglo-Saxon Lines. See Baumel in The Practice of Poetry 193.
Aubade. Write a poem about leaving one you love after you’ve spent the night together.
Ballad. Write a rhyming poem in quatrains that tells a story in an ABAB scheme. See Padgett’s Handbook 18 and 73 in Strand and Boland’s Making of a Poem.
Blank Verse Poem. Write 20 lines, ten syllables per line, each with about 5 stresses per line—unrhymed. See Padgett’s Handbook 25 and 101 in Strand and Boland’s Making of a Poem.
Calligram. Write a poem in the shape of the thing it describes, like a building, a swimming pool, a watermelon, or a platypus. See Padgett’s Handbook 34.
Cantos. Write a poem in five or ten sections, called cantos. These can be different angles, perspectives, stages, or stories—each one a separate “canto” in the greater poem. See Padgett’s Handbook 38.
Canzone. Design a rhyming, patterned form (like 15 lines of iambic hexameter, rhyming ABAB) and write a poem about a big topic: love, injustice, cruelty, beauty, etc. See Padgett’s Handbook 40.
Chant. Write a poem meant to be said aloud and repeated—think of work songs, drinking songs, protests, and spells. See Padgett’s Handbook 45.
Cento. Take at least five lines from five other poets’ poems and arrange them into a poem. See Padgett’s Handbook 45.
Cinquain. Write a five-line poem with two, four, six, eight, and then two syllables. See Padgett’s Handbook 49.
Collaboration. Write a poem of 25 lines with another person. Experiment with trading lines, sentences, trading words, and even letters. See Padgett’s Handbook 51.
Concrete Poem. Write a poem that tries to embody what it refers to—whether physical or abstract. Consider sound and typography, and try to match what the poem says with how it says so on the page. See Padgett’s Handbook 53.
Eclogue. Write a poem in the style of a monologue celebrating something (often natural) and which attempts to convince the reader of its value. See Padgett’s Handbook 60.
Elegy. “Song of mourning.” This poem is to communicate the sadness of a death and is also to commemorate a loved one. See Padgett’s Handbook 62 and 167 in Strand and Boland’s Making of a Poem.
Epic. The biggest, most vast and all-encompassing poem we know: Homer, Byron, and Virgil wrote these and Pound, Williams, Waldman, and Notley reinvented them. See Padgett’s Handbook 65.
Epigram. Write a short one or two line poem meant as a pithy bit of wisdom—austere or playful. See Padgett’s Handbook 67.
Epistle. Write a poem in the form of a letter. Refer to Li Po’s “The River Merchant’s Wife: A Letter” translated by Ezra Pound. See Padgett’s Handbook 69.
Epitaph. Poem written “on a tomb” to commemorate the dead. See Padgett’s Handbook 71.
Epithalamium. Write a poem celebrating a marriage. This could be literal or parodic, real or imagined. See Padgett’s Handbook 73.
Erasure. Photocopy a page out of a dictionary, encyclopedia, old science text book, etc., and erase (black out, white out, scribble over, whatever) 90% of the words that you don’t need in order to reveal a poem beneath. Refer to Tom Philips’s A Humument.
Event poem. Write down a numbered list of steps involving people and objects and animals and tools—as though this was a list of instructions actors would perform for an audience. See Padgett’s Handbook 74.
Found poem. Like Duchamp’s urinal, the found poem is an entire work unto itself which might be thought of as a poem in a new context: this could be a billboard, an old advertisement, a text message from your mother, or a receipt from the tailor. See Padgett’s Handbook 79.
Fragment. Write a fragmented poem in the shape of Sappho’s fragments using the whole page. See Anne Carson’s Sappho translation If Not, Winter.
Ghazal. Try to write 5-12 couplets, all sharing the same rhyme, and put your actual name in the final line. See Padgett’s Handbook 84 for variations and Ali in The Practice of Poetry 205.
Haibun. Write a poem that alternates between prose description and then haiku. See Basho’s Narrow Road to the Deep Interior.
Haiku. Write 10 haiku (3 line stanza: 5 syllables, 7 syllables, 5 syllables). See Padgett’s Handbook 86.
Heroic Couplets. Write five iambic pentameter and end rhyming couplets. See 121 in Strand and Boland’s Making of a Poem.
Invective Poem. Write a poem full of disdain and vituperation. Catullus was a master of these. Also see Padgett’s Handbook (91) for “insult poetry.”
Limerick. Write 5-line poem where the 1st, 2nd, and 5th lines have three stresses each and rhyme with one another, and the 3rd and 4th lines have two stresses each and rhyme with one another. See Padgett’s Handbook 94.
Lune. Write this Americanized version of the Haiku. Three lines: 3 syllables, 5 syllables, 3 syllables. See Padgett’s Handbook 103. Try writing 10 of them.
Nonsense poem. Write a poem that makes as little sense as possible. See Padgett’s Handbook 115.
Ode. Write an ode on an abstract concept (like lying or silliness), an occasion (a celebration or holiday), or on an object (like Keat’s Grecian Urn). See Padgett’s Handbook 118 and 240 in Strand and Boland’s Making of a Poem.
Ottava Rima. Write an 8 line stanza, where the rhyme is abababcc. See Padgett’s Handbook 124.
Pantoum. Write 6-10 quatrains with the repeating structure of lines according to the form. See Padgett’s Handbook 126, page 43 in Strand and Boland’s Making of a Poem, Baumel in The Practice of Poetry 198.
Pastoral. Write a poem depicting imaginary life in the wilderness. See Padgett’s Handbook 132 and 207 in Strand and Boland’s Making of a Poem.
Renga. Write a long, image-filled poem alternating between tercets and couplets. Try to write a total of 30 lines in this mode. See Padgett’s Handbook 148.
Satire. Take something people feel pious about and writing a poem that exposes the weaknesses of it in a biting, sardonic mode. See Padgett’s Handbook 163.
Sestina. Write a 7-stanza poem with six repeating and alternating end words. See Padgett’s Handbook 170 and 21 in Strand and Boland’s Making of a Poem.
Sonnet. Write 2 rhyming sonnets (Petrarchan and Shakespearean). See Padgett’s Handbook 178 and 55 in Strand and Boland’s Making of a Poem.
Syllabic Poem. Choose ten numbers at random (3, 9, 1, 2, 2, 12, etc.) and then use each of those numbers to determine the number of syllables in your lines, as in Marianne Moore’s poetry. See Padgett’s Handbook 185.
Tanka. Write a short, meditative five-line poem (2 syllables, 3 syllables, 2 syllables, 3 syllables, 3 syllables) See Padgett’s Handbook 187.
Terza Rima. Write a rhyming 15-line poem, in 5 stanzas of terza rima. See Padgett’s Handbook 192.
Triolet. Write an 8-line poem of a specific rhyme scheme, where the first line is repeated twice more. See Padgett’s Handbook 194.
Villanelle. Write a six stanza (five tercets and a quatrain) poem in rhyme. See Padgett’s Handbook 197, page 5 in Strand and Boland’s Making of a Poem, and Peacock in The Practice of Poetry 200.
BEYOND
Beyond the brief 150 or so prompts, exercises, terms, and forms above, there are many other excellent ones. What follows are a few other resources for digging deeper.
There are terrific procedural poetry writing exercises in Wiggerman and Meischen’s Wingbeats book. See especially the following exercises:
Cyra S. Dumitru’s “The Mind’s Eye: Listening as Seeing” (47).
Abe Louise Young’s “Birds in the Classroom” (56).
Wendy Barker’s “A Crack in the Cup” (60).
Harryette Mullen’s “Emulating Walt Whitman” (101).
Naomi Shihab Nye’s “New Combinations: Nouns and Verbs” (119).
Susan Briante’s “Diction Translations” (153).
Rosa Alcala’s “A Walking Petrarchan Sonnet” (167).
Andrea Hollander Budy’s “The Postcard Poem” (200).
Susan Terris’s “Seven (or Ten) Line Poem” (202).
Georgia Popoff’s “Tales from the Bathroom” (226).
Jane Hilberry’s “My Mother’s Clothes” (232).
Jenny Browne’s “Love Letter to a Stranger” (235).
Patricia Smith’s “Dressing” (241).
Oliver de la Paz’s “Rube Goldberg Poems” (265).
Ravi Shankar’s “A Manipulated Fourteen-Line Poem” (269).
Matthew Zapruder’s “Three-Day Defamiliarization” (273).
Lisa Russ Spaar’s “The Self Portrait Poem” (277).
Hoa Nguyen’s “Mind is Shapely” (284).
William Wenthe’s “Stretching the Sentence” (288).
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Tom Hunley’s The Poetry Gymnasium is also replete with longer procedural exercises. Many draw on formal and familiar ideas, but there are 94 in all, broken into categories of “Invention,” Arrangement,” “Style,” “Memory,” and “Delivery”—that last section devoted to performing poems. One feature of the book is that beyond its detailed procedural instructions, Hunley has examples by published poets and by students who’ve tried the exercise. I’ve listed my sixteen favorites below:
Breaking the Rules (12)
Dialogue Balloons (14)
Hynagogic / Hypnopompic States (37)
Revision: Putting In (51)
Revision: Taking Out (61)
Prose Poem / Play (112)
Revised Forms (116)
Swivel Lines (128)
Bits and Fragments (141)
Changing Lanes Without Signaling (144)
Figure Eight (Schemes) (154)
Figure Eight (Tropes) (156)
Image Journals (165)
Multiple Metaphors (170)
Generating Unusual Metaphors (200)
A Blaze of Light in Every Word (218)
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Poets on Teaching: A Sourcebook also has a section called “Exercises/Praxis” featuring extended procedural poetry-writing exercises:
Rae Armantrout’s “The Ax” (91).
Evie Shockley’s “The Low-down on the Warm-up” (92).
Laynie Browne’s “On the Elasticity of the Sonnet…” (95).
Graham Foust’s “Teaching John Ashbery” (102).
Catherine Wagner’s Six S’s” (105).
Noah Eli Gordon’s “The Baggage Switch” (107).
Brenda Hillman’s “The Holograph” (110).
Jen Hofer’s “Two Dozen English-to-English Translations…” (114).
Peter Streckfus’s “Three Questions” (117).
Rachel Zucker’s “Poetry as Translation & Radical Revision” (120).
Tony Trigilio’s “Doing Things in Silence” (123).
Christine Hume’s “Taking Poetry Out For an Essay” (126).
Bruce Beasley’s “The Oddity of Point Roberts” (129).
Sawako Nakayasu’s “Competitive Poetry: Kukai” (131).
Brian Henry’s “Teaching Writing Without Writing” (133).
Emily Rosko’s “The Complaint” (135).
Aimee Nezhukumatathil’s “The Poetry of Superstition and Supposition “ (138).
Martha Ronk’s “Obsession with Objects” (140).
Matthew Cooperman’s “Taking Readings / To Take Time” (143).
Oliver de la Paz’s “The Poetic Timeline…” (146).
Bhanu Kapil’s “Writing the Body” (149).
Michael Theune’s “Trust the Turn: Focusing the Revision Process…” (151).
K. Silem Mohammad’s “Impersonal Universe Deck (IUD) “ (153).
Sasha Steensen’s “Five Steps to the Five Minute Chapbook” (157).
Paul Hoover’s “A Wicker Swimmer: Straying Home” (161).
Dorothea Lasky’s “A Word is a Thing…” (166).
John Gallaher’s “The Manifest: an Idea with a Writing Prompt” (170).
Christina Mengert’s “Accessing Supra-Intelligence: Poetry and Intuition” (174).
Kazim Ali’s “Intentional Acts: Some Notes on The Heresy of…” (176).
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Behn and Twichell’s The Practice of Poetry also has a section (in addition to dozens of terrific poetry-writing procedures) on revision. See especially:
Donald Justice’s “Of Revision” (249).
Lynn Emanuel’s “In Praise of Malice” (251).
Susan Snively’s “Waiting and Silence” (257).
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For broader and even more theoretical approaches related to teaching poetry, Retallack and Spahr’s excellent Poetry And Pedagogy is full of excellent essays. The following are my favorites:
Alan Golding’s “Isn’t the Avant-Garde Always Pedagogical” (13).
Lynn Keller’s “FFFFFalling with Poetry” (30).
Charles Bernstein’s “The Difficult Poem” (148).
Lyn Hejinian’s “Stages of Encounter with a Difficult Text” (205).
Jena Osman’s “Gumshoe Poetry” (239).
Charles Bernstein’s “Creative Wreading: A Primer” (275).
Harryette Mullen’s “Between Jihad and McWorld: A Place for Poetry” (282).
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Poets on Teaching also contains dozens of other reflective, theoretical, and uncategorizable pieces as well. A few of my favorites are Gridley (3), Reddy (7), Mobilio (9), Sikelianos (11), Swensen (15), Burt (18), Martin (26), Goldsmith (29), Gizzi (36), Silliman (40), Brown (50), Beachy-Quick (85), Gander (87), Jarnot (181), Spahr and Clover (184), McSweeney and Goransson (187), Sharma (214), Nguyen (229), Smith (249), Giscombe (285), Waldrep (303).
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The most esoteric anthology of materials related to teaching poetry is probably Jane Sprague’s excellent Imaginary Syllabi. Favorites in there are Conrad (25), Lasky (31), Hoover (38), Mellis (80), Robinson (83), Zawacki (87), and Halpern (93).
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Orr and Voigt’s Poets Teaching Poets is basically comprised of lectures by poets on various topics. Most of these are pretty bland, actually. Stand-outs: Hass (9), Gluck (23), Grossman (121), McHugh (207), and Hoagland (240)—though none deal with teaching particularly. They are more in the vein of talks and object lessons compiled from talks given at Warren Wilson College over the years.
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The Judith Lee Stronach Memorial Lectures On the Teaching of Poetry: this a series of chapbooks or pamphlets published by the Bancroft Library at Berkeley (in editions of just 400). I’ve only read “On Teaching Poetry” by Robert Hass and Brenda Hillman’s “Cracks in the Oracle Bone”—and both are in the flavor of the essays in Poets Teaching Poets—but there are some jewels in there (Hass’s reading of some 17th Century haiku as a metaphor for teaching poetry, for instance) for those looking to dig a bit deeper. There are others in the series (Sharon Olds, Carl Phillips, et al.) that I haven’t yet read.
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There aren’t many “classics” of creative writing pedagogy or how-to manuals, but I’ve listed three below that are used and cited widely: Pound’s ABC of Reading; Hugo’s Triggering Town; and Dobyns’s Best Words, Best Order. For good or bad, these three have made the rounds and are well worth spending time with—especially Pound’s little volume, which I return to often when teaching intro to poetry courses.
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For fiction writing exercises, I think Brian Kiteley’s The 3 A.M. Epiphany is excellent as it features more than 200 short, detailed assignments. After the success of this volume, Kiteley wrote a sequel called The 4 A.M. Breakthrough.